يتذكّر الحياة ولون موسيقى من أسطوريّ جاز عازف القيثار [إميلي] [رملر]" كزعيمة

ألبومات منفردة

طقطقة ألبوم صورة أن يفحص توفر

يراعة 1981

ال [1ست] ألبوم في العمر ليّنة من 23, واجبة في جزء من مظهره مع جون [كلتون] على "هو كلّ في الأسرة" أنّ مسك الأذن من المديرات في إتفاق. يراعة كان [إميلي] تسجيل أولى كزعيمة, وبداية واعد. يتلاقى بعازف البيانو شلّة خيط جونس, [بسّيست] [بوب] حبّ ذرة, وطبالة [جك] [هنّا], يسلّم [إميلي] ممتعة يستعصي [بوب] بداية. لم [غرووندبرك] الألبوم كان ب [إرل-80] معايير - رغم أنّ يسجّل في 1981, هو يصوّت مثل هو استطاع يتلقّى يكون سجّلت في 1961. [إميلي] أحضر [ا لوت] من إحتمال أن نشيطة, يترجّح أداء من [هورس] فضة "[سترولّين]'," [مكّوي] [تنر] "بداية," و [مونتغمري] "[موفين]' جانبا." هو أيضا زوّد اثنان نغم أصليّة (" [برك] كآبة" و" اليراعة") وعلى نحو ممتع يفاجئ مستمعات ب ينبش جميلة غير أنّ [لسّر-نوون] [أنتونيو] كارلوس [جوبيم] أغنية [تيتلد] "نظرة إلى السماء." يعرض تفسيره مخلصة أنّ [جوبيم] لحن يستحقّ أن يكون كثير على نحو أفضل عرفت.

" [رملر] [بروديج] وظاهر. [توو موش]! ” ~ [و.]. ملكيّة يوقد

لقطة اثنان 1982

[إميلي] ثاني أسّس تسجيل كزعيمة ال 24 [ير-ولد] عازف القيثار بعد [فري موش] يلعب في [وس] [مونتغمري] عرق, رغم أنّ ه خاصّة شخصية موسيقيّة كان بدأ أن يظهر. هو تلاقيت بعازف البيانو جيمس ويليامس, اتّخذ شكل [بسّيست] [ثومبسن], وطبالة [ترّي] [كلرك] على مجموعة صعبة مادة يملأ مع حالة غموض ونادرا ينجز جواهر مثل [كنّونبلّ] [أدّرلي] "[كنّونبلّ]", [غردون] يمنى "لحجم عاديّ فقط", [مكّوي] [تنر] "بحث لسلام", و [مونتي] إسكندر "[إليوثرا]". حسنت يعرف "في ك خاصّة طريق حلوة" و" اللون الأزرق [أفرو]", نغم مدهشة يكتب ب [مونغو] [سنتمريا], يعمّر ب [كلترن], غير أنّ يتمّ لقيثار منفردة ب [إميلي]. هو أيضا يسهم اثنان أصول, "رقصة فالس لجدي" [ا] لطيفة وأنيقة جيم [هلّ-سقو] لحن, و" جيب [وس]", يترجّح مجون [رهثمتيك].

" قد جعل [إميلي] [رملر] سريعة وتقدم رائعة من شابة واعد إلى مبتكرة ومحترفة سريع النموّ… البرهان إلى لا مكان أكثر ظاهرة من في هذا أكثر بعناية يخطّط وبتألّق ينفّذ مجموعة الأداء. ” ~ [ليونرد] ريش

إنتقال 1983
ه ثالثة إتفاق كان تسجيل خطوة قوّيّة أماميّة, بما أنّ هو بدأ أن حقّا وجدت صوة من ه خاصّة. [رثر ثن] معيار [بينو-بسّ-درومس] انظمّ ثلاثيّة, [رملر] فوق مع [ترومبتر] جون [د]' أرض, [بسّيست] [إدّي] [غمز] وطبالة [بوب] [موسس]. كان ه ثلاثة أصول صعبة, والرباعيّة أيضا أنجز [سم] جونس' يترجّح "[دل] [سسّر]," دوقة [إلّينغتون] [لسّر-نوون] "[سرشن]'" و [كيث] [جرّتّ] "مرجان. " باستمرار, يبدي [إميلي] أنّ مستقبله يكذب إلى ما بعد [ببوب] [ستريغت-هد], وكلّ في كلّ, هذا واحدة من القوّيّة
من تسجيلاته منفردة.

” Here is a brilliant, fast developing talent, not merely surrounding herself with accompanists, but becoming part of a splendidly unified group. I suspect that Transitions will be long remembered as one of the giant steps in the evolution of Emily Remler. “ ~ Leonard Feather

Catwalk 1984
While her earlier dates were very much in the bop mainstream, this fine effort (in a quartet with trumpeter John D’Earth, who teamed with her in Transitions, bassist Eddie Gomez and drummer Bob Moses) found her looking ahead and finding the composer within, on seven diverse originals. She comes through with authority and her presence, her warmth, and the fresh flow of lyricism is a joy to experience. It was a strong and fairly adventurous effort for them all and one of the finest recordings of her short career.

” Remler’s presence - the fusion of sound, time, and ideas - has an immediacy and strength of identity… This is more than exceptional talent; this is someone who, from the top of the first chorus, lets you know who she is. “ ~ Nat Hentoff

East To Wes 1988
Here Emily continues to raise her game. Her fluid technique brightens such seldom heard numbers as the Clifford Brown’s melodic “Daahoud” and her luminous arrangement of Claude Thornhill’s lovely “Snowfall”. Also included is the relaxed rendition of “Sweet Georgia Fame”, the first ever guitar version of “Hot House”, her incredible props for Herb Ellis in “Blues For Herb”, and of course the tribute to Wes, “East To Wes”, as she explains, “Wes was one of the greatest improvisers I ever heard. His feeling was happy, his soul was beautiful. He made listener’s feel.” The polished rhythm section includes the masterful pianist Hank Jones, bassist Buster Williams, and drummer Marvin “Smitty” Smith. Maybe her best Swing album ever.

” Emily Remler’s time is so sure, so flowing, that it’s as natural to her as breathing. So is her warmth - of tone and conception. She’s a natural story-teller, keeping the narrative line alive with an exact sense of dynamics and color. “
~ Nat Hentoff

This Is Me 1990
Emily’s first and only album with Jusitce Records, and the premiere for her creative excursion into electric jazz-pop, where she incorporated pop and rock elements on her own terms but maintained her musical integrity and entirely avoided radio-oriented smooth jazz drivel. What remains constant is the warm and lyrical nature of her playing. While the influence of Wes Montgomery and Herb Ellis remains, some of these pieces indicate that she was paying close attention to Pat Metheny. She was most proud of this recording, on which she wrote or co-wrote all the material except “Love Colors”, and was genuinely overjoyed by the outstanding musicians involved in it’s creation, the likes of the great Brazilian guitarist, Romero Lubambo, pianists, Bill O’Connell and David Benoit, bassist Lincoln Goines, trombonist Jay Ashby and drummer Ricky Sebastian. It was a bold statement for where she was headed and why we wanted to go with her.

” Emily had a unique way of touching us all. Her abilities as a guitarist were easily matched by her enthusiasm for the music- her music. She was enjoying the freedom of a new musical direction when we recorded this set of songs. Ever so critical of herself and ever so passionate about her music, this collection of material was to be the latest adventure in a constantly evolving identity. She loved this record, the excellence of those involved and the commitment she made to herself by stepping out on the edge. “ ~ Jeffrey Weber

Compilations

Retrospective Vol. 1: Standards 1991

1. Daahoud 2. How Insensitive 3. Strollin’ 4. Hot House 5. In Your Own Sweet Way 6. Joy Spring 7. Softly, As In A Morning Sunrise
8. Afro Blue 9. Del Sasser 10. In A Sentimental Mood

Retrospective Vol. 2: Compositions 1991

1. Mocha Spice 2. Nunca Mais 3. Waltz For My Grandfather 4. Catwalk 5. Blues For Herb 6. Transitions 7. The Firefly 8. East To Wes 9. Antonio 10. Mozambique