يشارك ألبومات وضيفة مظاهر.

طقطقة عناوين أن يفحص توفر.

إكتشافات متأخّرة

1989
[كي] [إميكو]
بعض أخرى عالم
حاليّا غير متوفّر: زرته في kaiemiko.com
حديثا يكشف قرص كنيز [تيتلد] بعض أخرى عالم بجاز عازف البيانو [كي] يظهر [إميكو] [إميلي] على قيثار ل 5 أغنيات. [كي] درس مع كثير اسم عظيمة بما في ذلك فاتورة [إفنس] و [كيث] [جرّتّ] وشبك مستنقع من موسيقيات بارزة في [نك] ل هذا 1989 تسجيل. هو الى حدّ بعيد مختلفة من كثير جاز جلسات [إميلي] كان جزء من غير أنّ بعد [ديستينكتيفلي] أسلوبه عندما يعطي المصباح كشّاف. جيّدة يساوي الإضافيّة يحفر أن يجد.

أولى درّبت ~ [غريتينغ كرد] ~ في المرآة ~ إنعكاس ~ في المتنزهة

2007
فنانات مختلفة
[برلّل] 37
@ دخان سجلات

هو نادرة أنّ ألبوم يستطيع كنت أضفت إلى هذا صفحة خصوصا واحدة أنّ يحتوي أغنيات جديدة من [إميلي] غير أنّ هنا هذا مناسبة ومثلما هو [تثرن ووت], ليس فحسب اثنان جديدة إستوديو أغنيات غير أنّ ه متأخّرة إستوديو تسجيلات في أيّ وقت. يحتوي القرص كنيز يلمع أداء من أخرى جاز [غرت] أيضا.

قصيد غنائيّ أسّست سجلات في أوكلاند, [نو زلند] والناشرون ل [برلّل] 37, ينسّق من يزور فنون أمريكيّة طوال ال 80 يظهر هذا بارعة جاز اسم بما أنّ جون [سكفيلد], [ميلت] جاكسون و [إميلي]. هو حالة لهو قرص كنيز بداية أن ينهي, توليف من جاز معاصرة يلتقي الجزيرة يؤثر جاز [نو زلند]. صريحة [جبسن] [جر.]. يضع هو على أحسن وجه:
"قد ترك [ألّ ث] أمريكيات على هذا ألبوم شيء من بنفسي وراء. أنا أتلقّى يتسلّل توهم أنّ يأخذ هم يتلقّى أيضا بعض من ال [بولنسن] كحول منزل مع هم."

[فونكلّرو] ~ أسود [أرفيوس]

1988
[كريس] صياد
هذا [كريس]
حاليّا غير متوفّر: زرته في huntersax.com
ليس هذا من طبعة قرص كنيز يتيح أن يجد غير أنّ يساوي يفتّش. هو كان الألبوم أولى كزعيمة ل يمهر [سإكسوفونيست] [كريس] صياد لندن الذي كان [سفّي] بكفاية أن [سك ووت] [إميلي] لضيفة مظهر على ال [جيمّي] [فن] [هيوسن] أغنية:هنا أنّ يوم ممطرة, جاز يتريّث أغنية أنّ يسمحه يعبر إلى نفس وعلى الفراغات [إين-بتوين].
بهدوء وبشكل جليّ الجوهر [إميلي].

1984
[ديوس]
يتوفّر من [ديوس] نطاق موقعة

[ديوس] 5-7 قطعة كهربائيّة [سول-جزّ] طقم يقاد بقرن بوري لاعب جان [فينبرغ] و [إلّن] [سلينغ]. كموسيقيات مستقلّة, [فينبرغ] & [سلينغ] يجال ويسجّل مع دايفيد [بووي], [بتّي] [لبلّ], لورا [نرو], [شك], [لوثر] [فندروسّ], [فوب] ثلج, ويسجّل المشهورة "نحن أسرة" مع أخت مطرقة. ل هذا إطلاق كان [إميلي] ضيفة عازف القيثار لواحدة أغنية, [وترسوندس].

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1981
[كلتون] إخوان
It’s All In The Family
Currently unavailable - check vinyl record webistes

John Clayton: bass ~ Jeff Clayton: sax/oboe ~ Jeff Hamilton: drums ~ Roger Kellaway: piano ~ Emily Remler: guitar.
A smorgasbord of styles: mainstream, bop, blues, & ragtime. Emily provides a crisp, strutting guitar to a great mix of musicians on her 1st album appearance.

Broadway ~ Emily ~ Cannon ~ I’m Afraid The Masquerade Is Over ~ Remembering You (from All In The Family) ~ Estate ~ Things Ain’t What They Used To Be ~ If I Were A Rich Man (from Fiddler On the Roof)

1984
Ray Brown Trio
w/ Gene Harris
Soular Energy
@ amazon

Nice Jazz album. Emily is featured for one song only, wonderfully titled:
Mistreated But Undefeated Blues

Brown went into the studio with just that one song worked out. It was also the only song using an expanded group, with Emily and tenor saxophonist Red Holloway trying to outdo each other’s fire-breathing solos. Brown wrote it the day before the session, “so it wouldn’t be just a massive jam.”

1985
Larry Coryell * Emily Remler
Together
Currently unavailable: check ebay or vinyl record websites

There was a genuine bond between these two quite dissimilar guitarists. They demonstrate an instinctive understanding of the material and formats and deliver an album full of graceful improvising, seamless stylistic technique and unique musical ideation.

“Together is more than a matter of being in the same room. It’s being in the same mind, and it’s a condition that these two distinctly individual players are able to achieve, seemingly at will” Neil Tresser

Arubian Nights ~ Joy Spring ~ Ill Wind ~ How My Heart Sings ~ Six Beats, Six Strings ~ Gerri’s Blues ~ How Insensitive

1986
Rosemary Clooney
Sings The Music of Jimmy Van Heusen
@ Amazon

This album is all about Rosemary and her wonderful vocal presence with Emily playing on 6 of 10 selections but it has an undeniable Emily feel when the guitar is allowed to take the spotlight. Emily loved and admired the old school jazz players, she must have certainly been pleased to be part of the band for the distinguished Mrs. Clooney.

Love Won’t Let You Get Away ~ My Heart Is A Hobo ~ Imagination ~ Like Someone In Love ~ Happy Walking ~ The Last Dance

1986
John Colianni
Colianni
@ amazon

John Colianni: piano ~ Bob Field: bass ~ Connie Kay: drums ~ Joe Wilder: trumpet.
this is a piano oriented album with Emily appearing on
“I Am In Love”, a Cole Porter song with a nice bossa rhythm, “Soft Shoe” a Ray Brown creation that’s an easy groovin’ change up tune on which Emily dances supreme and“Home Grown” a sassy jazz selection that rounds out this small but pleasing set.

Soft Shoe ~ I Am In Love ~ Home Grown

1987

Richie Cole / Hank Crawford Quintet
Bossa International
@ amazon

Richie Cole: alto sax ~ Hank Crawford: alto sax ~ Marshall Hawkins: bass ~ Victor Jones: drums
This is an absolute gem in jazz jam style albums recorded live in Nimes, France. It really swings and everyone is given the spotlight to let loose. It’s obvious Em is very comfortable with these guys and the chosen material. This is one of the truly unknown highlights of Emily’s touring years through Europe. She especially shines in “Fantasy Blues”.

Emily Remler has impressed me for years with her virtuosity, spirit, and dedication to pure jazz” ~ Richie Cole

Confirmation ~ Bossa International ~ I Can’t Get Started ~ Fantasy Blues ~ Snowfall ~ Samba De Orpheus ~ Cherokee

1988
Susannah McCorkle
No More Blues
@ amazon

I can’t say enough about Susannah’s vocal prowess. She’s incredible. Emily appears on 6 of 12 songs and adds her unique guitar voice to an already solid jazz album. She knew just the right amount of punch to deliver without being overbearing. I can’t help but think she was all smiles as Susannah sings The Ballad Of Pearly Sue. I imagine these two accomplished jazz women, as for all ladies living in “A Man’s World”, could really identify with the simplistic but fundamental message of this little tune.

The Ballad of Pearly Sue ~ No More Blues ~ Do Nothing Till You Hear From Me ~ Don’t Let The Sun Catch You Cryin’ ~ Can’t Take You Nowhere ~ Who Cares

1989
Various Artists
Christmas Guitars
@ yahoo

This strange but fun collection of Christmas guitar instrumentals was put together as a benefit for the National Coalition for the Homeless, and includes everyone from rockers like Al Anderson and Adrian Belew to jazz players and hardcore folkies. The results are wildly uneven, but definitely worth listening to. Though the album begins inauspiciously with Nile Rodgers’ supremely wanky multi-tracked take on “White Christmas,” things pick up fairly quickly, mainly thanks to the jazz players; Larry Coryell’s version of “The Christmas Song” is lovely, and Emily turns in a beautiful jazz arrangement of “We Three Kings.” Adrian Belew’s heavily electronic version of “We Three Kings” is hilarious. Nina Gerber’s “Little Drummer Boy” and Terry Garthwaite’s “Wind Through the Olive Trees” tie for prettiest, and John Scofield’s “Have Yourself a Merry Little Christmas” gets the award for Most Soulful. A fun outing, all in all.

1989
David Benoit
Waiting For Spring
@ amazon

David Benoit: piano ~ Emily Remler: guitar ~ Peter Erskine: drums ~ Luther Hughes: bass
Waiting for Spring is one of those lesser known titles featuring Emily’s work, and that’s unfortunate, because this is a seriously polished jazz offering. The selections cover a wide range of styles and tempos. You might recognize David’s sound from the beloved Peanuts Specials as Benoit continued performing the scores for the popular TV series after the untimely passing of the wonderful Vince Guaraldi. The response between Emily and David is superb, you can tell they were very much tapped into the ebb and flow of the material.

Waiting On Spring ~ After The Snow Falls ~ Cast Your Fate To The Wind ~ Turn Out The Stars ~ Cabin Fever ~ Cat On A Windowsill ~ Some Other Sunset ~ My Romance ~ Funkallero ~ I Remember Bill Evans ~ Fireside

1990
Susannah McCorkle
Sabia
@ amazon

Susannah McCorkle: vocals ~ Lee Musiker: piano ~ Scott Hamilton: tenor sax ~ Emily Remler: guitar ~ Dennis Irwin: bass ~ Duduka Fonseca: drums
This album has a big bossa sound and feel. Susannah delivers again with extraordinary vocals and will surprise you with her command of singing in both Portuguese and Italian. Of course, it couldn’t have been any sweeter for Emily to play so many Brazilian jazz songs, where she’s right at home from her early years on tour with Astrud Gilberto. Sabia means “songbird” and aptly describes the essence of Susannah. It’s easy to hear from them both, their absolute enthusiasm and love for the material. It was Emily’s last recording session before her untimely passing.

Tristeza (Sadness, Please Go Away) ~ Estate (Summer) ~ Vivo Sonhando (Living On Dreams) ~ Dilemma (Dilema) ~ Sabia (songbird) ~ So Many Stars ~ So Danco Samba (I Only Dance The Samba) ~ Manha De Carnaval (Sunrise) ~ P’Ra Machucar Meu Coracao (The Day We Said Goodbye) ~ Trevessia (Bridges) ~ A Felicidade (Happiness)