Library图书馆
Places to go and people to read: Books and articles of interest that include Emily.地方去，人们阅读：书籍和文章，包括刘慧卿利益。
Click book icons for buying options.点击购买选项书图标。
Titles we've overlooked ?标题我们忽略？ click here点击这里 to share your suggestions.分享您的建议。
Masters of Music: Conversations with Berklee Greats:音乐大师：对话与伯克利Greats的：
~ Small & Taylor ~ 〜〜小＆泰勒
Culled from exclusive interviews from Berklee Today, the alumni magazine of Berklee College of Music, this collection of candid interviews with such illustrious alumni as Quincy Jones, Branford Marsalis, Steve Vai, Paula Cole, Mike Stern, Bill Frisell and many others is a gold mine of wisdom, humor and insight.从伯克利今天，伯克利音乐学院，这与作为昆西琼斯，布兰福德马萨利斯，史蒂夫奥钢联，保科尔，迈克斯特恩，比尔佛瑞赛尔和其他许多杰出的校友坦率的访谈等收集校友杂志独家专访Culled是金我的智慧，幽默感和洞察力。 Read about the unique, unexpected challenges that success can bring.阅读有关的独特的，难以预料的挑战，成功带来的。
Lots of great conversations with some notable names from Berklee, and maybe the last interview ever done with Emily. 采访中许多伟大的对话与一些著名的名字从伯克利，也许过去曾经做过与Emily。
Waiting For Dizzy等待对于头晕
~ Gene Lees ~基因莱斯〜〜
Jazzletter publisher Gene Lees profiles 13 veteran jazz musicians. Jazzletter出版商基因酒糟型材13老将爵士乐音乐家。 Warm and often funny elder statespersons reflect on their art and personal lives while he records their influence in the larger context of jazz history.温暖而有趣的老statespersons经常反省自己的艺术和个人生活中的记录，而他的爵士乐历史大背景的影响力。 Drawing from his encyclopedic knowledge and his own experience as a performer, Lees debunks jazz myths and confronts racism.从他的广博知识和他自己作为一个演员的经验，酒糟戳穿神话和爵士乐面临种族主义。 His final essay honors trumpet superstar Dizzy Gillespie, and other equal coverage to musicians like Hank Jones, Herb Ellis, Al Grey, and of particular merit, an essay with the late and wonderful, Emily Remler.他的最后一篇文章荣誉小号巨星吉莱斯皮，和其他平等的报道汉克喜欢琼斯，香草埃利斯，铝灰音乐家，和特别的优点，与已故的美妙，刘慧卿Remler文章。
In depth and revealing interview of substance by one of the most talented conversationalists in the business. 在深入采访揭示物质的企业之一，在人才的健谈的最多。 Truly one of the better windows on her world. 一个真正对她的世界更好的窗口。
Madame Jazz: Contemporary Women Instrumentalists爵士夫人：当代女性器乐
~ Lesile Gourse ~ 〜〜张国荣Gourse
A jazz enthusiast, Gourse brings lots of energy and knowledge to this upbeat survey of contemporary women jazz musicians.爵士乐爱好者，Gourse带来了大量的精力和知识的当代妇女的这一乐观的爵士乐音乐家调查。 Although male jazz musicians considered women jazz singers “ladylike,” women blowing horns and pounding on drums were just plain unacceptable.虽然男性爵士乐手认为妇女爵士歌手“大家闺秀”妇女吹号角和鼓手的冲击只是简单的不能接受的。 That prejudice didn't stop women instrumentalists who, finally, in the early 1970s, began to have greater success in “crossing the gender barrier.” Gourse assesses the changes in attitude that made that progress possible, but she focuses most of her attention on the women themselves, describing their drive, confidence, and talent, capturing the essence of each musician's personality while sharing tales of their trials and triumphs.这种偏见不停止妇女器乐谁，终于，在20世纪70年代初，开始有更大的成功“跨越性别障碍。”Gourse评估态度的变化，取得的进展可能的，但她对她的注意力集中于最妇女本身，说明他们的驱动器，有信心，人才，捕捉每一个音乐家的人格精神，而他们的审判和分享胜利的故事。
Will open your eyes to many women in jazz. 将打开你的眼睛，许多妇女在爵士。 Only a short chapter on Em but it does include some lesser known facts of her life. 只有简短的一章对电磁但它包括一些鲜为人知的事实，她的生活。
Stormy Weather: The Music and Lives of a Century of Jazz Women暴风雨天气：音乐和爵士乐的一个世纪妇女生活
~ Linda Dahl ~琳达达尔〜〜
The jazz scene in New Orleans, the Age of Swing, the Big Band Era of the 1940s and the ever present dark, smoky blues clubs have been the domain of men-but not entirely.在新奥尔良，爵士乐现场摆动时代，大乐队时代的20世纪40年代和永远存在黑暗，俱乐部配搭蓝色一直是男性，但还没有完全域。 Stormy Weather is a tribute to the women who made the scene, profiling the jazz and blues women from the turn of the century until now.暴风雨天气是对妇女是谁了现场，分析到现在为止从世纪之交的爵士乐和蓝调的妇女表示敬意。 Finishing off this work are interviews with ten women who have been part of the jazz industry and an extensive discography.这项工作是整理过谁已经有十个部分行业的爵士乐唱片妇女和广泛的采访。 Highly descriptive and enlightening, this engrossing reading brings alive a subculture that is as much a part of jazz as the music itself.描述性和启发性的高度，这引人入胜的阅读带来了朝气的亚文化群，既是一种称为爵士乐音乐本身的一部分。 Within these pages is the history and lives of women who often walked in its shadows.在这些网页是历史和妇女谁经常在它的阴影走进生活。 – Ilene Rosoff - 艾琳罗索夫
No new revelations about Emily here but it does have great information about Mary Osborne and Marian Gange. 没有新的启示玛丽安甘杰艾米莉在这里，但它确实有很大的奥斯本和信息玛丽。 A rich resource on the history of all women in jazz. 一个妇女在爵士乐丰富的资源在所有的历史。
Thinking In Jazz: The Infinite Art of Improvisation在爵士乐思维：即兴无穷的艺术
~ Paul Berliner ~保罗柏林〜〜
This will certainly be the definitive source on improvisational jazz.这将肯定是在即兴爵士乐权威来源。 A leader in the field, Berliner (ethnomusicology, Northwestern) covers all aspects of improvisation as art form, science, and way of life.在该领域的领导者，柏林（民族音乐学，西北）涵盖的艺术形式，科学和生活方式即兴的各个方面。 Cutting no corners, he includes a vast range of article topics (from inspiration and arrangements to evaluation and audience interaction), music texts (from the 1920s to the present), artist interviews, and disc-, video-, and bibliographies.切割部的角落，他的文章主题包括广大范围（从灵感和安排，以评价和观众的互动），音乐文本（从1920年至今），艺术家访谈和光盘，视频，和参考书目。 Of the caliber of Grove's Dictionary of Music, this book is no less important to any serious music collection.对格罗夫的音乐词典口径，这本书同样是重要的任何严肃的音乐收藏。 Practicing musicians will be satisfied by the text and musical examples, while lay readers will come to understand the significance of jazz in American history and culture.实践音乐家将透过文字和音乐的例子，而普通读者会认识到在美国历史和文化的爵士乐意义。 ~ Cynthia Ann Cordes. 〜辛西娅安科尔德。
If you want to immerse yourself deep into jazz and get some insight from legendary players like Emily, this is the book. 如果你想沉浸爵士乐深入了解，并得到一些球员喜欢艾米丽从传奇，这是书。 Very theoretical and incredibly detailed accounts of how the greatest minds in jazz developed and created a legacy into the diverse free form structure that is improvisation. 非常态结构，是即兴创作的理论意义和多么的详细帐目，头脑中最大的自由爵士乐发展，创造一个遗留到多样。
The Jazz Guitarists爵士吉他手
~ Stan Britt ~ 〜〜斯坦布里特
Author Stan Britt presents a selection of modern masters of the guitar giving an in depth profile of twelve leading jazz guitar players and even includes an eight bar phrase of their music, in tablature notation, to give the reader a brief passage in the style of each master, that can be played on their own instrument at home.作者斯坦布里特提出了对12家主要给予的爵士乐吉他手的吉他深度剖析现代大师的选择，甚至包括他们的音乐八条短语指法符号，让读者在每一个简短段落样式主，可在他们家中自己的乐器演奏。 This 1984 book might be a little outdated but it mentions some of the best players on the planet and gives a short summary of their impact at the time written. 1984年这本书可能有点过时，但它提到这个星球上最好的球员，并给出了一些自己的时间的影响在短期的书面总结。
Has a concise and informative style featuring many of the greats: Emily, Scofield, Metheny, Pass, Ellis, Benson, Burrell, Christian, Green, Hall, Osborne, Johnson and Montgomery. 有一个简洁的风格特色和翔实的许多伟人：刘慧卿，斯科菲尔德，梅特尼，及格，埃利斯，本森，伯勒尔，基督教，绿色，礼堂，奥斯本约翰逊和蒙哥马利。
Masters of Jazz Guitar爵士吉他大师
~ Charles Alexander ~查尔斯亚历山大〜〜
Skillfully mixes more than 200 color photos of musicians and album-cover art with 25 insightful essays by notable writers.巧妙地混合200多音乐家和专辑封面由著名作家25见地的论文艺术彩色照片。 Beginning with jazz guitar roots, Alexander–publisher of Jazzwise magazine–traces the use of the guitar from swing to bop to bebop, cool, hardbop, and fusion.与爵士乐吉他根开始，亚历山大出版商的Jazzwise杂志的痕迹，从国际收支平衡表的使用摆动吉他到比波普，冷静，hardbop，和融合。 It contains such icons as Django Reinhardt, Charlie Christian, Joe Pass, and Wes Montgomery; devotes sections to specialty areas such as Brazilian guitarists; and showcases some of the new talent on both sides of the Atlantic.它包含与Django Reinhardt的，查理基督教，乔通和韦斯蒙哥马利这样的图标;章节，致力于专业领域，如巴西的吉他手，在大西洋两岸，并介绍了一些新的人才。 A visually stunning, informative compendium of the many styles of jazz guitar during the last century.一个视觉震撼，信息汇编的爵士乐吉他的多种风格在上个世纪。 Includes photographs of prebop giants such as Duke Ellington and Louis Armstrong as well as lesser-known artists.包括如艾灵顿公爵和路易斯阿姆斯特朗prebop巨头图片外，还不太知名的艺术家。
Meet Your Makers. 满足您的庄家。 Excellent information from a time line and historical point of view. 良好的信息从时间线和历史的观点来看。 Great pictures you never knew existed of your favorite artists. 很棒的照片，你永远不知道你最喜爱的艺术家的存在。
The Gibson 335: Its History and Its Players吉布森335：它的历史和它的球员
~ Adrian Ingram ~阿德里安英格拉姆〜〜
Gibson's first “semi-acoustic” the ES-335, which was neither totally solid nor fully acoustic, is the guitar of choice used by many famous guitarists such as Andy Summers, Elvin Bishop, Lee Ritenour, Jay Graydon, Robben Ford, Freddie King, John McLaughin, Jimmy Page, Chuck Berry, Tony Mottola, Johnny Rivers, Jack Wilkins, Bono, Grant Green, Eric Clapton, Stevie Ray Vaughan, Alvin Lee, BB King, Emily Remler, Otis Rush, Pete Townshend, John Lee Hooker, and Larry Carlton.吉布森的第一个“半声”的ES - 335，这既不是完全固体也不充分声，是首选的吉他如安迪萨默斯，埃尔文主教，李里特纳，周杰伦格雷顿，罗本福特，弗雷迪国王许多著名的吉他手使用约翰McLaughin，吉米佩奇，查克贝瑞，托尼莫托拉，约翰尼河流，杰克威尔金斯，波诺，格兰特绿，埃里克克莱普顿，史蒂维雷沃恩，阿尔文利，BB金，刘慧卿Remler，奥的斯拉什，皮特汤森，约翰李胡克，和拉里卡尔顿。
Every detail, every angle, every aspect of Gibson's history with the 335 and its many variations. 每一个细节，每一个角度，每一个变化的方面很多吉布森的历史和它的335。
OTHERS其它
Kiss And Tell: Autobiography from Martin Taylor who toured with Emily in the 80′s, shares his views. 吻他，并告诉：从马丁泰勒自传谁参观与艾米莉在80年代，分享他的看法。 From his experience playing with her he says: “Of all the guitarists I've played with in a duo situation, Emily was the player I enjoyed working with the most.从他的经验和她玩，他说：在所有同我玩吉他手阿朵的情况“，艾米丽是球员，我喜欢和最工作。 She was a great accompanist as well as soloist and that isn't always the case.她是一个伟大的伴奏和独奏，那就是并非总是如此。 I've played with some great players who tend to let the accompaniment sag a bit, but with Emily we complemented each other perfectly and swapped solos almost seamlessly.” – It's almost too hard to think about all the magic lost to us.我已经打了谁往往让一些伴奏凹陷位伟大的球员，但我们相互补充刘慧卿完美，几乎完美地交换了独奏。“ - 这几乎是太难想想所有的魔术输给了我们。 
The Jazz Scene: An Informal History from New Orleans to 1990: 爵士场景：一个非正式的历史从新奥尔良到1990年：
With hundreds of interviews along with enlightening commentary, we are presented the origins and adventures of musicians themselves from the place where jazz was born.随着采访数百随着启发性的评论，我们会看到自己从那里诞生的地方爵士乐音乐家的起源和冒险。
An interesting look and history from W. Royal Stokes.一个有趣的历史，从外观和瓦特皇家斯托克斯。
Improvising: My Life In Music , Larry's Bio mentions Emily on several occasions. 即兴：我的音乐人生中 ，拉里的生物刘慧卿多次提到。 See the见 Good Words 好话 page for one of the nicer passages or click the icon to read more at Amazon.为更好的通道之一，或点击图标网页阅读亚马逊更多。
EXCERPTS摘录
click on the titles below to be forwarded点击下面的标题被转发
Gene Lees Interview from Waiting For Dizzy .基因莱斯专访头晕等待 。
Emily article, First Impressions in Berklee Today from the fall of 1989.刘慧卿文章， 第一印象在伯克利今天从1989年秋天的。
ARTICLES of INTERESTS制成品的权益
click on title to view story在标题点击查看故事
POP JAZZ: EMILY REMLER, NEW GUITAR VIRTUOSO, AT BLUE NOTE 民意爵士：刘慧卿REMLER，新的吉他演奏家，在蓝注意 – -
Decent length article that has some insights.体面长的文章，有一些见解。
BLUE NOTE FESTIVAL 蓝皮书节 - -
Just a blurb but we'll take it.就在Blurb的，但我们会接受它。
CONCERT: GUITAR FESTIVAL 音乐会：吉他艺术节 - -
Less than a blurb, still taking it.不到Blurb的，还是服用。
ASTRUD GILBERTO, SINGER 艾斯特吉芭托，歌手 - -
Short article about upcoming performance from Astrud that at least gives Emily a mention.关于即将到来的表现，从Astrud短的文章，至少给刘慧卿一提。
MUSIC: NOTED IN BRIEF: Emily Remler, Guitarist, and 2 Singers Perform 音乐：注意到简讯：埃米莉Remler，吉他手，歌手演唱2 – -
Brief yes, flattering, no.简短的话，奉承，没有。 It wasn't roses all the time.这是不是所有的时间玫瑰。
Then Later再后来
An article written in July about her appearance at a downtown club titled, “Electric Guitars Ricochet In Fat Tuesday's Series” , suggests that the idea of four modern guitar masters playing together, (Emily, John Abercrombie, Chuck Loeb & Vic Juris) might have been better in thought than performance. 系列“的七月左右的文章写在她的发周二的外观在”电吉他市中心的一个俱乐部标题， 跳弹 ，表明主人的想法四个现代化的吉他演奏在一起，（艾米丽，约翰伯克龙比，查勒布和维克法学）可能在思想比性能更好。
Evidently the piano player backing this group was really amped up and overbearing on the sound.显然，这组钢琴演奏者的支持真的陶醉的声音和霸道。 As John Wilson wrote in his review,正如约翰威尔逊说在他的审查，
with the low ceilings, narrow room and walls lined with mirrors, the highly amplified sound of an electric guitar, much less four of them, set up a powerful ricochet of ringing that was not helped by the over-amplification of Mr. Willi's piano.与低天花板，狭窄的房间，用镜子两旁的墙壁，一个电吉他高度放大的声音，更别说他们四人，成立了振铃不是由过度威利先生的钢琴扩增帮助强大的反弹。
He goes on to say that “Mr.他接着说，“先生 Abercrombie and Mr. Loeb, gave the room the sound of a shooting gallery while much of Miss Remler's mixture of chorded and single string playing was obscured by the piano all together.” 阿伯克龙比先生和勒布，给房间的席上的射击声，同时发挥多大小姐Remler字符串的混合和单一的钢琴chorded所掩盖的所有合作。“
I can clearly imagine the backstage bitching session that ensued after this gig, can't you?我可以清楚地想象后台婊子会话演出结束后发生了，不是吗？
More Reviews of shows from coast to coast 更多评论到海岸从东海岸的节目
Click title to view or download PDF. * indicates latest additions.点击标题查看或下载PDF格式。*表示的最新补充。
Sophisticated's Lady Guitarist; an interview by Leonard Feather: Los Angeles Times Feb. 1982精良的夫人吉他手;一个由伦纳德羽毛专访：洛杉矶时报1982年2月
* Intense Remler Jazzes up Crowd: by Alan Greenblatt: The Cavalier Daily Sept. 29th 1987 *密集Remler Jazzes人潮：由Alan格林布拉特：骑士的日报1987年9月29日
Blues Alley Jazz Club review by Mike Joyce : The Washington Post Dec. 1987布鲁斯爵士俱乐部弄审查乔伊斯：华盛顿邮报1987年12月
* Jazz Peers Respect Her Talent: by Lonna Baldwin: Spokane Chronicle Jan 15th 1988 *爵士同行的尊重她的天赋：由朗娜鲍德温：斯波坎纪事1988年1月15日
Vine St. Bar & Grill review by Leonard Feather: Los Angeles Times Feb. 1989比涅街酒吧及烧烤审查伦纳德羽毛：洛杉矶时报1989年2月
* Double Gutiars Pass Sellout Crowd's Test: by Bob Karlovits: The Pittsburgh Press Feb. 25th 1989 *双Gutiars通过出卖众人的测试：由Bob Karlovits：在匹兹堡大学出版社1989年2月25日
Guitarist Learns To Live In A Man's World by Bob Protzman: St. Paul Pioneer Press July 1989吉他手学习生活在一个男人的世界，由Bob Protzman：圣保罗先锋报1989年7月
Emily Remler and All That's Jazz by Neil Nelson: The Washington Post July 1989刘慧卿Remler和所有的爵士队由Neil尼尔森：华盛顿邮报1989年7月
Dakota Jazz Club review by Bob Protzman: St. Paul Pioneer Press Nov. 1989达科他爵士俱乐部的审查，由Bob Protzman：圣保罗先锋报1989年11月
* Emily Remler Plays One Smokin' Guitar: by Don Adair: Spokane Chronicle Nov. 24th 1989 *刘慧卿Remler剧作之一斯莫'吉他：由Don代尔：斯波坎纪事1989年11月24日
* Remler Warms Cold Night For Crowd: by Don Adair: Spokane Chronicle Nov. 28th 1989 * Remler宽慰寒夜人群：由Don代尔：斯波坎纪事1989年11月28日
Worcester Jazz Festival review by Peter Landsdowne: Worcester Telegram & Gazette Feb. 1990伍斯特爵士音乐节的审查由彼得兰斯：伍斯特电讯和公报1990年2月
