Library圖書館
Places to go and people to read: Books and articles of interest that include Emily.地方去，人們閱讀：書籍和文章的興趣，其中包括埃米莉。
Click book icons for buying options.點擊書圖標購買選擇。
Titles we've overlooked ?標題我們忽略？ click here點擊這裡 to share your suggestions.分享您的建議。
Masters of Music: Conversations with Berklee Greats:音樂大師：對話與伯克利Greats的：
~ Small & Taylor ~ 〜〜小＆泰勒
Culled from exclusive interviews from Berklee Today, the alumni magazine of Berklee College of Music, this collection of candid interviews with such illustrious alumni as Quincy Jones, Branford Marsalis, Steve Vai, Paula Cole, Mike Stern, Bill Frisell and many others is a gold mine of wisdom, humor and insight.從獨家採訪撲殺從伯克利今天，校友雜誌的伯克利音樂學院，這本文集的坦率訪談等傑出校友作為昆西瓊斯，布蘭福德馬薩利斯，史蒂夫奧鋼聯，保科爾，邁克斯特恩，比爾佛瑞賽爾和許多別人是黃金我的智慧，幽默感和洞察力。 Read about the unique, unexpected challenges that success can bring.閱讀有關的獨特的，難以預料的挑戰，成功帶來的。
Lots of great conversations with some notable names from Berklee, and maybe the last interview ever done with Emily. 很多偉大的對話與一些著名的名字從伯克利，也許過去曾經做過採訪和Emily。
Waiting For Dizzy等待對於頭暈
~ Gene Lees ~基因萊斯〜〜
Jazzletter publisher Gene Lees profiles 13 veteran jazz musicians. Jazzletter出版商基因酒糟型材13老將爵士樂音樂家。 Warm and often funny elder statespersons reflect on their art and personal lives while he records their influence in the larger context of jazz history.溫暖而有趣的老statespersons經常反省自己的藝術和個人生活，而他記錄了他們在更大範圍內的影響力的爵士樂歷史。 Drawing from his encyclopedic knowledge and his own experience as a performer, Lees debunks jazz myths and confronts racism.從他的淵博知識和他自己的經驗作為一個演員，酒糟戳穿神話和爵士樂面臨種族主義。 His final essay honors trumpet superstar Dizzy Gillespie, and other equal coverage to musicians like Hank Jones, Herb Ellis, Al Grey, and of particular merit, an essay with the late and wonderful, Emily Remler.他的最後一篇文章榮譽小號巨星吉萊斯皮和其他音樂家一樣平等覆蓋漢克瓊斯，香草埃利斯，鋁灰，和特別的優點，與已故的一篇文章和精彩，埃米莉Remler。
In depth and revealing interview of substance by one of the most talented conversationalists in the business. 在深度訪談的實質，揭示了一個最有才華的健談的業務。 Truly one of the better windows on her world. 真正的一個更好的窗口在她的世界。
Madame Jazz: Contemporary Women Instrumentalists爵士夫人：當代女性器樂
~ Lesile Gourse ~ 〜〜張國榮 Gourse
A jazz enthusiast, Gourse brings lots of energy and knowledge to this upbeat survey of contemporary women jazz musicians.爵士樂愛好者，Gourse帶來大量的精力和知識，這種樂觀的調查當代女性爵士音樂家。 Although male jazz musicians considered women jazz singers “ladylike,” women blowing horns and pounding on drums were just plain unacceptable.雖然男性爵士樂手認為婦女爵士歌手“大家閨秀”婦女吹號角和鼓手的衝擊只是簡單的不能接受的。 That prejudice didn't stop women instrumentalists who, finally, in the early 1970s, began to have greater success in “crossing the gender barrier.” Gourse assesses the changes in attitude that made that progress possible, but she focuses most of her attention on the women themselves, describing their drive, confidence, and talent, capturing the essence of each musician's personality while sharing tales of their trials and triumphs.這種偏見不停止婦女器樂誰，終於，在20世紀 70年代初，開始有更大的成功“跨越性別障礙。”Gourse評估態度的轉變，可能取得的進展，但她對她的注意力集中在最婦女本身，說明他們的驅動器，有信心，人才，抓住本質，每個音樂家的個性，同時分享的故事，他們的審判和勝利。
Will open your eyes to many women in jazz. 將打開你的眼睛，許多婦女在爵士。 Only a short chapter on Em but it does include some lesser known facts of her life. 只有簡短的一章對電磁但它包括一些鮮為人知的事實，她的生活。
Stormy Weather: The Music and Lives of a Century of Jazz Women暴風雨天氣：音樂和生命的世紀爵士女
~ Linda Dahl ~琳達達爾〜〜
The jazz scene in New Orleans, the Age of Swing, the Big Band Era of the 1940s and the ever present dark, smoky blues clubs have been the domain of men-but not entirely.現場的爵士樂在新奧爾良，年齡擺動，大樂隊時代的20世紀 40年代和無時不在黑暗中，配搭藍色俱樂部一直是男性的領域，但不完全。 Stormy Weather is a tribute to the women who made the scene, profiling the jazz and blues women from the turn of the century until now.暴風雨天氣是一個讚揚婦女誰提出的場景，剖析了爵士樂和藍調婦女從世紀之交至今。 Finishing off this work are interviews with ten women who have been part of the jazz industry and an extensive discography.這項工作是整理過的採訪十名婦女誰已部分行業和廣泛的爵士樂唱片。 Highly descriptive and enlightening, this engrossing reading brings alive a subculture that is as much a part of jazz as the music itself.描述性和啟發性的高度，這引人入勝的閱讀帶來了朝氣的亞文化群，是作為一個部分爵士樂音樂本身。 Within these pages is the history and lives of women who often walked in its shadows.在這些網頁是歷史和生活的婦女往往走在誰的陰影。 – Ilene Rosoff - 艾琳羅索夫
No new revelations about Emily here but it does have great information about Mary Osborne and Marian Gange. 沒有新的啟示艾米莉在這裡，但它確實有很大的信息瑪麗奧斯本和瑪麗安甘傑。 A rich resource on the history of all women in jazz. 豐富的歷史資源的所有婦女的爵士樂。
Thinking In Jazz: The Infinite Art of Improvisation思維爵士：即興藝術的無窮
~ Paul Berliner ~保羅柏林〜〜
This will certainly be the definitive source on improvisational jazz.這將肯定是最權威來源的即興爵士樂。 A leader in the field, Berliner (ethnomusicology, Northwestern) covers all aspects of improvisation as art form, science, and way of life.一個領導者在外地，柏林（民族音樂學，西北）涵蓋所有方面的即興的藝術形式，科學和生活方式。 Cutting no corners, he includes a vast range of article topics (from inspiration and arrangements to evaluation and audience interaction), music texts (from the 1920s to the present), artist interviews, and disc-, video-, and bibliographies.切割部的角落，他包括一個廣闊的文章主題（從靈感和安排，以評價和觀眾的互動），音樂文本（從 1920年至今），藝術家訪談和光盤，視頻，和參考書目。 Of the caliber of Grove's Dictionary of Music, this book is no less important to any serious music collection.該口徑 Grove的音樂辭典，這本書同樣是重要的任何嚴肅的音樂收藏。 Practicing musicians will be satisfied by the text and musical examples, while lay readers will come to understand the significance of jazz in American history and culture.實踐音樂家將透過文字和音樂的例子，而普通讀者會認識到其意義爵士樂在美國歷史和文化。 ~ Cynthia Ann Cordes. 〜辛西婭安科爾德。
If you want to immerse yourself deep into jazz and get some insight from legendary players like Emily, this is the book. 如果你想沉浸深入到爵士樂，並得到一些有識之士從傳奇球員像劉慧卿，這是書。 Very theoretical and incredibly detailed accounts of how the greatest minds in jazz developed and created a legacy into the diverse free form structure that is improvisation. 非常理論和令人難以置信的詳細說明如何在爵士樂最偉大的頭腦發達，創造了多樣的遺產將是自由即興的結構形式。
The Jazz Guitarists爵士吉他手
~ Stan Britt ~ 〜〜斯坦布里特
Author Stan Britt presents a selection of modern masters of the guitar giving an in depth profile of twelve leading jazz guitar players and even includes an eight bar phrase of their music, in tablature notation, to give the reader a brief passage in the style of each master, that can be played on their own instrument at home.作者斯坦布里特提出了選擇現代的吉他大師在深度剖面給予的12家主要爵士樂吉他手，甚至包括一個八條短語他們的音樂，在指法符號，讓讀者在一個簡短段落的樣式各大師，那他們可以發揮自己的樂器在家裡。 This 1984 book might be a little outdated but it mentions some of the best players on the planet and gives a short summary of their impact at the time written. 1984年這本書可能有點過時，但它提到一些在這個星球上最好的球員，並給出一個簡短總結其影響在當時寫的。
Has a concise and informative style featuring many of the greats: Emily, Scofield, Metheny, Pass, Ellis, Benson, Burrell, Christian, Green, Hall, Osborne, Johnson and Montgomery. 有一個簡潔的風格特色和翔實許多的偉人：劉慧卿，斯科菲爾德，梅特尼，及格，埃利斯，本森，伯勒爾，基督教，綠色，禮堂，奧斯本約翰遜和蒙哥馬利。
Masters of Jazz Guitar爵士吉他大師
~ Charles Alexander ~查爾斯亞歷山大〜〜
Skillfully mixes more than 200 color photos of musicians and album-cover art with 25 insightful essays by notable writers.巧混超過 200的彩色照片，音樂家和專輯封面25見地的論文由著名作家。 Beginning with jazz guitar roots, Alexander–publisher of Jazzwise magazine–traces the use of the guitar from swing to bop to bebop, cool, hardbop, and fusion.開始與爵士樂吉他根，亞歷山大出版商的Jazzwise雜誌的使用痕跡，從吉他到比波普國際收支平衡擺動，涼爽，hardbop，和融合。 It contains such icons as Django Reinhardt, Charlie Christian, Joe Pass, and Wes Montgomery; devotes sections to specialty areas such as Brazilian guitarists; and showcases some of the new talent on both sides of the Atlantic.它包含這樣的圖標為 Django Reinhardt的，查理基督教，喬通和韋斯蒙哥馬利，致力於以專業的部分地區，如巴西的吉他手，並展示一些新的人才雙方的大西洋。 A visually stunning, informative compendium of the many styles of jazz guitar during the last century.一個視覺震撼，信息彙編的許多風格的爵士樂吉他在上個世紀。 Includes photographs of prebop giants such as Duke Ellington and Louis Armstrong as well as lesser-known artists.包括照片的prebop巨頭如艾靈頓公爵和路易斯阿姆斯特朗以及不太知名的藝術家。
Meet Your Makers. 滿足您的莊家。 Excellent information from a time line and historical point of view. 良好的信息從時間線和歷史的觀點。 Great pictures you never knew existed of your favorite artists. 很棒的照片，你從來不知道存在於您喜愛的歌手。
The Gibson 335: Its History and Its Players吉布森335：它的歷史和它的球員
~ Adrian Ingram ~阿德里安英格拉姆〜〜
Gibson's first “semi-acoustic” the ES-335, which was neither totally solid nor fully acoustic, is the guitar of choice used by many famous guitarists such as Andy Summers, Elvin Bishop, Lee Ritenour, Jay Graydon, Robben Ford, Freddie King, John McLaughin, Jimmy Page, Chuck Berry, Tony Mottola, Johnny Rivers, Jack Wilkins, Bono, Grant Green, Eric Clapton, Stevie Ray Vaughan, Alvin Lee, BB King, Emily Remler, Otis Rush, Pete Townshend, John Lee Hooker, and Larry Carlton.吉布森的第一個“半聲”的ES - 335，這既不是完全固體也不充分聲，是吉他的選擇被許多著名吉他手如安迪薩默斯，埃爾文主教，李里特納，周杰倫格雷頓，羅本福特，弗雷迪國王約翰 McLaughin，吉米佩奇，查克貝瑞，托尼莫托拉，約翰尼河流，傑克威爾金斯，波諾，格蘭特綠，埃里克克萊普頓，史蒂維雷沃恩，阿爾文利，BB金，劉慧卿 Remler，奧的斯拉什，皮特湯森，約翰李胡克，和拉里卡爾頓。
Every detail, every angle, every aspect of Gibson's history with the 335 and its many variations. 每一個細節，每一個角度，每一個環節的吉布森的歷史與335和它的許多變化。
OTHERS其它
Kiss And Tell: Autobiography from Martin Taylor who toured with Emily in the 80′s, shares his views. 吻他，並告訴：自傳從馬丁泰勒誰參觀與艾米莉在80年代，分享他的看法。 From his experience playing with her he says: “Of all the guitarists I've played with in a duo situation, Emily was the player I enjoyed working with the most.從他的經驗和她玩，他說：“在所有的吉他手我打在二人的情況，艾米麗是球員，我非常高興能夠與最。 She was a great accompanist as well as soloist and that isn't always the case.她是一個偉大的伴奏和獨奏，那就是並非總是如此。 I've played with some great players who tend to let the accompaniment sag a bit, but with Emily we complemented each other perfectly and swapped solos almost seamlessly.” – It's almost too hard to think about all the magic lost to us.我已經打了一些偉大的球員誰往往讓伴奏凹陷了一點，但與 Emily我們相互補充和交換獨奏幾乎完美的無縫連接。“ - 這幾乎太難想想所有的魔術輸給了我們。 
The Jazz Scene: An Informal History from New Orleans to 1990: 爵士場景：一個非正式的歷史從新奧爾良到1990年：
With hundreds of interviews along with enlightening commentary, we are presented the origins and adventures of musicians themselves from the place where jazz was born.數以百計的訪談與啟發性的評注一起，我們提出的起源和冒險的音樂家從自己的地方爵士樂誕生了。
An interesting look and history from W. Royal Stokes.一個有趣的歷史，從外觀和瓦特皇家斯托克斯。
Improvising: My Life In Music , Larry's Bio mentions Emily on several occasions. 即興：我的生活在音樂 ，拉里的生物劉慧卿多次提到。 See the見 Good Words 好話 page for one of the nicer passages or click the icon to read more at Amazon.頁面更好之一的通道或點擊圖標閱讀更多在亞馬遜。
EXCERPTS摘錄
click on the titles below to be forwarded點擊下面的標題轉發
Gene Lees Interview from Waiting For Dizzy .基因酒糟面試等候為繁體 。
Emily article, First Impressions in Berklee Today from the fall of 1989.劉慧卿文章， 第一印象在伯克利今天從1989年秋季。
ARTICLES of INTERESTS製成品的權益
click on title to view story點擊標題查看故事
POP JAZZ: EMILY REMLER, NEW GUITAR VIRTUOSO, AT BLUE NOTE 民意爵士：劉慧卿REMLER，新的吉他演奏家，在藍注意 – -
Decent length article that has some insights.體面長的文章，有一些見解。
BLUE NOTE FESTIVAL 藍皮書節 - -
Just a blurb but we'll take it.就在Blurb的，但我們會接受它。
CONCERT: GUITAR FESTIVAL 音樂會：吉他藝術節 - -
Less than a blurb, still taking it.不到Blurb的，還是服用。
ASTRUD GILBERTO, SINGER 艾斯特吉芭托，歌手 - -
Short article about upcoming performance from Astrud that at least gives Emily a mention.簡短的文章從 Astrud即將推出的性能，至少給劉慧卿一提。
MUSIC: NOTED IN BRIEF: Emily Remler, Guitarist, and 2 Singers Perform 音樂：注意到簡訊：埃米莉Remler，吉他手，歌手演唱2 – -
Brief yes, flattering, no.簡短的話，奉承，沒有。 It wasn't roses all the time.這不是玫瑰所有的時間。
Then Later再後來
An article written in July about her appearance at a downtown club titled, “Electric Guitars Ricochet In Fat Tuesday's Series” , suggests that the idea of four modern guitar masters playing together, (Emily, John Abercrombie, Chuck Loeb & Vic Juris) might have been better in thought than performance.一篇文章寫在七月對她的外表在市中心的一個俱樂部名為“電吉他里科奇特在油膩星期二的系列”提出這個想法的四個現代化的吉他大師一起玩，（艾米麗，約翰伯克龍比，查勒布和維克法學）可能已經在思想上比性能更好。
Evidently the piano player backing this group was really amped up and overbearing on the sound.顯然，這組鋼琴演奏者的支持真的陶醉和咄咄逼人的聲音。 As John Wilson wrote in his review,正如約翰威爾遜說在他的審查，
with the low ceilings, narrow room and walls lined with mirrors, the highly amplified sound of an electric guitar, much less four of them, set up a powerful ricochet of ringing that was not helped by the over-amplification of Mr. Willi's piano.與低天花板，狹窄的房間和牆壁內襯鏡子，高度放大聲音的電吉他，更不用說其中四名，成立了強大的反彈的振鈴，這不是得益於過度放大威利先生的鋼琴。
He goes on to say that “Mr.他接著說，“先生 Abercrombie and Mr. Loeb, gave the room the sound of a shooting gallery while much of Miss Remler's mixture of chorded and single string playing was obscured by the piano all together.” 阿伯克龍比先生和勒布，房間裡的聲音給了一個射擊場，而大部分的小姐Remler的混合和單一字符串chorded玩是模糊的鋼琴都在一起。“
I can clearly imagine the backstage bitching session that ensued after this gig, can't you?我可以清楚地想像後台婊子會話，隨後在此之後的演出，不是嗎？
More Reviews of shows from coast to coast 更多評論的節目，從東海岸到西海岸
Click title to view or download PDF. * indicates latest additions.點擊標題查看或下載PDF格式。*表示的最新補充。
Sophisticated's Lady Guitarist; an interview by Leonard Feather: Los Angeles Times Feb. 1982精良的夫人吉他手;一採訪倫納德羽毛：洛杉磯時報 1982年2月
* Intense Remler Jazzes up Crowd: by Alan Greenblatt: The Cavalier Daily Sept. 29th 1987 *密集Remler Jazzes人潮：由Alan格林布拉特：騎士的日報 1987年9月29日
Blues Alley Jazz Club review by Mike Joyce : The Washington Post Dec. 1987布魯斯爵士俱樂部弄審查喬伊斯：華盛頓郵報 1987年12月
* Jazz Peers Respect Her Talent: by Lonna Baldwin: Spokane Chronicle Jan 15th 1988 *爵士同行的尊重她的天賦：由朗娜鮑德溫：斯波坎紀事 1988年1月15日
Vine St. Bar & Grill review by Leonard Feather: Los Angeles Times Feb. 1989比涅街酒吧及燒烤審查倫納德羽毛：洛杉磯時報 1989年2月
* Double Gutiars Pass Sellout Crowd's Test: by Bob Karlovits: The Pittsburgh Press Feb. 25th 1989 *雙 Gutiars通過出賣眾人的測試：由Bob Karlovits：在匹茲堡大學出版社1989年2月25日
Guitarist Learns To Live In A Man's World by Bob Protzman: St. Paul Pioneer Press July 1989吉他手學習生活在一個男人的世界，由Bob Protzman：聖保羅先鋒報 1989年7月
Emily Remler and All That's Jazz by Neil Nelson: The Washington Post July 1989劉慧卿 Remler和所有的爵士隊由Neil尼爾森：華盛頓郵報 1989年7月
Dakota Jazz Club review by Bob Protzman: St. Paul Pioneer Press Nov. 1989達科他爵士俱樂部的審查，由Bob Protzman：聖保羅先鋒報 1989年11月
* Emily Remler Plays One Smokin' Guitar: by Don Adair: Spokane Chronicle Nov. 24th 1989 *劉慧卿 Remler劇作之一斯莫'吉他：由Don代爾：斯波坎紀事 1989年11月24日
* Remler Warms Cold Night For Crowd: by Don Adair: Spokane Chronicle Nov. 28th 1989 * Remler寬慰寒夜人群：由Don代爾：斯波坎紀事 1989年11月28日
Worcester Jazz Festival review by Peter Landsdowne: Worcester Telegram & Gazette Feb. 1990伍斯特爵士音樂節的審查由彼得蘭斯：伍斯特電訊和公報 1990年2月
