Guest Appearances Guest Appearances
Shared albums and guest appearances. Delt album og gjesteopptredener.
click titles to check availability. Klikk titler å sjekke.
Latest Discoveries Siste Funn
1989 1989
Kai Emiko: Some Other World - Currently unavailable: visit her at kaiemiko.com Kai Emiko: Some Other World - For øyeblikket utilgjengelig: besøke henne på kaiemiko.com 
A newly revealed CD titled Some Other World by jazz pianist Kai Emiko features Emily on guitar for 5 songs. En nylig avslørte CD med tittelen Some Other World av jazzpianisten Kai Emiko funksjoner Emily på gitar for 5 sanger. Kai studied with many great names including Bill Evans and Keith Jarrett and engaged a slew of prominent musicians in NYC for this 1989 recording. Kai studert med mange store navn som Bill Evans og Keith Jarrett og engasjert massevis av fremstående musikere i NYC for 1989 innspillingen. It's quite different from most jazz sessions Emily was part of but still distinctively her style when given the spotlight. Det er ganske forskjellig fra de fleste jazz økter Emily var en del av, men likevel distinkt hennes stil da gitt rampelyset. Well worth the extra digging to find. Vel verdt de ekstra graving å finne.
First Train ~ Greeting Card ~ In The Mirror ~ Reflection ~ At The Park Første Train ~ Kort ~ In The Mirror ~ Reflection ~ At The Park
2007 2007
Various Artists: paralleL 37 @ Smoke Records Various Artists: Parallel 37 @ Smoke Records 
It's rare that an album can be added to this page especially one that contains new songs from Emily but here is such an occasion and as it turned out, not only two new studio songs but her last studio recordings ever. Det er sjelden at et album kan legges til denne siden særlig en som inneholder nye låter fra Emily men her er en slik anledning, og det viste seg, ikke bare to nye studio låter, men hennes siste studio innspillinger noensinne. The CD contains shining performances from other jazz greats as well. CDen inneholder blanke forestillinger fra andre jazz-storheter som godt.
Ode Records is based in Auckland, New Zealand and are the publishers for paralleL 37 , compiled from visiting American artists throughout the 80's featuring such accomplished Jazz names as John Scofield, Milt Jackson and Emily. Ode Records er basert i Auckland, New Zealand og er utgivere for parallell 37, samlet fra å besøke amerikanske artister gjennom hele 80-tallet med en slik dyktig Jazz navn som John Scofield, Milt Jackson og Emily. It's a fun CD start to finish, a blend of contemporary Jazz meeting the island influenced Jazz of New Zealand. Det er en morsom CD start til slutt, en blanding av moderne Jazz møte øya påvirket Jazz på New Zealand. Frank Gibson Jr. put it best: Frank Gibson Jr sette det best:
“All the Americans on this album have left something of themselves behind. "Alle amerikanerne på dette albumet har igjen noe av seg selv bak. I have a sneaking suspicion that they have also taken a little of the Polynesian spirit home with them.” Jeg har en snikende mistanke om at de også har tatt litt av polynesiske ånd med seg hjem. "
Funkallero ~ Black Orpheus Funkallero ~ Black Orpheus
1988 1988
Chris Hunter: This Is Chris – Currently unavailable: visit him at huntersax.com Chris Hunter: This Is Chris - For øyeblikket utilgjengelig: besøke ham på huntersax.com 
This out of print CD is not easy to find but very desirable to have. Dette utsolgt CD er ikke lett å finne, men svært ønskelig å ha. It was the first album as leader for seasoned saxophonist Chris Hunter of London who was savvy enough to seek out Emily for a guest appearance on the Jimmy Van Heusen song : Here's That Rainy Day , a jazz ballad that allows her phrasing to breath and linger on the spaces in between. Det var det første albumet som leder for erfarne saksofonisten Chris Hunter i London som var kunnskapsrike nok til å oppsøke Emily for en gjesteopptreden på Jimmy Van Heusen sang: Here's That Rainy Day, et jazz-ballade som gjør henne frasering å puste og nøle på mellomrommene mellom.
Quietly and unequivocally the essence of Emily. Stille og utvetydig essensen av Emily.
1984 1984
Deuce: Available @ Deuce Band Website Deuce: Ledige @ Deuce Band Website 
DEUCE is a 5-7 piece electric Soul-Jazz ensemble led by horn players Jean Fineberg and Ellen Seeling. Deuce er 5-7 stykke elektrisk Soul-Jazz ensemble ledet av horn spillere Jean Fineberg og Ellen Seeling. As freelance musicians, Fineberg & Seeling toured and recorded with David Bowie, Patti Labelle, Laura Nyro, Chic, Luther Vandross, Phoebe Snow, and recorded the famous We Are Family with Sister Sledge. Som frilans musikere turnerte Fineberg & Seeling og innspilt med David Bowie, Patti Labelle, Laura Nyro, Chic, Luther Vandross, Phoebe Snow, og spilte den berømte We Are Family med Sister Sledge. For this release Emily was guest guitarist for one song, Watersounds . For denne utgivelsen Emily var gjest gitarist for en sang, Watersounds.
1981 1981
The Clayton Brothers: It's All In The Family - Currently unavailable The Clayton Brothers: It's All In The Family - Foreløpig utilgjengelig
John Clayton: bass ~ Jeff Clayton: sax/oboe John Clayton: bass ~ Jeff Clayton: sax / obo
Jeff Hamilton: drums ~ Roger Kellaway: piano Jeff Hamilton: trommer ~ Roger Kellaway: piano
Emily Remler: guitar. Emily Remler: gitar.
A smorgasbord of styles: mainstream, bop, blues, & ragtime. En koldtbordsystemet benyttes av stiler: mainstream, bop, blues & ragtime. Emily provides a crisp, strutting guitar to a great mix of musicians on her 1st album appearance. Emily gir en klar, strutting gitar til en flott blanding av musikere på hennes 1ste album utseende.
Broadway ~ Emily ~ Cannon ~ I'm Afraid The Masquerade Is Over ~ Remembering You (from All In The Family) ~ Estate ~ Things Ain't What They Used To Be ~ If I Were A Rich Man (from Fiddler On the Roof) Broadway ~ Emily Cannon ~ ~ I'm Afraid The Masquerade Is Over ~ Remembering You (fra All in the Family) ~ ~ Estate Things Ain't What They Used To Be ~ If I Were A Rich Man (fra Fiddler on the Roof)
Nice Jazz album. Nice Jazz album. Emily is featured for one song only, wonderfully titled: Emily er kjennetegnet for en sang, fantastisk tittelen:
Mistreated But Undefeated Blues Mishandlet Men Ubeseiret Blues
Brown went into the studio with just that one song worked out. Brown gikk i studio med bare den ene sangen utdrevet. It was also the only song using an expanded group, with Emily and tenor saxophonist Red Holloway trying to outdo each other's fire-breathing solos. Det var også den eneste sangen med en utvidet gruppe med Emily og tenorsaksofonist Red Holloway prøver å overgå hverandres ildsprutende soloer. Brown wrote it the day before the session, “so it wouldn't be just a massive jam.” Brown skrev det dagen før økten, "så det ikke skulle bli bare en massiv jam.
1985 1985
Larry Coryell * Emily Remler: Together – Currently unavailable Larry Coryell * Emily Remler: Together - Foreløpig utilgjengelig 
There was a genuine bond between these two quite dissimilar guitarists. Det var en ekte bånd mellom disse to ganske ulike gitarister. They demonstrate an instinctive understanding of the material and deliver an album full of graceful improvising, seamless stylistic technique and unique musical idealization. De viser en instinktiv forståelse av materialet og leverer et album fullt av grasiøs improvisere, sømløs stilistiske teknikk og unike musikalske idealisering.
“Together is more than a matter of being in the same room. "Sammen er mer enn et spørsmål om å være i samme rom. It's being in the same mind, and it's a condition that these two distinctly individual players are able to achieve, seemingly at will.” Neil Tresser Det å være i samme sinn, og det er en forutsetning at disse to utpreget individuell spiller kan få, tilsynelatende på vilje. "Neil Tresser
” Remler's rhythmic precision feels willed, a result not of abandoning herself to the music but of riding it with superlative control; every conclusion she reaches is airtight, every challenge definitively met, every flight of fancy solidly rooted.” Charles O. Hartman from JAZZ TEXT: Voice and Improvisation In Poetry, Jazz, and song. "Remler's rytmisk presisjon føles vilje, et resultat ikke å forlate seg til musikk, men å ri den med superlativ kontroll; hver konklusjonen hun kommer er lufttette, hver utfordring definitivt møttes, hver flight of fancy solid forankret." Charles O. Hartman fra JAZZ TEKST: Voice and Improvisation I Poetry, Jazz og sang.
Arubian Nights ~ Joy Spring ~ Ill Wind ~ How My Heart Sings ~ Six Beats, Six Strings ~ Gerri's Blues ~ How Insensitive Arubian Nights ~ Joy Spring ~ Ill Wind ~ How My Heart Sings ~ Six Beats, Six Strings ~ Gerri's Blues ~ Hvordan Insensitive
This album is all about Rosemary and her wonderful vocal presence with Emily playing on 6 of 10 selections but it has an undeniable Emily feel when the guitar is allowed to take the spotlight. Dette albumet handler om Rosemary og hennes fantastiske vokal tilstedeværelse med Emily spille på 6 av 10 valg, men den har en unektelig Emily føler når gitaren er lov å ta søkelyset. Emily loved and admired the old school jazz players, she must have certainly been pleased to be part of the band for the distinguished Mrs. Clooney. Emily elsket og beundret den gamle skolen jazz spillere, må hun har sikkert blitt glade for å være en del av bandet for fremragende Mrs. Clooney.
Love Won't Let You Get Away ~ My Heart Is A Hobo ~ Imagination ~ Like Someone In Love ~ Happy Walking ~ The Last Dance Love Won't Let You Get Away ~ My Heart Is A Hobo ~ Fantasien ~ Like Someone In Love ~ Happy Walking ~ The Last Dance
1986 1986
John Colianni: Colianni @ amazon John Colianni: Colianni @ Amazon 
John Colianni: piano ~ Bob Field: bass ~ Connie Kay: drums ~ Joe Wilder: trumpet. John Colianni: piano ~ Bob Felt: bass ~ Connie Kay: trommer ~ Joe Wilder: trompet.
A piano oriented album with Emily appearing on “I Am In Love” , a Cole Porter song with a nice bossa rhythm, “Soft Shoe” a Ray Brown creation that's an easy groovin' change up tune on which Emily dances supreme and “Home Grown” a sassy jazz selection that rounds out this small but pleasing set. Et piano orientert album med Emily som vises på "I Am In Love", en Cole Porter sang med en hyggelig bossa rytme, "Soft Shoe" en Ray Brown skapelse som er en enkel Groovin 'endre opp melodien som Emily danser øverste og "Home Grown "en dristig jazz utvalg som runder av denne lille, men behagelig stille.
Soft Shoe ~ I Am In Love ~ Home Grown Soft Shoe ~ I Am In Love ~ Home Grown
1987 1987
Richie Cole / Hank Crawford Quintet: Bossa International @ amazon Richie Cole / Hank Crawford Quintet: Bossa International @ Amazon 
Richie Cole: alto sax ~ Hank Crawford: alto sax ~ Marshall Hawkins: bass ~ Victor Jones: drums Richie Cole: alto sax ~ Hank Crawford: alto sax ~ Marshall Hawkins: bass ~ Victor Jones: trommer
This is an absolute gem in jazz jam style albums recorded live in Nimes, France. Dette er en absolutt perle jazz jam stil album innspilt live i Nimes, Frankrike. It really swings and everyone is given the spotlight to let loose. Det virkelig svinger og alle gis søkelyset å slippe løs. It's obvious Em is very comfortable with these guys and the chosen material. Det er tydelig Em er svært komfortable med disse gutta, og det valgte materialet. This is one of the truly unknown highlights of Emily's touring years through Europe. Dette er en av de virkelig ukjente høydepunkter Emily's turnerer år gjennom Europa. She especially shines in “Fantasy Blues”. Hun skinner spesielt i "Fantasy Blues".
” Emily Remler has impressed me for years with her virtuosity, spirit, and dedication to pure jazz ” "Emily Remler har imponert meg i år med sin virtuositet, ånd, og satsing på ren jazz"
Richie Cole Richie Cole
Confirmation ~ Bossa International ~ I Can't Get Started ~ Fantasy Blues ~ Snowfall ~ Samba De Orpheus ~ Cherokee Bekreftelse ~ Bossa International ~ I Can't Get Started ~ Fantasy Blues ~ Snøfall ~ Samba De Orpheus ~ Cherokee
1988 1988
Susannah McCorkle: No More Blues @ amazon Susannah McCorkle: No More Blues @ Amazon 
I can't say enough about Susannah's vocal prowess. Jeg kan ikke si nok om Susannah's vocal prowess. She's incredible. Hun er utrolig. Emily appears on 6 of 12 songs and adds her unique guitar voice to an already solid jazz album. Emily vises 6 av 12 sanger og legger hennes unike stemme gitaren til en allerede solid jazz-album. She knew just the right amount of punch to deliver without being overbearing. Hun visste akkurat hvor mye punch å levere uten å bli hovmodig. I can't help but think she was all smiles as Susannah sings The Ballad Of Pearly Sue. Jeg kan ikke hjelpe, men tror hun ble alle smiler som Susannah synger The Ballad Of Pearly Sue. I imagine these two accomplished jazz women, as for all ladies living in “A Man's World”, could really identify with the simplistic but fundamental message of this little tune. Jeg kan tenke meg disse to dyktig jazz kvinner, som for alle damer som bor i «A Man's World", virkelig kunne identifisere seg med enkle, men grunnleggende budskapet om denne lille melodien.
The Ballad of Pearly Sue ~ No More Blues ~ Do Nothing Till You Hear From Me ~ Don't Let The Sun Catch You Cryin' ~ Can't Take You Nowhere ~ Who Cares The Ballad of Pearly Sue ~ No More Blues ~ Do Nothing Till You Hear From Me ~ Don't Let The Sun Catch You Cryin '~ Can't Take You Nowhere ~ Who Cares
1989 1989
Various Artists: Christmas Guitars @ yahoo Diverse artister: Christmas Guitars @ yahoo 
This strange but fun collection of Christmas guitar instrumentals was put together as a benefit for the National Coalition for the Homeless, and includes everyone from rockers like Al Anderson and Adrian Belew to jazz players and hardcore folkies. Denne merkelige, men morsom samling av julen gitar instrumentaler ble satt sammen som en fordel for National Coalition for the Homeless, og inkluderer alle, fra rockere som Al Anderson og Adrian Belew til jazz spillere og hardcore folkies. The results are wildly uneven, but definitely worth listening to. Resultatene er vilt ujevn, men definitivt verdt å lytte til. Larry Coryell's version of “The Christmas Song” is lovely, and Emily turns in a beautiful jazz arrangement of “We Three Kings.” Larry Coryell's versjon av "The Christmas Song" er nydelig, og Emily svinger i en vakker jazz arrangement av «We Three Kings."
1989 1989
David Benoit: Waiting For Spring @ amazon David Benoit: Waiting For Spring @ Amazon 
David Benoit: piano ~ Emily Remler: guitar ~ Peter Erskine: drums ~ Luther Hughes: bass David Benoit: piano ~ Emily Remler: gitar ~ Peter Erskine: trommer ~ Luther Hughes: bass
Waiting for Spring is one of those lesser known titles featuring Emily's work, and that's unfortunate, because this is a seriously polished jazz offering. Venter på Våren er en av de mindre kjente titler med Emily arbeid, og det er uheldig, fordi dette er et alvorlig polert jazz tilbyr. The selections cover a wide range of styles and tempos. Valgene dekker et bredt spekter av stiler og tempoer. You might recognize David's sound from the beloved Peanuts Specials as Benoit continued performing the scores for the popular TV series after the untimely passing of the wonderful Vince Guaraldi. Du kan gjenkjenne David lyd fra den elskede Peanuts Tilbud som Benoit fortsatte å spille resultatet for den populære TV-serien etter ubeleilig bestått av den fantastiske Vince Guaraldi. The response between Emily and David is superb, you can tell they were very much tapped into the ebb and flow of the material. Responsen mellom Emily og David er superb, kan du si de var veldig tappet i flo og fjære av materialet.
Waiting On Spring ~ After The Snow Falls ~ Cast Your Fate To The Wind ~ Turn Out The Stars ~ Cabin Fever ~ Cat On A Windowsill ~ Some Other Sunset ~ My Romance ~ Funkallero ~ I Remember Bill Evans ~ Fireside Venter på våren ~ etter at snøen Falls ~ Cast din skjebne til vinden ~ Turn Out The Stars ~ Cabin Fever ~ Cat On A vinduskarmen ~ annen Sunset ~ My Romance ~ Funkallero ~ I Remember Bill Evans ~ Fireside
1990 1990
Susannah McCorkle: Sabia @ amazon Susannah McCorkle: sabía @ Amazon 
Susannah McCorkle: vocals ~ Lee Musiker: piano ~ Scott Hamilton: tenor sax ~ Emily Remler: guitar ~ Dennis Irwin: bass ~ Duduka Fonseca: drums Susannah McCorkle: vokal ~ Lee Musiker: piano ~ Scott Hamilton: tenor sax ~ Emily Remler: gitar ~ Dennis Irwin: bass ~ Duduka Fonseca: trommer
This album has a big bossa sound and feel. Dette albumet har en stor bossa lyd og følelse. Susannah delivers again with extraordinary vocals and will surprise you with her command of singing in both Portuguese and Italian. Susannah leverer igjen med ekstraordinære vokal og vil overraske deg med sin beherskelse av sang både i portugisisk og italiensk. Of course, it couldn't have been any sweeter for Emily to play so many Brazilian jazz songs, where she's right at home from her early years on tour with Astrud Gilberto. Selvfølgelig kunne det ikke ha vært noen søtere for Emily å spille så mange brasiliansk jazz sanger, hvor hun seg hjemme fra hennes tidlige år på turné med Astrud Gilberto. Sabia means “songbird” and aptly describes the essence of Susannah. Sabía betyr "Songbird" og treffende beskriver essensen av Susannah. It's easy to hear their absolute enthusiasm and love for the material. Det er lett å høre deres absolutte entusiasme og kjærlighet til materialet.
It was also sadly, the last stateside recording session we would have from Emily. Det var også trist, den siste Stateside opptak vi ville ha fra Emily.
Tristeza (Sadness, Please Go Away) ~ Estate (Summer) ~ Vivo Sonhando (Living On Dreams) ~ Dilemma (Dilema) ~ Sabia (songbird) ~ So Many Stars ~ So Danco Samba (I Only Dance The Samba) ~ Manha De Carnaval (Sunrise) ~ P'Ra Machucar Meu Coracao (The Day We Said Goodbye) ~ Trevessia (Bridges) ~ A Felicidade (Happiness) Tristeza (Sadness, Please Go Away) ~ Estate (sommeren) ~ Vivo Sonhando (Living On Dreams) ~ Dilemma (Dilema) ~ sabía (sangfuglen) ~ Så mange stjerner ~ So Danco Samba (jeg bare danse Samba) ~ Manha De Carnaval (Sunrise) ~ P'Ra Machucar Meu Coração (The Day We Said Goodbye) ~ Trevessia (Bridges) ~ A Felicidade (Happiness)
Comments Off Comments Off
