Shared albums and guest appearances. 共享相冊和客串。

click titles to check availability.點擊標題，以查詢空房情況。

Latest Discoveries最新發現

1989 1989年
Kai Emiko: Some Other World - Currently unavailable: visit her at kaiemiko.com 啟惠美子：別的世界 -目前不可用：訪問她的kaiemiko.com

A newly revealed CD titled Some Other World by jazz pianist Kai Emiko features Emily on guitar for 5 songs.新近發現的CD名為別的世界的爵士樂鋼琴家啟惠美子，吉他手艾米麗功能5首歌曲。 Kai studied with many great names including Bill Evans and Keith Jarrett and engaged a slew of prominent musicians in NYC for this 1989 recording.凱研究了許多偉大的名字，包括比爾埃文斯和Keith Jarrett和從事擺在紐約的著名音樂家為這個 1989年錄製。 It's quite different from most jazz sessions Emily was part of but still distinctively her style when given the spotlight.這是相當不同，大多數爵士樂節的一部分，但埃米莉仍時給予她的風格獨特的亮點。 Well worth the extra digging to find.值得你多挖掘，發現。

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First Train ~ Greeting Card ~ In The Mirror ~ Reflection ~ At The Park 首班車〜賀卡鏡〜〜在〜在公園的思考

2007 2007年
Various Artists: paralleL 37 @ Smoke Records 群星：並行37 @斯莫克記錄


It's rare that an album can be added to this page especially one that contains new songs from Emily but here is such an occasion and as it turned out, not only two new studio songs but her last studio recordings ever.這是罕見的相冊可以添加到這個頁面，特別是一個包含新的歌曲從艾米莉但這裡是這樣的場合和事實證明，不僅是兩個新的工作室的歌曲，但她最後的錄音室錄音過。 The CD contains shining performances from other jazz greats as well. CD中包含其他閃亮表演爵士樂大師以及。

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Ode Records is based in Auckland, New Zealand and are the publishers for paralleL 37 , compiled from visiting American artists throughout the 80′s featuring such accomplished Jazz names as John Scofield, Milt Jackson and Emily.頌記錄是總部設在奧克蘭，新西蘭和出版商是並行37，編制來訪的美國藝術家在整個80年代的特色成就爵士等名稱，約翰史考菲，米爾特傑克遜和埃米莉。 It's a fun CD start to finish, a blend of contemporary Jazz meeting the island influenced Jazz of New Zealand.這是一個有趣的CD從開始到結束，薈萃了當代爵士樂爵士樂的影響會議的島嶼新西蘭。 Frank Gibson Jr. put it best:小弗蘭克吉布森把最好：
“All the Americans on this album have left something of themselves behind. “所有的美國人在這張專輯已經離開自己的身後事。 I have a sneaking suspicion that they have also taken a little of the Polynesian spirit home with them.” 我有一個偷渡嫌疑，他們也採取了很少的波利尼西亞人和他們的精神家園。“

Funkallero ~ Black Orpheus Funkallero〜黑色奧菲斯

1988 1988年
Chris Hunter: This Is Chris – Currently unavailable: visit him at huntersax.com 克里斯獵人：這是克里斯 -當前不可用：訪問他在huntersax.com

This out of print CD is not easy to find but very desirable to have.這絕版 CD是不容易找到，但非常可取的。 It was the first album as leader for seasoned saxophonist Chris Hunter of London who was savvy enough to seek out Emily for a guest appearance on the Jimmy Van Heusen song : Here's That Rainy Day , a jazz ballad that allows her phrasing to breath and linger on the spaces in between.這是第一張專輯，作為領導者的經驗豐富的薩克斯手克里斯獵人倫敦誰是明智之舉尋求劉慧卿一個客串的麥凡赫森歌曲： 這裡的下雨天 ，爵士民謠，使她措辭呼吸和揮之不去之間的空間。
Quietly and unequivocally the essence of Emily.靜靜地，毫不含糊地艾米莉的本質。

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1984 1984年
Deuce: Available @ Deuce Band Website 平手：可用@迪尤斯樂隊網站

DEUCE is a 5-7 piece electric Soul-Jazz ensemble led by horn players Jean Fineberg and Ellen Seeling.見鬼，是5-7片電魂爵士樂團領導的號角球員讓 Fineberg和愛倫 Seeling。 As freelance musicians, Fineberg & Seeling toured and recorded with David Bowie, Patti Labelle, Laura Nyro, Chic, Luther Vandross, Phoebe Snow, and recorded the famous We Are Family with Sister Sledge.作為自由職業音樂家，Fineberg和Seeling巡迴演出，並記錄與大衛鮑伊，帕蒂拉貝里，勞拉Nyro，別緻，路德范德羅斯，菲比雪，並記錄了我們是一家著名的姐妹雪橇。 For this release Emily was guest guitarist for one song, Watersounds .對於此版本的吉他手埃米莉客人一首歌曲，Watersounds。

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Broadway ~ Emily ~ Cannon ~ I'm Afraid The Masquerade Is Over ~ Remembering You (from All In The Family) ~ Estate ~ Things Ain't What They Used To Be ~ If I Were A Rich Man (from Fiddler On the Roof) 劉慧卿百老匯〜〜〜炮恐怕偽裝已經結束〜記住你（從所有家庭中的）〜村〜事情不是他們曾經是〜如果我是一個富有的人（從屋頂上的提琴手）

1984 1984年
Ray Brown Trio w/ Gene Harris: Soular Energy @ amazon 瑞布朗三星瓦特/基因哈里斯：Soular能源 @亞馬遜

Nice Jazz album.尼斯爵士專輯。 Emily is featured for one song only, wonderfully titled:艾米莉是唯一特色的一首歌曲，奇妙的標題為：
Mistreated But Undefeated Blues 虐待，但不敗布魯斯
Brown went into the studio with just that one song worked out.布朗走進工作室，只是一首歌制定。 It was also the only song using an expanded group, with Emily and tenor saxophonist Red Holloway trying to outdo each other's fire-breathing solos.它也是唯一使用擴展歌曲組，Emily和男高音薩克斯紅霍洛威試圖超越對方的噴火的獨奏。 Brown wrote it the day before the session, “so it wouldn't be just a massive jam.”布朗說這屆會議的前一天，“所以這不只是一個巨大的果醬。”

1985 1985年
Larry Coryell * Emily Remler: Together – Currently unavailable 拉里科耶爾*劉慧卿Remler：一起 -目前無法使用

There was a genuine bond between these two quite dissimilar guitarists.有一個真正的債券這兩個相當不同的吉他手。 They demonstrate an instinctive understanding of the material, delivering an album full of graceful improvising, seamless stylistic technique and unique musical idealization.他們表現出一種本能的認識材料，提供一個充滿優雅的即興專輯，無縫技術和獨特的音樂風格上的理想化。

“Together is more than a matter of being in the same room. “和你在一起是一個問題多的在同一個房間。 It's being in the same mind, and it's a condition that these two distinctly individual players are able to achieve, seemingly at will.” Neil Tresser這是在同一個頭腦，這是一個條件，這兩個明顯的個別球員都能夠實現，看似隨意。“尼爾 Tresser

” Remler's rhythmic precision feels willed, a result not of abandoning herself to the music but of riding it with superlative control; every conclusion she reaches is airtight, every challenge definitively met, every flight of fancy solidly rooted.” Charles O. Hartman from JAZZ TEXT: Voice and Improvisation In Poetry, Jazz, and song. “Remler的節奏精度感覺意志，因此不會放棄自己的音樂，但它與最高級的騎控制，每一個結論，她達到密閉，最終達到每一個挑戰，每次飛行花式牢固紮根。”查爾斯澳哈特曼從爵士樂文字：語音和即興詩，爵士和歌曲。

Arubian Nights ~ Joy Spring ~ Ill Wind ~ How My Heart Sings ~ Six Beats, Six Strings ~ Gerri's Blues ~ How Insensitive Arubian喜春之夜〜〜〜弊唱我的心如何〜6節拍，六弦〜格里的藍調〜如何鈍感

1986 1986年
Rosemary Clooney: Sings The Music of Jimmy Van Heusen @ Amazon 羅斯瑪麗克魯尼：唱音樂吉米凡赫森 @亞馬遜

This album is all about Rosemary and her wonderful vocal presence with Emily playing on 6 of 10 selections but it has an undeniable Emily feel when the guitar is allowed to take the spotlight.這張專輯是所有關於羅斯瑪麗和她的美妙聲音的存在和Emily玩10選 6，但它有一個不可否認的艾米莉覺得當吉他是允許採取聚光燈下。 Emily loved and admired the old school jazz players, she must have certainly been pleased to be part of the band for the distinguished Mrs. Clooney.劉慧卿喜愛和敬佩的老派爵士樂手，她一定一定很高興成為其中的一部分，樂隊為尊貴的夫人克魯尼。

Love Won't Let You Get Away ~ My Heart Is A Hobo ~ Imagination ~ Like Someone In Love ~ Happy Walking ~ The Last Dance 愛不會讓你離開〜我的心是一個流浪漢〜〜像有人想像的戀愛〜〜開心散步最後之舞

1986 1986年
John Colianni: Colianni @ amazon 約翰Colianni：Colianni @亞馬遜

John Colianni: piano ~ Bob Field: bass ~ Connie Kay: drums ~ Joe Wilder: trumpet.約翰 Colianni：鋼琴〜鮑勃場：低音〜康妮凱：鼓〜喬懷爾德：小號。
A piano oriented album with Emily appearing on “I Am In Love” , a Cole Porter song with a nice bossa rhythm, “Soft Shoe” a Ray Brown creation that's an easy groovin' change up tune on which Emily dances supreme and “Home Grown” a sassy jazz selection that rounds out this small but pleasing set.鋼琴導向專輯和Emily出現在“我愛”，一科爾波特歌一個不錯的博薩節奏，“軟鞋”一瑞布朗創造，一個簡單的groovin'改變了調子上劉慧卿舞蹈至上，“土生土長“一個時髦的爵士樂輪選拔出來的這一套小而美觀。

Soft Shoe ~ I Am In Love ~ Home Grown 軟鞋〜〜我是土生土長的愛

1987 1987年
Richie Cole / Hank Crawford Quintet: Bossa International @ amazon 里奇科爾/漢克克勞福德五重奏：博薩國際 @亞馬遜
Richie Cole: alto sax ~ Hank Crawford: alto sax ~ Marshall Hawkins: bass ~ Victor Jones: drums里奇科爾：中音薩克斯〜漢克克勞福德：中音薩克斯〜馬歇爾霍金斯：低音〜維克多瓊斯：鼓
This is an absolute gem in jazz jam style albums recorded live in Nimes, France.這是一個絕對的寶石風格的爵士樂唱片錄製堵塞住在尼姆，法國。 It really swings and everyone is given the spotlight to let loose.這真的波動，每個人都被給予聚光燈放開。 It's obvious Em is very comfortable with these guys and the chosen material.這顯然是非常熟悉的EM這些傢伙和所選擇的材料。 This is one of the truly unknown highlights of Emily's touring years through Europe.這是一種未知的真正亮點艾米莉的旅遊年歐洲。 She especially shines in “Fantasy Blues”.她特別閃耀在“夢幻藍調”。

” Emily Remler has impressed me for years with her virtuosity, spirit, and dedication to pure jazz ” “埃米莉Remler我留下了深刻印象，多年來，她精湛技巧，精神和奉獻純正爵士樂”
Richie Cole里奇科爾

Confirmation ~ Bossa International ~ I Can't Get Started ~ Fantasy Blues ~ Snowfall ~ Samba De Orpheus ~ Cherokee 博薩國際確認〜〜我不能幻想藍調入門〜〜〜降雪桑巴德奧菲斯〜切諾基

1988 1988年
Susannah McCorkle: No More Blues @ amazon 蘇珊娜麥科克爾：沒有更多的布魯斯 @亞馬遜

I can't say enough about Susannah's vocal prowess.我不能說足夠了解蘇珊的唱功實力。 She's incredible.她是難以置信的。 Emily appears on 6 of 12 songs and adds her unique guitar voice to an already solid jazz album.劉慧卿出現在6 12首歌曲，並增加了她獨特的吉他聲音，一個已經堅實的爵士樂唱片。 She knew just the right amount of punch to deliver without being overbearing.她知道適量衝頭可提供不被咄咄逼人。 I can't help but think she was all smiles as Susannah sings The Ballad Of Pearly Sue.我不能幫助，但認為她滿臉笑容的蘇珊娜唱民謠排潔白的蘇。 I imagine these two accomplished jazz women, as for all ladies living in “A Man's World”, could really identify with the simplistic but fundamental message of this little tune.我想這兩個完成爵士樂婦女，因為所有女士們生活在“男人的世界”，能真正認同簡單，但基本信息的這個小調整。

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The Ballad of Pearly Sue ~ No More Blues ~ Do Nothing Till You Hear From Me ~ Don't Let The Sun Catch You Cryin' ~ Can't Take You Nowhere ~ Who Cares 民謠的珠光蘇藍調〜〜沒有更多的無為，直到你聽到我的〜不要讓太陽抓住你哭泣〜不能把你一事無成〜誰說我不在乎

1989 1989年
Various Artists: Christmas Guitars @ yahoo 群星：聖誕節吉他 @雅虎

This strange but fun collection of Christmas guitar instrumentals was put together as a benefit for the National Coalition for the Homeless, and includes everyone from rockers like Al Anderson and Adrian Belew to jazz players and hardcore folkies.這種奇怪但有趣的收集聖誕吉他樂器被放在一起作為一個造福全國無家可歸者聯盟，​​包括每個人都喜歡搖滾鋁安德森和阿德里安貝爾柳爵士樂球員和性交folkies。 The results are wildly uneven, but definitely worth listening to.結果參差不齊，但絕對值得聆聽。 Larry Coryell's version of “The Christmas Song” is lovely, and Emily turns in a beautiful jazz arrangement of “We Three Kings.”拉里科耶爾的版本“聖誕之歌”是可愛的， 和埃米莉變成了一個美麗的爵士樂安排，“我們三王。”

1989 1989年
David Benoit: Waiting For Spring @ amazon 大衛伯諾伊特：等待春天 @亞馬遜

David Benoit: piano ~ Emily Remler: guitar ~ Peter Erskine: drums ~ Luther Hughes: bass大衛伯諾伊特：鋼琴〜劉慧卿 Remler：吉他〜彼得厄斯金：鼓〜路德休斯：低音
Waiting for Spring is one of those lesser known titles featuring Emily's work, and that's unfortunate, because this is a seriously polished jazz offering.等待春天是其中的一個不太知名的片名艾米莉的工作，這是不幸的，因為這是一個嚴重拋光爵士樂產品。 The selections cover a wide range of styles and tempos.在選擇覆蓋範圍廣泛的風格和節奏。 You might recognize David's sound from the beloved Peanuts Specials as Benoit continued performing the scores for the popular TV series after the untimely passing of the wonderful Vince Guaraldi.你可能認識大衛的聲音從心愛的花生特別為伯諾伊特繼續執行得分流行的電視連續劇不幸逝世後，文斯Guaraldi之妙。 The response between Emily and David is superb, you can tell they were very much tapped into the ebb and flow of the material.艾米麗之間的響應和大衛是一流的，你能告訴他們表現得非常挖掘到潮起潮落的材料。

Waiting On Spring ~ After The Snow Falls ~ Cast Your Fate To The Wind ~ Turn Out The Stars ~ Cabin Fever ~ Cat On A Windowsill ~ Some Other Sunset ~ My Romance ~ Funkallero ~ I Remember Bill Evans ~ Fireside 等待春天雪後瀑布〜〜投下你的命運的風〜轉出機艙發燒星〜〜〜貓，窗台一些其他日落〜我的浪漫〜Funkallero〜我記得比爾埃文斯〜法爾賽德

1990 1990年
Susannah McCorkle: Sabia @ amazon 蘇珊娜麥科克爾：薩比亞 @亞馬遜

Susannah McCorkle: vocals ~ Lee Musiker: piano ~ Scott Hamilton: tenor sax ~ Emily Remler: guitar ~ Dennis Irwin: bass ~ Duduka Fonseca: drums蘇珊娜麥科克爾：主唱〜李Musiker：鋼琴〜斯科特漢密爾頓：高音薩克斯〜劉慧卿 Remler：吉他〜丹尼斯歐文：低音〜Duduka豐塞卡：鼓
This album has a big bossa sound and feel.這張專輯有一個大博薩的聲音和感覺。 Susannah delivers again with extraordinary vocals and will surprise you with her command of singing in both Portuguese and Italian.蘇珊娜提供非凡的嗓音和再次與你會驚訝她的歌聲在這兩個命令葡萄牙語和意大利語。 Of course, it couldn't have been any sweeter for Emily to play so many Brazilian jazz songs, where she's right at home from her early years on tour with Astrud Gilberto.當然，它可能不會有任何甜美艾米麗玩這麼多的巴西爵士歌曲，她的家就在她早年在巡演艾斯特吉芭托。 Sabia means “songbird” and aptly describes the essence of Susannah.薩比亞的意思是“鳴禽”，並恰當地描述了蘇珊娜的本質。 It's easy to hear their absolute enthusiasm and love for the material.人們很容易聽到他們的熱情和愛心絕對的物質。
It was also sadly, the last stateside recording session we would have from Emily.這也是可悲的是，去年美國本土的錄像會議上，我們會從埃米莉。

Tristeza (Sadness, Please Go Away) ~ Estate (Summer) ~ Vivo Sonhando (Living On Dreams) ~ Dilemma (Dilema) ~ Sabia (songbird) ~ So Many Stars ~ So Danco Samba (I Only Dance The Samba) ~ Manha De Carnaval (Sunrise) ~ P'Ra Machucar Meu Coracao (The Day We Said Goodbye) ~ Trevessia (Bridges) ~ A Felicidade (Happiness) 衰退（悲傷，請你走開）〜村（夏）〜體內Sonhando（生活在夢想）〜困境（Dilema）〜薩比亞（女歌手）〜這麼多的星星〜所以丹科桑巴（我只舞桑巴）〜晨報德狂歡節（日出）〜P'Ra Machucar Meu Coracao（一天我們說再見）〜Trevessia（橋樑）〜阿Felicidade（幸福）