A Taste Of Honey & Second Childhood Transcriptions Shared A Taste Of Honey & Second Childhood Transcriptions Delt
Posted on 28 Sep 2009 | Under: Skrevet den 28 september 2009 | Under: Announcements Meddelelser
What a wonderful privilege it is to be part of the thriving Emily community that ATE is, full of people all over the globe freely giving their time, energy and talents for the one purpose of honoring Emily's memory and music. What a wonderful privilegium det er at være en del af det blomstrende Emily samfund om, at ATE er fuld af mennesker over hele kloden frit at give deres tid, energi og talent for det ene formål at ære Emily's hukommelse og musik. With that motivation Tom Cope , longtime supporter of the site and emerging transcriber generously offers two delightful selections for solo guitar that span her career start to finish with A Taste of Honey featuring a 'Bonanza Bassline' from her very first album, Firefly and the lovely and intricately layered tune Second Childhood from her last recording, This Is Me . Med denne motivation Tom Cope, longtime tilhænger af stedet og nye Gengiver generøst tilbyder to dejlige valg for sologuitar, der spænder over hendes karriere start til slut med A Taste of Honey ligner en »Bonanza Bassline" fra hendes første album, Firefly og den dejlige og kringlet lagdelte melodi Second Childhood fra hendes seneste optagelse, This Is Me.
Tom resides in the great state of Washington and has played with a variety of bands through the years, though he's definitely looking forward to his approaching retirement where he will have more time to hone his jazz chops and delve into other transcription challenges. Tom bor i den store staten Washington og har spillet med en række forskellige bands gennem årene, selv om han absolut leder frem til hans nærmer sig pensionsalderen, hvor han vil have mere tid til at finpudse hans jazz koteletter og dykke ned i andre transskription udfordringer.
When asked what drew him to Emily's sound he replies: Adspurgt om, hvad der gjorde ham til Emily's lyd svarer han:
What really connects me to Emily's music is her overall style of comping, solo lines, great phrasing and clear love for what she did. Det, der virkelig forbinder mig til at Emily's musik er hendes overordnede stil Comping, solo-linjer, store god til at formulere og tydelig kærlighed til, hvad hun gjorde. She certainly has her own voice but you can also hear the essence of people like Lenny Breau, Bill Evans, Wes and Pat Martino. Hun har helt sikkert sin egen stemme, men du kan også høre essensen af folk som Lenny BREAU, Bill Evans, Wes og Pat Martino. I first heard her on East To Wes, no turning back after that! Jeg først hørte hende på øst til Wes, ingen vej tilbage efter det! Was lucky enough to see her in a trio setting at a small club in Seattle in '88 or '89. Var så heldig at se hende i en trio, hvor der på en lille klub i Seattle i '88 eller '89. She was really “on” that night, really amazing. Hun var virkelig "på" den aften, virkelig fantastisk.
These transcriptions represent a lot of meticulous and focused hard work on Tom's behalf, especially Second Childhood, which has never been offered anywhere. Disse udskrifter udgør en meget omhyggelig og fokuserede hårde arbejde på Tom's vegne, især barndom, som aldrig er blevet tilbudt nogen steder. Please send your voice of appreciation in having them to twcope@comcast.net Send venligst din stemme for påskønnelse ved at have dem til at twcope@comcast.net
Click the paper icons below to download them in PDF. Klik på papiret ikonerne nedenfor for at downloade dem i PDF.
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