Opener Softly, As In A Morning Sunrise based on Emily's arrangement immediately evokes a dreamlike floating quality with an exceptional time-feel that shows just how far it's possible to lay back and still groove.开瓶器轻轻地，如在上午安排的基础上刘慧卿日出立即唤起，梦幻般的感觉，显示一个浮动的质量就具有超凡的时间多远是可能的躺下来，仍然槽。 Both guitarists utilize a classic, warm, clear but distinct jazz tone – Deirdre's early 60′s Epiphone Casino elicits a slightly brighter sound with a touch more reverb added than Kathy, who sounds like she's mostly playing her Taylor T5 hybrid electric/acoustic.吉他手都利用一个经典，温暖，清晰，但不同的爵士乐音 - 迪尔德丽的60年代初的Epiphone赌场引出一个带触摸更多的混响比凯西说，谁喜欢她的大多是打她的泰勒T5混合动力电动/音响声音稍亮一点的声音。
All The Things You Are is explored with a fresh variety of approaches and a mellow interlude where both guitars sustain intricate single note runs simultaneously while keeping the aura of the harmony intact. 所有的事情你注意，这一点与探索各种新鲜的方法和醇厚的插曲吉他都维持在一个错综复杂的同时运行，同时保持完整的和谐气氛。 The differing styles of the duo are most apparent when soloing – Dyson's lines are often very horn-like in their phrasing and development, whereas Cartwright has the more guitaristic approach that is both lyrical and inventive.在二人的不同风格的最明显的当独奏 - 戴森的路线往往很喇叭在措辞和发展一样，而有更多的guitaristic卡特赖特的方法，既抒情性和创造性。
To The Seagull a Pablo Neruda poem set to music by Kathy swiftly moves from a meditative to lively pace guided by guest vocalist Sarah P's precise warm tones. Hello World a Cartwright original written especially for the duo features a searching melody that unfolds in a delightfully unpredictable way over a bossa feel – a real gem that catches the ear immediately. 对于海鸥巴勃罗聂鲁达诗歌集由Kathy音乐迅速移动P的精确暖色调莎拉一沉思热闹的步伐，引导嘉宾歌手。 你好世界一卡特赖特原来二人的书面尤其是采用了搜索的旋律展现在兴高采烈地不可预知博萨的方式在一个感觉 - 一个真正的宝石，立即抓住了耳朵。
Afro Blue/Sonnet For Emily is an emotionally charged take on Remler's arrangement of the tune with added spoken verse from Sarah P. The real highlight is the way Kathy recreates and extends Emily's brief original solo – it really is played with a lot of soul and emotional pull. 非洲蓝/十四行诗献给艾米莉是一个充满激情的承担Remler的调整安排，以补充发言体育节从萨拉的真正的亮点是道路凯西再现和延伸艾米莉的简短原独奏-它实际上是企业的灵魂玩一种用了很多，情绪的拉动。
8 On 12 a follow-the-leader type completely improvised exchange is a light-hearted diversion before the intensity of How Insensitive – a tune deeply loved by Remler and played here by the duo with a wistful elegance. Broadband , a 16 bar and 12 bar blues grooves well with some striking interplay and seamless transitions from comping to soloing from both guitarists. Whirligig penned by Dyson, a jazz lullaby, features a playful and pleasantly dizzying call and response section and gently rounds off the album.交易所8月12后续的领先者型是完全即兴的强度是如何不灵敏光前的轻松转移-一首深受喜爱Remler这里发挥二人与渴望的优雅12。 宽带 ，酒吧和16酒吧蓝调槽以及与一些引人注目的相互作用和无缝过渡到吉他独奏，从作曲来自。 流逝 ，写下了戴森，爵士摇篮曲特点是活泼，愉快的令人目眩的要求和反应科和专辑轻轻弹了。

The compelling storytelling nature of Cartwright and Dyson's guitar playing with their high emphasis on melody and expressive qualities are the elements that truly bind them so closely to the musical spirit of Emily.在Cartwright和Dyson的与他们的旋律和表现性的高度重视吉他演奏引人注目的讲故事性质的要素，真正约束他们如此贴近艾米莉的音乐精神。 This is a thoroughly engaging and inspiring album that is a fitting tribute to Remler and also showcases the sheer strength and diversity of Cartwright and Dyson as players, composers and arrangers.这是一个十分有魅力和鼓舞人心的专辑，是一个合适的赞扬，也展示了Remler纯粹的实力和作为球员，作曲家和编曲的Cartwright和戴森多样性。 – Simon - 西蒙