Friday February 25 , 2011 星期五 2011年 2月 25
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Guest Appearances客串

Shared albums and guest appearances. 共享相册和客串。

click titles to check availability.点击标题,以查询空房情况。



Latest Discoveries最新发现



1989 1989年
Kai Emiko: Some Other World - Currently unavailable: visit her at kaiemiko.com 启惠美子:别的世界 -目前无法使用:她在访问kaiemiko.com

A newly revealed CD titled Some Other World by jazz pianist Kai Emiko features Emily on guitar for 5 songs.新近发现的CD名为启惠美子的其他一些世界爵士乐钢琴家特点的歌曲刘慧卿5吉他。 Kai studied with many great names including Bill Evans and Keith Jarrett and engaged a slew of prominent musicians in NYC for this 1989 recording.启研究,包括比尔埃文斯和基思哈雷特许多伟大的名字,从事这个1989年在纽约录制的著名音乐家杀。 It's quite different from most jazz sessions Emily was part of but still distinctively her style when given the spotlight.它从最爵士乐节完全不同的埃米莉的一部分,但仍时给予她的风格独特的亮点。 Well worth the extra digging to find.值得你多挖掘,发现。

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First Train ~ Greeting Card ~ In The Mirror ~ Reflection ~ At The Park 首班列车贺卡镜〜〜在〜〜在公园的思考




2007 2007年
Various Artists: paralleL 37 @ Smoke Records 群星:并行37 @斯莫克记录


It's rare that an album can be added to this page especially one that contains new songs from Emily but here is such an occasion and as it turned out, not only two new studio songs but her last studio recordings ever.这是罕见的相册可以添加到这个页面,特别是一个包含从艾米莉新歌但这里是这样的场合和事实证明,不仅是两个新的工作室的歌曲,但她最后的录音室录音过。 The CD contains shining performances from other jazz greats as well.该光盘包含来自其他爵士乐大师表演,以及闪闪发光。


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Ode Records is based in Auckland, New Zealand and are the publishers for paralleL 37 , compiled from visiting American artists throughout the 80′s featuring such accomplished Jazz names as John Scofield, Milt Jackson and Emily.颂记录是总部设在奥克兰,新西兰和37发布者是平行的 ,从整个80编制了来访的美国艺术家的特色杰克逊和埃米莉等名称,约翰爵士完成斯科菲尔德,米尔特。 It's a fun CD start to finish, a blend of contemporary Jazz meeting the island influenced Jazz of New Zealand.这是一个有趣的CD开始到结束,会议的当代融合爵士影响岛内新西兰爵士队。 Frank Gibson Jr. put it best:小弗兰克吉布森把最好:
“All the Americans on this album have left something of themselves behind. “所有的美国人在这个专辑已经离开自己的身后事。 I have a sneaking suspicion that they have also taken a little of the Polynesian spirit home with them.” 我有一个偷渡嫌疑,他们也采取了一些他们的精神家园与波利尼西亚。“

Funkallero ~ Black Orpheus Funkallero〜黑色奥菲斯




1988 1988年
Chris Hunter: This Is Chris – Currently unavailable: visit him at huntersax.com 克里斯猎人:这是克里斯 -当前不可用:他在访问huntersax.com 克里斯

This out of print CD is not easy to find but very desirable to have.这种光盘打印出来是不容易找到,但非常可取的。 It was the first album as leader for seasoned saxophonist Chris Hunter of London who was savvy enough to seek out Emily for a guest appearance on the Jimmy Van Heusen song : Here's That Rainy Day , a jazz ballad that allows her phrasing to breath and linger on the spaces in between.这是伦敦第一个猎人专辑,作为领导者的经验丰富的萨克斯手克里斯谁是明智之举寻找歌曲刘慧卿对凡赫森一客串的吉米: 这里的的下雨天 ,爵士民谣,使她措辞呼吸和挥之不去之间的空间。
Quietly and unequivocally the essence of Emily.静静地,毫不含糊地艾米莉的本质。

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1984 1984年
Deuce: Available @ Deuce Band Website 平手:可用@迪尤斯乐队网站

DEUCE is a 5-7 piece electric Soul-Jazz ensemble led by horn players Jean Fineberg and Ellen Seeling.见鬼,是5-7片电魂的号角爵士乐队球员让Fineberg和爱伦Seeling领导。 As freelance musicians, Fineberg & Seeling toured and recorded with David Bowie, Patti Labelle, Laura Nyro, Chic, Luther Vandross, Phoebe Snow, and recorded the famous We Are Family with Sister Sledge.作为自由职业音乐家,Fineberg和Seeling参观和斯诺记录了大卫鲍伊,帕蒂拉贝里,劳拉Nyro,别致,路德范德罗斯,菲比,并记录了著名的大锤我们是姐妹的家庭 For this release Emily was guest guitarist for one song, Watersounds .对于此版本的吉他手埃米莉客人一首歌曲,Watersounds。


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1981 1981年
The Clayton Brothers: It's All In The Family - Currently unavailable 克莱顿兄弟:它的所有的家庭 -目前无法使用

John Clayton: bass ~ Jeff Clayton: sax/oboe约翰克莱顿:低音〜杰夫克莱顿:萨克斯/双簧管
Jeff Hamilton: drums ~ Roger Kellaway: piano杰夫汉密尔顿:鼓〜罗杰凯拉韦:钢琴
Emily Remler: guitar.刘慧卿Remler:吉他。
A smorgasbord of styles: mainstream, bop, blues, & ragtime.大杂烩的风格:主流,国际收支平衡,蓝调,和爵士音乐调子。 Emily provides a crisp, strutting guitar to a great mix of musicians on her 1st album appearance.刘慧卿提供了一个清晰的,昂首阔步吉他的音乐家出现在她的第一张专辑的巨大混合。

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Broadway ~ Emily ~ Cannon ~ I'm Afraid The Masquerade Is Over ~ Remembering You (from All In The Family) ~ Estate ~ Things Ain't What They Used To Be ~ If I Were A Rich Man (from Fiddler On the Roof) 刘慧卿百老汇〜〜〜炮恐怕伪装已经结束〜记住你(从家庭中的所有)〜村〜东西是不是他们以前是〜如果我是一个富有的人(从屋顶上的提琴手)






1984 1984年
Ray Brown Trio w/ Gene Harris: Soular Energy @ amazon 瑞布朗三星瓦特/基因哈里斯:Soular能源 @亚马逊
Soular能源

Nice Jazz album.尼斯爵士专辑。 Emily is featured for one song only, wonderfully titled: Emily是精选只,奇妙的一首歌曲名为:
Mistreated But Undefeated Blues 虐待,但不败布鲁斯
Brown went into the studio with just that one song worked out.布朗走进工作室,制定了只是一首歌曲。 It was also the only song using an expanded group, with Emily and tenor saxophonist Red Holloway trying to outdo each other's fire-breathing solos.它也是唯一使用扩展歌曲组,Emily和男高音萨克斯红霍洛威试图超越对方的喷火的独奏。 Brown wrote it the day before the session, “so it wouldn't be just a massive jam.”布朗说这届会议的前一天,“所以这不只是一个巨大的果酱。”





1985 1985年
Larry Coryell * Emily Remler: Together – Currently unavailable 拉里科耶尔*刘慧卿Remler:一起 -目前无法使用
一起

There was a genuine bond between these two quite dissimilar guitarists.这之间存在着两种完全不同的吉他手真正的纽带。 They demonstrate an instinctive understanding of the material, delivering an album full of graceful improvising, seamless stylistic technique and unique musical idealization.他们表现出的物质本能的了解,提供一个优美的即兴专辑,无缝技术和独特的音乐风格上完全理想化。

“Together is more than a matter of being in the same room. “一起是比在同一房间正变得更为重要。 It's being in the same mind, and it's a condition that these two distinctly individual players are able to achieve, seemingly at will.” Neil Tresser这是在同一个头脑,这是一个条件,这两个明显的个别球员似乎都能够实现在,会的。“尼尔Tresser

” Remler's rhythmic precision feels willed, a result not of abandoning herself to the music but of riding it with superlative control; every conclusion she reaches is airtight, every challenge definitively met, every flight of fancy solidly rooted.” Charles O. Hartman from JAZZ TEXT: Voice and Improvisation In Poetry, Jazz, and song. “Remler的节奏精度感觉意志,而不是放弃自己的音乐,但最高级的骑控制它的结果,每一个结论,她达到密闭,最终达到每一个挑战,每一个花式飞行牢固扎根。”查尔斯澳哈特曼从爵士乐文字:语音和即兴诗,爵士和歌曲。

Arubian Nights ~ Joy Spring ~ Ill Wind ~ How My Heart Sings ~ Six Beats, Six Strings ~ Gerri's Blues ~ How Insensitive Arubian喜春之夜〜〜〜弊唱我的心如何〜6节拍,六弦〜格里的蓝调〜如何钝感





1986 1986年
Rosemary Clooney: Sings The Music of Jimmy Van Heusen @ Amazon 罗斯玛丽克鲁尼:唱着赫森音乐吉米凡 @亚马逊

This album is all about Rosemary and her wonderful vocal presence with Emily playing on 6 of 10 selections but it has an undeniable Emily feel when the guitar is allowed to take the spotlight.这张专辑是关于罗斯玛丽和她的美妙与Emily 10选6玩声乐存在的一切,但它有一个不可否认的艾米莉觉得当吉他是允许采取聚光灯下。 Emily loved and admired the old school jazz players, she must have certainly been pleased to be part of the band for the distinguished Mrs. Clooney.刘慧卿喜爱和敬佩的老派爵士乐手,她一定要肯定是高兴的为尊贵的夫人克鲁尼带的一部分。

Love Won't Let You Get Away ~ My Heart Is A Hobo ~ Imagination ~ Like Someone In Love ~ Happy Walking ~ The Last Dance 爱不会让你离开〜我的心是一个流浪汉想象〜〜〜喜欢一个人走在爱〜开心最后之舞






1986 1986年
John Colianni: Colianni @ amazon 约翰Colianni:Colianni @亚马逊
约翰Callianni

John Colianni: piano ~ Bob Field: bass ~ Connie Kay: drums ~ Joe Wilder: trumpet.约翰Colianni:钢琴〜鲍勃场:低音〜康妮凯:鼓〜乔怀尔德:小号。
A piano oriented album with Emily appearing on “I Am In Love” , a Cole Porter song with a nice bossa rhythm, “Soft Shoe” a Ray Brown creation that's an easy groovin' change up tune on which Emily dances supreme and “Home Grown” a sassy jazz selection that rounds out this small but pleasing set.钢琴导向专辑和Emily“出现在”在我是爱 ,一科尔波特歌一个不错的博萨节奏,“软鞋”一瑞布朗创造,一个简单的groovin'调变上的艾米莉舞蹈至上,“土生土长“一个时髦的爵士乐轮选拔出来的这一套小而美观。

Soft Shoe ~ I Am In Love ~ Home Grown 软鞋〜〜我是土生土长的爱






1987 1987年
Richie Cole / Hank Crawford Quintet: Bossa International @ amazon 里奇科尔/汉克克劳福德五重奏:博萨国际 @亚马逊
博萨国际
Richie Cole: alto sax ~ Hank Crawford: alto sax ~ Marshall Hawkins: bass ~ Victor Jones: drums里奇科尔:中音萨克斯〜汉克克劳福德:中音萨克斯〜马歇尔霍金斯:低音〜维克多琼斯:鼓
This is an absolute gem in jazz jam style albums recorded live in Nimes, France.这是一个风格的爵士专辑绝对宝石果酱记录在尼姆,法国的生活。 It really swings and everyone is given the spotlight to let loose.这真的波动,每个人都被给予聚光灯放开。 It's obvious Em is very comfortable with these guys and the chosen material.这是非常明显的电磁这些家伙和选择材料舒适。 This is one of the truly unknown highlights of Emily's touring years through Europe.这是一个真正的未知艾米莉的欧洲巡回演出,通过多年的亮点。 She especially shines in “Fantasy Blues”.她特别闪耀在“梦幻蓝调”。


” Emily Remler has impressed me for years with her virtuosity, spirit, and dedication to pure jazz ” “埃米莉Remler留下了深刻印象,为了她的精湛技巧,精神我多年,并竭诚为纯粹的爵士乐”
Richie Cole里奇科尔


Confirmation ~ Bossa International ~ I Can't Get Started ~ Fantasy Blues ~ Snowfall ~ Samba De Orpheus ~ Cherokee 博萨国际确认〜〜我不能幻想蓝调入门〜〜〜降雪桑巴德奥菲斯〜切诺基






1988 1988年
Susannah McCorkle: No More Blues @ amazon 苏珊娜麦科克尔:没有更多的布鲁斯 @亚马逊
没有更多的蓝调

I can't say enough about Susannah's vocal prowess.我不能说的苏珊娜的唱功实力不够。 She's incredible.她是难以置信的。 Emily appears on 6 of 12 songs and adds her unique guitar voice to an already solid jazz album.刘慧卿出现在6 12首歌曲,并增加了她独特的吉他声音,一个已经坚实的爵士乐唱片。 She knew just the right amount of punch to deliver without being overbearing.她知道只是提供适量冲而不咄咄逼人。 I can't help but think she was all smiles as Susannah sings The Ballad Of Pearly Sue.我不能帮助,但认为她满脸笑容的苏珊娜唱着歌谣苏珍珠。 I imagine these two accomplished jazz women, as for all ladies living in “A Man's World”, could really identify with the simplistic but fundamental message of this little tune.如我想象中的所有“男人的世界”这两个生活淑女完成爵士乐妇女,才能真正认同这个小曲调简单,但基本的信息。

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The Ballad of Pearly Sue ~ No More Blues ~ Do Nothing Till You Hear From Me ~ Don't Let The Sun Catch You Cryin' ~ Can't Take You Nowhere ~ Who Cares 翻腾的歌谣,苏没有更多的蓝调〜〜无为,直到你听到我的〜不要让太阳抓住你哭泣〜不能把你一事无成〜谁说我不在乎






1989 1989年
Various Artists: Christmas Guitars @ yahoo 群星:圣诞节吉他 @雅虎
圣诞节吉他

This strange but fun collection of Christmas guitar instrumentals was put together as a benefit for the National Coalition for the Homeless, and includes everyone from rockers like Al Anderson and Adrian Belew to jazz players and hardcore folkies.这个圣诞节吉他乐器奇怪,但有趣的藏品放在一起作为一个为无家可归者全国联盟的好处,包括从像铝阿德里安贝尔柳安德森和摇滚到爵士球员和铁杆folkies每一个人。 The results are wildly uneven, but definitely worth listening to.结果参差不齐,但绝对值得聆听。 Larry Coryell's version of “The Christmas Song” is lovely, and Emily turns in a beautiful jazz arrangement of “We Three Kings.”拉里科耶尔的“版本”是可爱的圣诞歌曲, Emily在美丽的爵士乐圈安排了“我们三王。”





1989 1989年
David Benoit: Waiting For Spring @ amazon 大卫伯诺伊特:亚马逊在这里等斯普林 @
Waiting For Spring

David Benoit: piano ~ Emily Remler: guitar ~ Peter Erskine: drums ~ Luther Hughes: bass大卫伯诺伊特:钢琴〜刘慧卿Remler:吉他〜彼得厄斯金:鼓〜路德休斯:低音
Waiting for Spring is one of those lesser known titles featuring Emily's work, and that's unfortunate, because this is a seriously polished jazz offering.春等待是那些不太知名的特色Emily的工作头衔之一,这是不幸的,因为这是一个严重抛光爵士乐产品。 The selections cover a wide range of styles and tempos.在选择涵盖了广泛的风格和节奏。 You might recognize David's sound from the beloved Peanuts Specials as Benoit continued performing the scores for the popular TV series after the untimely passing of the wonderful Vince Guaraldi.你可能认识大卫从心爱花生特价声音伯诺伊特继续执行效果后的精彩文斯Guaraldi不幸逝世热门电视剧的分数。 The response between Emily and David is superb, you can tell they were very much tapped into the ebb and flow of the material. Emily和大卫之间的反应是一流的,你能告诉他们表现得非常入低潮和物质流挖掘。


Waiting On Spring ~ After The Snow Falls ~ Cast Your Fate To The Wind ~ Turn Out The Stars ~ Cabin Fever ~ Cat On A Windowsill ~ Some Other Sunset ~ My Romance ~ Funkallero ~ I Remember Bill Evans ~ Fireside 等待春天的雪后瀑布〜〜投下你的命运的风〜转出机舱发烧星〜〜猫,窗台一些其他日落〜〜我的浪漫〜Funkallero〜我记得比尔埃文斯〜法尔赛德






1990 1990年
Susannah McCorkle: Sabia @ amazon 苏珊娜麦科克尔:萨比亚 @亚马逊
萨比亚

Susannah McCorkle: vocals ~ Lee Musiker: piano ~ Scott Hamilton: tenor sax ~ Emily Remler: guitar ~ Dennis Irwin: bass ~ Duduka Fonseca: drums苏珊娜麦科克尔:主唱〜李Musiker:钢琴〜斯科特汉密尔顿:高音萨克斯〜刘慧卿Remler:吉他〜丹尼斯欧文:低音〜Duduka丰塞卡:鼓
This album has a big bossa sound and feel.这张专辑有一个大博萨的声音和感觉。 Susannah delivers again with extraordinary vocals and will surprise you with her command of singing in both Portuguese and Italian.苏珊娜提供非凡的嗓音和再次将她的惊喜都葡萄牙语和意大利语唱歌命令你。 Of course, it couldn't have been any sweeter for Emily to play so many Brazilian jazz songs, where she's right at home from her early years on tour with Astrud Gilberto.当然,它可能不会有任何甜美艾米丽玩这么多的巴西爵士乐歌曲,在那里她就在从旅游与艾斯特吉芭托她早年的家。 Sabia means “songbird” and aptly describes the essence of Susannah.萨比亚的意思是“鸣禽”,并恰当地描述了苏珊娜的本质。 It's easy to hear their absolute enthusiasm and love for the material.人们很容易听到他们的积极性和绝对的物质的爱。
It was also sadly, the last stateside recording session we would have from Emily.这也是可悲的是,去年美国本土的录像会议上,我们会从埃米莉。


Tristeza (Sadness, Please Go Away) ~ Estate (Summer) ~ Vivo Sonhando (Living On Dreams) ~ Dilemma (Dilema) ~ Sabia (songbird) ~ So Many Stars ~ So Danco Samba (I Only Dance The Samba) ~ Manha De Carnaval (Sunrise) ~ P'Ra Machucar Meu Coracao (The Day We Said Goodbye) ~ Trevessia (Bridges) ~ A Felicidade (Happiness) 衰退(悲伤,请你走开)〜村(夏)〜体内Sonhando(梦生活开)〜困境(Dilema)〜萨比亚(女歌手)〜这么多的星星〜所以丹科桑巴(我只舞桑巴)〜晨报德狂欢节(日出)〜P'Ra Machucar Meu Coracao(一天我们说再见)〜Trevessia(桥梁)〜阿Felicidade(幸福)




 

Threads of Thought主题思想

Jazz is rhythm and meaning. Henri Matisse 爵士乐是节奏和意义 - 马蒂斯

Emily's Inspiration Emily的启示

Staircase楼梯

Single Plays单剧

Get the Flash Player获取Flash播放器 to see the wordTube Media Player.看到wordTube媒体播放器。

Recommended Listening推荐听力

Susan Weinert ~ Synergy苏珊韦纳特〜协同

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