click album image to check availability kliknite album sliko, da preverite razpoložljivost

Firefly 1981 Firefly 1981

Her 1st album at the tender age of 23 was due in part from her appearance with John Clayton on “ It's All In The Family ” that caught the ear of the executives at Concord. Njen 1. album na razpis starosti 23 let je bila delno posledica iz njenega videza z John Clayton na "It's All In The Family", ki je ulovilo uho vodstvo na Concord. Firefly was Emily's first recording as leader and a promising debut. Firefly je bil prvi posnetek Emily kot vodja in obetaven prvenec. Joined by pianist Hank Jones, bassist Bob Maize and drummer Jake Hanna, Emily delivers an enjoyable hard bop beginning. Pridružil pianist Hank Jones, basist Bob Koruza in bobnarja Jake Hanna, Emily zagotavlja prijetno hard bop začetku. The album wasn't groundbreaking by early-'80s standards — although recorded in 1981, it sounds like it could have been recorded in 1961. Album ni bil prelomen za zgodnji '80s standardi - čeprav je zabeležena leta 1981, to zveni kot bi bil lahko zabeležili leta 1961. Emily brought a lot of potential to lively, swinging performances of Horace Silver's “Strollin',” McCoy Tyner's “Inception,” and Montgomery's “Movin' Along.” She also provided two original tunes (“Perk's Blues” and “The Firefly”) and pleasantly surprises listeners by unearthing a pretty but lesser-known Antonio Carlos Jobim song titled “Look to the Sky.” Her heartfelt interpretation demonstrates that the Jobim melody deserved to be much better known. Emily prinesel veliko možnosti, da živahno, zibanje nastope Horace Silver's "Strollin", "McCoy Tyner je" Inception ", in Montgomeryja" movin "Skupaj." Ona je tudi dveh originalnih skladb ("Perk's Blues« in »Firefly«) in prijetno preseneti poslušalcev po unearthing lepo, ampak manj znan Antonio Carlos Jobim pesem »Poglejte v nebo." Njeno iskreno razlaga dokazuje, da melodijo Jobim zasluži, da se veliko bolj znana.

” Remler is a prodigy and a phenomenon.. "Remler je čudežni in pojav .. Too much! Preveč! ” ~ W. Royal Stokes "~ W. Royal Stokes

Take Two 1982 Take Two 1982

Emily's second recording as a leader found the 24-year-old guitarist still very much playing in the Wes Montgomery vein, although her own musical personality was beginning to emerge. Drugi posnetek Emily kot vodja našli 24-year-old kitarist še vedno zelo veliko igra v veno Wes Montgomery, čeprav je njena lastna glasbena osebnost je začel pojavljati. She is joined by pianist James Williams, bassist Don Thompson and drummer Terry Clarke on a challenging set of material filled with obscurities and rarely performed gems such as Cannonball Adderley's “Cannonball”, Dexter Gordon's “For Regulars Only”, McCoy Tyner's “Search for Peace”, and Monty Alexander's “Eleuthra”. Ona je pridružil pianist James Williams, basist Don Thompson in bobnar Terry Clarke na izziv iz materiala, napolnjene z nejasnosti in le redko izvaja draguljev kot Cannonball Adderley's "Cannonball", Dexter Gordon "Za Redni Only", McCoy Tyner je "Iskanje za mir «, in Monty Alexander's" Eleuthra ". Better known are “In Your Own Sweet Way” and “Afro Blue”, an amazing tune written by Mongo Santamaria, popularized by Coltrane, but perfected for solo guitar by Emily. Bolje znane 'In Your Own Sweet Way "in" Afro Blue ", neverjetno melodijo napisal Mongo Santamaria, populariziral Coltrane, vendar izpopolnjeval za kitaro solo z Emily. She also contributes two originals, “Waltz For My Grandfather” a gentle and elegant Jim Hall-esque melody and “Pocket Wes”, a brandish rhythmic romp. Prav tako prispeva dveh izvirnikih, "Waltz For My ded" nežno in elegantno Jim Hall-esque melodijo in "Pocket Wes«, Zamahnuti ritmično razposajenost.

” Emily Remler has made a swift and admirable advance from promising youngster to creative and fast growing professional… the proof is nowhere more apparent than in this most carefully planned and brilliantly executed set of performances. "Remler je Emily je hiter in občudovanja vnaprej od obetavnih mladostnik za ustvarjalno in hitro rastočih strokovni ... dokaz je nikjer bolj očitno kot v tem tako skrbno načrtujejo in izvajajo odlično sklop predstav. ” ~ Leonard Feather "~ Leonard Feather

Transitions 1983 Prehodi 1983
Her third Concord recording was a strong step forward, as she started to really find a voice of her own. Njen tretji Concord snemanja je bil močan korak naprej, saj je začela res našli glas sama. Rather than a standard piano-bass-drums trio, Remler teamed up with trumpeter John D'Earth, bassist Eddie Gomez and drummer Bob Moses. Namesto standardne klavirski trio-bas-bobni, Remler združil s trobentačem John D'Earth, basist Eddie Gomez in bobnar Bob Moses. Her three originals were challenging, and the quartet also performed Sam Jones' swinging “Del Sasser,” Duke Ellington's lesser-known “Searchin'” and Keith Jarrett's “Coral. Njena treh izvirnikih so izziv in kvartet izvaja tudi "mahati" Del Sasser, "Duke Ellington je manj znanih" Searchin "Sam Jones" in Keith Jarrett's "Coral. ” Throughout Emily shows that her future lay beyond straight-ahead bebop. "Skozi Emily kaže, da ji bodo tudi same po naravnost Bebop. All in all, this is one of the strongest Vse v vsem, to je eden od najmočnejših
of her solo recordings. njenega solo posnetkov.

” Here is a brilliant, fast developing talent, not merely surrounding herself with accompanists, but becoming part of a splendidly unified group. "To je sijajno, hitro razvija talent, ne samo okoli sebe z accompanists, temveč postaja del enotnega sijajno skupino. I suspect that Transitions will be long remembered as one of the giant steps in the evolution of Emily Remler. Sumim, da se prehodi bo dolgo ostal v spominu kot eden velik napredek na področju razvoja Emily Remler. “ ~ Leonard Feather "~ Leonard Feather

Catwalk 1984 Catwalk 1984
While her earlier dates were very much in the bop mainstream, this fine effort (in a quartet with trumpeter John D'Earth, who teamed with her in Transitions, bassist Eddie Gomez and drummer Bob Moses) found her looking ahead and finding the composer within, on seven diverse originals. Medtem ko ji prej, je bilo zelo bop mainstream, to fine napora (v kvartetu s trobentačem John D'Earth, ki je združil z njo v Prehodi, basist Eddie Gomez in bobnar Bob Moses) našla svoj pogled v prihodnost in iskanje skladatelj v , na sedmih različnih originalov. She comes through with authority and her presence, her warmth, and the fresh flow of lyricism is a joy to experience. Ona prihaja skozi z avtoriteto in njene prisotnosti, njeno toplino in svež pretok liričnost je veselje izkušnje. It was a strong and fairly adventurous effort for them all and one of the finest recordings of her short career as a composer. Bilo je močno in dokaj avanturistično prizadevanja za njih vse in enega najboljših posnetkov svoje kratke kariere kot skladatelj.

” Remler's presence – the fusion of sound, time, and ideas – has an immediacy and strength of identity… This is more than exceptional talent; this is someone who, from the top of the first chorus, lets you know who she is. "Prisotnost Remler - zlitje zvoka, časa in idej - je neposrednost in moč identitete ... To je več kot izjemen talent, to je nekdo, ki je iz vrha prvega zbora, vam omogoča, da vedo, kdo je. “ ~ Nat Hentoff "~ Nat Hentoff

East To Wes 1988 East želite Wes 1988
Here Emily continues to raise her game. Tukaj Emily še povečati svojo igro. Her fluid technique brightens such seldom heard numbers as the Clifford Brown's melodic “Daahoud” and her luminous arrangement of Claude Thornhill's lovely “Snowfall”. Njena tekočina tehnika razveseli tako redko slišali številke, melodične Clifford Brown's "Daahoud" in ji svetlobne razporeditev lepo Claude Thornhill's "Sneženje". Also included is the relaxed rendition of “Sweet Georgia Fame”, the first ever guitar version of “Hot House”, her incredible props for Herb Ellis in “Blues For Herb” and of course the tribute to Wes, “East To Wes”, for which she explains, “Wes was one of the greatest improvisers I ever heard. Vključeni so tudi sproščeno izročitev "Sweet Georgia Fame", prvo kitaro različici "Hot House", njene neverjetne rekviziti za Herb Ellis v "Blues za Herb" in seveda poklon Wes, "East Za Wes«, za katero je razlaga: "Wes je bil eden največjih improvizatorjev sem jih kdaj slišal. His feeling was happy, his soul was beautiful. Njegov občutek je bil srečen, njegova duša je bila lepa. He made listener's feel.” The polished rhythm section includes the masterful pianist Hank Jones, bassist Buster Williams, and drummer Marvin “Smitty” Smith. Naredil poslušalcu občutek. "Polirane ritem sekcija vključuje mojstrski pianist Hank Jones, basist Buster Williams, in bobnar Marvin" Smith "Smith. Maybe her best Swing album ever. Mogoče njen najboljši Swing album doslej.

” Emily Remler's time is so sure, so flowing, that it's as natural to her as breathing. "Remler je čas, Emily je tako prepričan, tako teče, da je to kot naravno, da ji kot dihanje. So is her warmth – of tone and conception. Torej je njena toplina - tona in zanositve. She's a natural story-teller, keeping the narrative line alive with an exact sense of dynamics and color. Ona je naravno zgodba bančnih, vodenje pripovedni liniji živi s točno občutek dinamike in barve. “ "
~ Nat Hentoff ~ Nat Hentoff

This Is Me 1990 This Is Me 1990
Emily's first and only album with Jusitce Records, and the premiere for her creative excursion into electric jazz-pop, where she incorporated pop and rock elements on her own terms but maintained her musical integrity and entirely avoided radio-oriented smooth jazz drivel. prvi in edini album z Emily's Records Jusitce in premiere za svoj ustvarjalni izlet v električni jazz-pop, kjer je vključen pop in rock elementov na lastno smislu, ampak ohranja njeno glasbeno integriteto in v celoti izogniti radio usmerjenih nemoteno jazz Bale. What remains constant is the warm and lyrical nature of her playing. Kaj ostane konstantna je toplo in lirično naravo njena igra. While the influence of Wes Montgomery and Herb Ellis remains, some of these pieces indicate that she was paying close attention to Pat Metheny. Medtem ko je vpliv Wes Montgomery in Herb Ellis ostaja, nekatere od teh kosov, kažejo, da je bila pozorno Pat Metheny. She was most proud of this recording, on which she wrote or co-wrote all the material except “Love Colors” and was genuinely overjoyed by the outstanding musicians involved in it's creation, the likes of the great Brazilian guitarist, Romero Lubambo, pianists, Bill O'Connell and David Benoit, bassist Lincoln Goines, trombonist Jay Ashby and drummer Ricky Sebastian. Bila je najbolj ponosen na ta posnetek, na katerem je zapisala, ali co-wrote vse gradivo razen "Love Colors" in je resnično navdušeni ga izvrstni glasbeniki, vključenih v to ustvarjanje, všeč velike brazilskim kitaristom, Romero Lubambo, pianisti, Bill O'Connell in David Benoit, basist Lincoln Goines, pozavnist Jay Ashby in bobnar Ricky Sebastian. It was a bold statement for where she was headed and why we wanted to go with her. To je krepko izjavo za, kjer je bila vodja in zakaj smo želeli iti z njo.

” Emily had a unique way of touching us all. "Emily je edinstven način dotika vseh nas. Her abilities as a guitarist were easily matched by her enthusiasm for the music- her music. Njena sposobnosti kot kitarist so bili zelo ujema z njeno navdušenje za glasbo, svojo glasbo. She was enjoying the freedom of a new musical direction when we recorded this set of songs. Bila uživajo svobodo nove glasbene smeri, ko smo zabeležili ta nabor pesmi. Ever so critical of herself and ever so passionate about her music, this collection of material was to be the latest adventure in a constantly evolving identity. Še tako kritični do sebe in kdaj tako strastno o njeni glasbi, s tem zbiranju gradiva je bil, da je zadnja pustolovščina v nenehno razvija identiteto. She loved this record, the excellence of those involved and the commitment she made to herself by stepping out on the edge. Ljubila je ta zapis, odličnost, ki se ukvarjajo in zavezo, ki je sama po stopiš ven na robu. “ ~ Jeffrey Weber "~ Jeffrey Weber

Compilations Kompilacije

Retrospective Vol. Retrospektiva Vol. 1: Standards 1991 1: Standardi, 1991

1. 1. Daahoud 2. Daahoud 2. How Insensitive 3. Kako Neobčutljiv 3. Strollin' 4. Strollin "4. Hot House 5. Hot House 5. In Your Own Sweet Way 6. In Your Own Sweet Way 6. Joy Spring 7. Joy Spring 7. Softly, As In A Morning Sunrise Mehko, kot v Morning Sunrise
8. 8. Afro Blue 9. Afro Blue 9. Del Sasser 10. Del Sasser 10. In A Sentimental Mood V Sentimental Mood

Retrospective Vol. Retrospektiva Vol. 2: Compositions 1991 2: Skladbe 1991

1. 1. Mocha Spice 2. Mocha Spice 2. Nunca Mais 3. Nunca Mais 3. Waltz For My Grandfather 4. Waltz For My ded 4. Catwalk 5. Pisti 5. Blues For Herb 6. Blues Za Herb 6. Transitions 7. Prehodi 7. The Firefly 8. Firefly 8. East To Wes 9. East Za Wes 9. Antonio 10. Antonio 10. Mozambique Mozambiku

Companion songbook 1996 Companion pesmarico 1996

Notation & tab of her compositions transcribed by Dan Bowden Zapis in jeziček njene skladbe ki jih je prepisal Dan Bowden
contains all songs from cd above. vsebuje vse pesmi iz cd zgoraj.

usually available from 3rd parties on amazon, click image to go see. navadno na voljo od 3. stranke na amazon, kliknite sliko za ogled.