Saturday February 04 , 2012

To The Memory Of Emily

Another year may pass, but our love and admiration never will.

Here’s to Emily. Your music matters.

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We offer a few selections from, This Is Me, her last album, released posthumously in 1990.
Included are: Song For Maggie, Second Childhood and Simplicidaje.



 

Emily Remembered CD Available


Two ways to purchase your copy of Emily Remembered, from Jazz CD’s or from Amazon UK.

Also some nice reviews are starting to filter out, included one from our own Simon Crook. Read the most current online reviews at Bebop Spoken Here and two linked here from London sources. Lots of ways to support this release, visit Deirdre’s website to stay current on their latest performances and touring.

Opener Softly, As In A Morning Sunrise based on Emily’s arrangement immediately evokes a dreamlike floating quality with an exceptional time-feel that shows just how far it’s possible to lay back and still groove. Both guitarists utilize a classic, warm, clear but distinct jazz tone – Deirdre’s early 60′s Epiphone Casino elicits a slightly brighter sound with a touch more reverb added than Kathy, who sounds like she’s mostly playing her Taylor T5 hybrid electric/acoustic.
All The Things You Are is explored with a fresh variety of approaches and a mellow interlude where both guitars sustain intricate single note runs simultaneously while keeping the aura of the harmony intact. The differing styles of the duo are most apparent when soloing – Dyson’s lines are often very horn-like in their phrasing and development, whereas Cartwright has the more guitaristic approach that is both lyrical and inventive.
To The Seagull a Pablo Neruda poem set to music by Kathy swiftly moves from a meditative to lively pace guided by guest vocalist Sarah P’s precise warm tones. Hello World a Cartwright original written especially for the duo features a searching melody that unfolds in a delightfully unpredictable way over a bossa feel – a real gem that catches the ear immediately.
Afro Blue/Sonnet For Emily is an emotionally charged take on Remler’s arrangement of the tune with added spoken verse from Sarah P. The real highlight is the way Kathy recreates and extends Emily’s brief original solo – it really is played with a lot of soul and emotional pull.
8 On 12 a follow-the-leader type completely improvised exchange is a light-hearted diversion before the intensity of How Insensitive – a tune deeply loved by Remler and played here by the duo with a wistful elegance. Broadband, a 16 bar and 12 bar blues grooves well with some striking interplay and seamless transitions from comping to soloing from both guitarists. Whirligig penned by Dyson, a jazz lullaby, features a playful and pleasantly dizzying call and response section and gently rounds off the album.

The compelling storytelling nature of Cartwright and Dyson’s guitar playing with their high emphasis on melody and expressive qualities are the elements that truly bind them so closely to the musical spirit of Emily. This is a thoroughly engaging and inspiring album that is a fitting tribute to Remler and also showcases the sheer strength and diversity of Cartwright and Dyson as players, composers and arrangers. – Simon

 

Welcome

All Things Emily:
A community website celebrating the memory and music of jazz guitarist,
Emily Remler

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What’s  New

1. There's a wonderful new site focused on the achievements of women in jazz. View articles on ladies in jazz, past and present at JazzVirtuosa.com.

2. Check out Clive Blackman's power tab of Emily's version of D Natural Blues on either the Guest Transcription page or Downloads page.

3. Michael Ducey shares a lovely story from his memories of days with Emily: Remembering the Gifted Guitarist Emily Remler, at his website, Jazzipedia.com: Learning Jazz - Learning Jazz Musicians
an all inclusive site dedicated not only to better playing but a greater understanding of those names and sounds that made jazz what it is.


Ladies of Jazz Guitar

Threads of Thought

Debunking a common misconception: If I learn music by copying others, I will never have my own sound – THIS IS EGOTISTIC BULLSH*T and would be the same as saying If I learn to speak English by copying others, I will never write original books. — Fareed Haque

Emily's  Inspiration

Some Skunk Funk

Single Plays

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Recommended Listening

The Art of John Froehlich

allthingsemily.com : Remembering The Life & Music Of Legendary Jazz Guitarist Emily Remler © 2006 - 2012 All Rights Reserved.

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