Opener Softly, As In A Morning Sunrise based on Emily's arrangement immediately evokes a dreamlike floating quality with an exceptional time-feel that shows just how far it's possible to lay back and still groove.開瓶器輕輕地，如在晨曦的基礎上Emily的安排，立即引發了一個夢幻般的浮動質量就具有超凡的時間，覺得只是說明了它是可以躺下來，仍然槽。 Both guitarists utilize a classic, warm, clear but distinct jazz tone – Deirdre's early 60′s Epiphone Casino elicits a slightly brighter sound with a touch more reverb added than Kathy, who sounds like she's mostly playing her Taylor T5 hybrid electric/acoustic.吉他手都利用一個經典，溫暖，清晰，但不同的爵士樂音 - 迪爾德麗的60年代初的Epiphone賭場引出一個稍亮一點的聲音混響帶觸摸更比凱西說，誰的聲音就像她的大多是打她的泰勒T5混合動力電動 /聲。
All The Things You Are is explored with a fresh variety of approaches and a mellow interlude where both guitars sustain intricate single note runs simultaneously while keeping the aura of the harmony intact. 所有的事情你是否是一個新的探索各種途徑和醇厚的插曲吉他都維持在錯綜複雜的一個音符同時運行，同時保持完整的和諧氣氛。 The differing styles of the duo are most apparent when soloing – Dyson's lines are often very horn-like in their phrasing and development, whereas Cartwright has the more guitaristic approach that is both lyrical and inventive.的不同風格的二人是最明顯的當獨奏 - 戴森的路線往往很喇叭狀在其措辭和發展，而有更多的guitaristic卡特賴特的方法，既抒情性和創造性。
To The Seagull a Pablo Neruda poem set to music by Kathy swiftly moves from a meditative to lively pace guided by guest vocalist Sarah P's precise warm tones. Hello World a Cartwright original written especially for the duo features a searching melody that unfolds in a delightfully unpredictable way over a bossa feel – a real gem that catches the ear immediately. 對於海鷗巴勃羅聶魯達詩歌集音樂由Kathy迅速行動，從一沉思熱鬧的步伐，引導嘉賓歌手莎拉P的精確溫暖的色調。 你好世界一卡特賴特原有書面尤其是對兩人具有搜索的旋律展現在興高采烈地不可預知大大超過一博薩的感覺 - 一個真正的寶石，立即抓住了耳朵。
Afro Blue/Sonnet For Emily is an emotionally charged take on Remler's arrangement of the tune with added spoken verse from Sarah P. The real highlight is the way Kathy recreates and extends Emily's brief original solo – it really is played with a lot of soul and emotional pull. 非洲藍/十四行詩獻給艾米莉是一個充滿激情的承擔Remler的安排的調整與補充發言的詩句從薩拉P的真正的亮點是道路凱西再現和延伸艾米莉的簡短原獨奏-它實際上是起到了很多的靈魂，情緒的拉動。
8 On 12 a follow-the-leader type completely improvised exchange is a light-hearted diversion before the intensity of How Insensitive – a tune deeply loved by Remler and played here by the duo with a wistful elegance. Broadband , a 16 bar and 12 bar blues grooves well with some striking interplay and seamless transitions from comping to soloing from both guitarists. Whirligig penned by Dyson, a jazz lullaby, features a playful and pleasantly dizzying call and response section and gently rounds off the album. 8月12後續的領先者型是完全即興的交流是一個輕鬆的轉移前的強度如何不敏感-一首深受喜愛Remler這裡發揮二人與渴望高雅。 寬帶 ，16桿和12酒吧藍調槽以及與一些引人注目的相互作用和無縫過渡，從作曲到來自吉他獨奏。 流逝寫下了戴森，爵士搖籃曲，具有活潑，愉快的令人目眩的要求和反應科，輕輕彈了這張專輯。

The compelling storytelling nature of Cartwright and Dyson's guitar playing with their high emphasis on melody and expressive qualities are the elements that truly bind them so closely to the musical spirit of Emily.令人信服的講故事性質 Cartwright和Dyson的吉他演奏與他們高度重視對旋律和表現性的要素，真正約束他們如此貼近的音樂精神埃米莉。 This is a thoroughly engaging and inspiring album that is a fitting tribute to Remler and also showcases the sheer strength and diversity of Cartwright and Dyson as players, composers and arrangers.這是一個十分有魅力和鼓舞人心的專輯，是一個合適的讚揚 Remler，也展示了絕對的實力和多樣性 Cartwright和Dyson為球員，作曲家和編曲。 – Simon - 西蒙