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Firefly 1981 1981 萤火虫

Her 1st album at the tender age of 23 was due in part from her appearance with John Clayton on “ It's All In The Family ” that caught the ear of the executives at Concord.她的第一张专辑23小小年纪就在克莱顿于由于部分从她的外貌与约翰“ 这是家庭中的所有 ”这引起康科德的高管在耳边。 Firefly was Emily's first recording as leader and a promising debut.萤火虫是Emily的作为领导者和一个充满希望的首张第一张唱片。 Joined by pianist Hank Jones, bassist Bob Maize and drummer Jake Hanna, Emily delivers an enjoyable hard bop beginning.由钢琴家汉克琼斯，贝司手和鼓手杰克鲍勃玉米汉娜加盟，刘慧卿提供了一个愉快的硬波普的开始。 The album wasn't groundbreaking by early-'80s standards — although recorded in 1981, it sounds like it could have been recorded in 1961.这张专辑没有突破性的早期80年代的标准 - 虽然在1981年录制的，听起来它可能已在1961年录制的。 Emily brought a lot of potential to lively, swinging performances of Horace Silver's “Strollin',” McCoy Tyner's “Inception,” and Montgomery's “Movin' Along.” She also provided two original tunes (“Perk's Blues” and “The Firefly”) and pleasantly surprises listeners by unearthing a pretty but lesser-known Antonio Carlos Jobim song titled “Look to the Sky.” Her heartfelt interpretation demonstrates that the Jobim melody deserved to be much better known.刘慧卿带来了潜在的很多生动的，摇摆的表演贺拉斯银的“Strollin'，”麦科伊泰纳的“起始”和蒙哥马利的“居无定所'来吧。”她还提供了两个（“咖啡馆里的布鲁斯”和“萤火虫”）的原始曲调通过发掘和愉快的惊喜一个很漂亮，但是鲜为人知的歌曲名为安东尼卡洛斯若宾听众“看向天空。”她由衷的解释表明，若宾旋律当之无愧地成为许多广为人知。

” Remler is a prodigy and a phenomenon.. “Remler是一个天才和一个现象.. Too much! 太多了！ ” ~ W. Royal Stokes “〜瓦特皇家斯托克斯

Take Two 1982 需要两个 1982

Emily's second recording as a leader found the 24-year-old guitarist still very much playing in the Wes Montgomery vein, although her own musical personality was beginning to emerge. Emily的第二次录音作为一个领导者发现24岁的吉他手仍然非常韦斯蒙哥马利在静脉玩，虽然她自己的音乐个性开始出现。 She is joined by pianist James Williams, bassist Don Thompson and drummer Terry Clarke on a challenging set of material filled with obscurities and rarely performed gems such as Cannonball Adderley's “Cannonball”, Dexter Gordon's “For Regulars Only”, McCoy Tyner's “Search for Peace”, and Monty Alexander's “Eleuthra”.她加入了钢琴家詹姆斯威廉，贝斯手唐汤普森和鼓手特里克拉克在一个物质上富有挑战性的晦涩，如炮弹阿德利的“炮弹”，德克斯特戈登的“对正规仅”，麦考伊泰纳的“寻求和平很少进行宝石充满集“蒙蒂和亚历山大的”Eleuthra“。 Better known are “In Your Own Sweet Way” and “Afro Blue”, an amazing tune written by Mongo Santamaria, popularized by Coltrane, but perfected for solo guitar by Emily.更广为人知的“在你自己的可爱的路”和“非洲蓝”，一个惊人的调整由蒙戈圣玛丽亚写的，由雷恩普及，但对于刘慧卿吉他独奏完善。 She also contributes two originals, “Waltz For My Grandfather” a gentle and elegant Jim Hall-esque melody and “Pocket Wes”, a brandish rhythmic romp.她还有助于两份，“我的祖父圆舞曲”温柔优雅吉姆霍尔式的旋律和“掌上韦斯”，一个挥舞节奏欢蹦乱跳。

” Emily Remler has made a swift and admirable advance from promising youngster to creative and fast growing professional… the proof is nowhere more apparent than in this most carefully planned and brilliantly executed set of performances. “埃米莉Remler取得了进步，从有希望的年轻人迅速和令人钦佩的创意和快速增长的专业...更证明是行不通的表现明显比在这方面最出色的精心策划和执行的一套。 ” ~ Leonard Feather “〜伦纳德羽毛

Transitions 1983 1983年过渡
Her third Concord recording was a strong step forward, as she started to really find a voice of her own.她的第三协和记录是一个强有力的一步，因为她开始真正找到了自己的声音。 Rather than a standard piano-bass-drums trio, Remler teamed up with trumpeter John D'Earth, bassist Eddie Gomez and drummer Bob Moses.而不是一个标准的钢琴低音鼓三人，Remler联手与小号手约翰德地球，贝司手和鼓手艾迪戈麦斯鲍勃摩西。 Her three originals were challenging, and the quartet also performed Sam Jones' swinging “Del Sasser,” Duke Ellington's lesser-known “Searchin'” and Keith Jarrett's “Coral.她的三个正本具有挑战性，和四方也表现萨姆琼斯摆动“德尔震荡波，”艾灵顿公爵的不太知名的“Searchin的”和基思哈雷特的“珊瑚。 ” Throughout Emily shows that her future lay beyond straight-ahead bebop. “在整个刘慧卿表明，她的未来超越笔直向前比波普所在。 All in all, this is one of the strongest总而言之，这是一种最强
of her solo recordings.她的独奏唱片。

” Here is a brilliant, fast developing talent, not merely surrounding herself with accompanists, but becoming part of a splendidly unified group. “这是一个辉煌的，快速发展的人才，不仅自己与周围的伴奏，而是成为集团的一部分，一个出色的统一。 I suspect that Transitions will be long remembered as one of the giant steps in the evolution of Emily Remler. 我怀疑的过渡将是漫长的Remler记得刘慧卿作为发展中的一大步。 “ ~ Leonard Feather “〜伦纳德羽毛

Catwalk 1984 1984年时装表演
While her earlier dates were very much in the bop mainstream, this fine effort (in a quartet with trumpeter John D'Earth, who teamed with her in Transitions, bassist Eddie Gomez and drummer Bob Moses) found her looking ahead and finding the composer within, on seven diverse originals.而她之前的日期是在国际收支平衡表非常主流，这样的好工作（在地球与小号手约翰德，谁四方联手在她的视线，贝司手和鼓手艾迪戈麦斯鲍勃摩西）发现她向前看，在找到作曲家，在七个不同的原件。 She comes through with authority and her presence, her warmth, and the fresh flow of lyricism is a joy to experience.她是通过有权威和她的存在，她的温暖，以及抒情新鲜的流量是一个欢乐的体验。 It was a strong and fairly adventurous effort for them all and one of the finest recordings of her short career as a composer.这是对所有这些，对她作为一个作曲家短暂的职业生涯最好的录音之一强，相当冒险的努力。

” Remler's presence – the fusion of sound, time, and ideas – has an immediacy and strength of identity… This is more than exceptional talent; this is someone who, from the top of the first chorus, lets you know who she is. “Remler的存在-时间融合的声音，和想法-有实力的身份直接和...这是人才特别多，这是谁的人，从顶部的第一个合唱团，让你知道她是谁。 “ ~ Nat Hentoff “〜纳特亨托夫

East To Wes 1988 1988年东韦斯
Here Emily continues to raise her game.艾米莉在这里继续提高她的游戏。 Her fluid technique brightens such seldom heard numbers as the Clifford Brown's melodic “Daahoud” and her luminous arrangement of Claude Thornhill's lovely “Snowfall”.流体技术照亮她的克利福德布朗的旋律“Daahoud”和她的克劳德Thornhill的可爱的“雪”发光很少听到这样的安排号码。 Also included is the relaxed rendition of “Sweet Georgia Fame”, the first ever guitar version of “Hot House”, her incredible props for Herb Ellis in “Blues For Herb” and of course the tribute to Wes, “East To Wes”, for which she explains, “Wes was one of the greatest improvisers I ever heard.还包括了“甜格鲁吉亚名人堂”，首先“热之家”，她难以置信的道具香草埃利斯在“草本蓝调”，当然对韦斯表示敬意，“东向韦斯”前所未有的轻松吉他版本的演唱，为此，她解释说，“韦斯是我听到过的最伟大的即兴之一。 His feeling was happy, his soul was beautiful.他感到很高兴，他的灵魂是美丽的。 He made listener's feel.” The polished rhythm section includes the masterful pianist Hank Jones, bassist Buster Williams, and drummer Marvin “Smitty” Smith.他让听众的感觉。“抛光节奏部分包括熟练的钢琴家汉克琼斯，贝司手巴斯特威廉姆斯和鼓手马文”史密蒂“史密斯。 Maybe her best Swing album ever.也许她的专辑有史以来最好的摇摆。

” Emily Remler's time is so sure, so flowing, that it's as natural to her as breathing. “埃米莉Remler的时间是如此肯定，如此流畅，它作为自然的，因为她的呼吸。 So is her warmth – of tone and conception. 那么，她的温暖-音调和观念。 She's a natural story-teller, keeping the narrative line alive with an exact sense of dynamics and color. 她是一个自然说书，保持活着的叙事线的颜色与动态和精确感。 “ “
~ Nat Hentoff 〜纳特亨托夫

This Is Me 1990 这是我 1990年
Emily's first and only album with Jusitce Records, and the premiere for her creative excursion into electric jazz-pop, where she incorporated pop and rock elements on her own terms but maintained her musical integrity and entirely avoided radio-oriented smooth jazz drivel. Emily的第一个也是唯一专辑的Jusitce记录，并为她为电能爵士流行，在那里她加入了她自己的方式流行音乐和摇滚音乐元素，但她保持完整，完全避免无线电胡说面向顺利爵士乐创造性游览首演。 What remains constant is the warm and lyrical nature of her playing.什么保持不变，是她的演奏热情和抒情性。 While the influence of Wes Montgomery and Herb Ellis remains, some of these pieces indicate that she was paying close attention to Pat Metheny.虽然韦斯蒙哥马利和Herb Ellis的影响依然存在，这些作品有的表示，她密切关注八梅特尼。 She was most proud of this recording, on which she wrote or co-wrote all the material except “Love Colors” and was genuinely overjoyed by the outstanding musicians involved in it's creation, the likes of the great Brazilian guitarist, Romero Lubambo, pianists, Bill O'Connell and David Benoit, bassist Lincoln Goines, trombonist Jay Ashby and drummer Ricky Sebastian.她是最本录音，这是她写的或合写，除了“爱的颜色”，所有的材料，并真正在它的创造，伟大的巴西吉他手，罗梅罗Lubambo，钢琴家喜欢涉及的杰出音乐家喜出望外自豪，条例草案O'Connell和大卫贝努瓦，贝斯手林肯Goines，长号手和鼓手阿什比周杰伦瑞奇塞巴斯蒂安。 It was a bold statement for where she was headed and why we wanted to go with her.这是对她的标题是，为什么我们要和她一起去大胆的声明。

” Emily had a unique way of touching us all. “艾米丽了我们独特的方式接触。 Her abilities as a guitarist were easily matched by her enthusiasm for the music- her music. 作为一个吉他手，她的能力很容易被她的音乐的热情相匹配的音乐她。 She was enjoying the freedom of a new musical direction when we recorded this set of songs. 她在享受自由的歌曲一个新的音乐方向时，我们记录了这一套。 Ever so critical of herself and ever so passionate about her music, this collection of material was to be the latest adventure in a constantly evolving identity. 她还批评自己和曾经那样热爱音乐的她，这种材料的收集是不断变化的身份是在不断的最新冒险。 She loved this record, the excellence of those involved and the commitment she made to herself by stepping out on the edge. 她喜欢这个记录，涉及的卓越这些和作出的承诺，她对自己的边缘由走出去。 “ ~ Jeffrey Weber “〜杰弗里韦伯

Compilations汇编

Retrospective Vol. 追溯卷。 1: Standards 1991 1：1991标准

1. 1。 Daahoud 2. Daahoud 2。 How Insensitive 3.如何不敏感3。 Strollin' 4. Strollin'4。 Hot House 5.热5座。 In Your Own Sweet Way 6.在你自己的斯威特路6。 Joy Spring 7.欢乐春节7。 Softly, As In A Morning Sunrise轻轻地，如在一个晨曦
8. 8。 Afro Blue 9.非洲蓝9。 Del Sasser 10.德尔震荡波10。 In A Sentimental Mood在一个感伤情绪

Retrospective Vol. 追溯卷。 2: Compositions 1991 2：1991年组成

1. 1。 Mocha Spice 2.摩卡香料2。 Nunca Mais 3. Nunca梅斯3。 Waltz For My Grandfather 4.华尔兹我的祖父4。 Catwalk 5.时装表演5。 Blues For Herb 6.布鲁斯对香草6。 Transitions 7.过渡7。 The Firefly 8.萤火虫8。 East To Wes 9.东韦斯9。 Antonio 10.安东尼10。 Mozambique莫桑比克

Companion songbook 1996 同伴歌本 1996年

Notation & tab of her compositions transcribed by Dan Bowden符号与她的作品标签由Dan鲍登转录
contains all songs from cd above.从CD上包含的所有歌曲。

usually available from 3rd parties on amazon, click image to go see.通常可从3日在亚马逊各方，点击图片去看看。