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Places to go and people to read: Books and articles of interest that include Emily. Lugar na pumunta at mga tao upang basahin: Books at mga artikulo ng interes na isama ang Emily.
Click book icons for buying options. I-click ang icon ng libro para sa pagbili ng mga pagpipilian.
Titles we've overlooked ? Pamagat namin overlooked? click here i-click dito to share your suggestions. ibahagi ang iyong mga mungkahi.
Masters of Music: Conversations with Berklee Greats: Masters ng Music: Conversations sa Berklee Greats:
~ Small & Taylor ~ ~ Maliliit na & Taylor ~
Culled from exclusive interviews from Berklee Today, the alumni magazine of Berklee College of Music, this collection of candid interviews with such illustrious alumni as Quincy Jones, Branford Marsalis, Steve Vai, Paula Cole, Mike Stern, Bill Frisell and many others is a gold mine of wisdom, humor and insight. Culled mula sa eksklusibong panayam mula sa Berklee Today, ang alumni magazine ng Berklee College of Music, ang collection na ito ng mga interbyu sa tapat na may tulad na tanyag bilang alumni Quincy Jones, Branford Marsalis, Steve Vai, Paula Cole, Mike Stern, Bill Frisell at marami pang iba ay ginto ng isang minahan ng karunungan, katatawanan at pananaw. Read about the unique, unexpected challenges that success can bring. Magbasa tungkol sa mga natatangi, di-inaasahang mga hamon na ang tagumpay ay maaari dalhin.
Lots of great conversations with some notable names from Berklee, and maybe the last interview ever done with Emily. Napakaraming dakilang pag-uusap kasama ang ilang mga tanyag na pangalan mula sa Berklee, at marahil ang huling interbyu sa panahong tapos na may Emily.
Waiting For Dizzy Naghihintay Para sa mga nahihilo
~ Gene Lees ~ ~ Gene Lees ~
Jazzletter publisher Gene Lees profiles 13 veteran jazz musicians. Jazzletter publisher Gene Lees profile sa 13 sanay na jazz musikero. Warm and often funny elder statespersons reflect on their art and personal lives while he records their influence in the larger context of jazz history. Warm at madalas funny matanda statespersons na sumasalamin sa kanilang mga sining at personal na buhay habang siya ay mga talaan ng kanilang impluwensiya sa mas malaking konteksto ng jazz kasaysayan. Drawing from his encyclopedic knowledge and his own experience as a performer, Lees debunks jazz myths and confronts racism. Disenyo mula sa kanyang ensiklopediko kaalaman at sa kanyang sariling karanasan bilang isang tagapalabas, Lees debunks myths jazz at confronts Pangako. His final essay honors trumpet superstar Dizzy Gillespie, and other equal coverage to musicians like Hank Jones, Herb Ellis, Al Grey, and of particular merit, an essay with the late and wonderful, Emily Remler. Ang kanyang huling sanaysay honors trumpeta Superstar Dizzy Gillespie, at iba pang pantay-pantay na coverage sa musikero tulad ng labay Jones, Herb Ellis, Al Grey, at ng mga partikular na kabutihan, ng isang sanaysay gamit ang huli at kahanga-hanga, Emily Remler.
In depth and revealing interview of substance by one of the most talented conversationalists in the business. Sa lalim at nagsisiwalat pakikipanayam ng substansiya sa pamamagitan ng isa sa mga pinaka matalino conversationalists sa negosyo. Truly one of the better windows on her world. Tunay na ang isa sa mga mas mahusay na mga bintana sa kanyang mundo.
Madame Jazz: Contemporary Women Instrumentalists Ginang Jazz: Contemporary ng kaibigang Babae Instrumentalists
~ Lesile Gourse ~ ~ Lesile Gourse ~
A jazz enthusiast, Gourse brings lots of energy and knowledge to this upbeat survey of contemporary women jazz musicians. Isang jazz tagahanga, Gourse nagdudulot ng maraming enerhiya at kaalaman sa pagtaas ng mga survey na kapanahon kababaihan jazz musikero. Although male jazz musicians considered women jazz singers “ladylike,” women blowing horns and pounding on drums were just plain unacceptable. Kahit na lalaki jazz musikero itinuturing na mga kababaihan singers jazz "mahinhin," babae pamumulaklak horns at bayuhan sa drums ay simple lamang ng hindi katanggap-tanggap. That prejudice didn't stop women instrumentalists who, finally, in the early 1970s, began to have greater success in “crossing the gender barrier.” Gourse assesses the changes in attitude that made that progress possible, but she focuses most of her attention on the women themselves, describing their drive, confidence, and talent, capturing the essence of each musician's personality while sharing tales of their trials and triumphs. Pinsalain atipan ng pawid ay hindi hihinto sa instrumentalists kababaihan na, sa wakas, sa unang bahagi ng 1970s, nagsimula na magkaroon ng mas malaking tagumpay sa "pagtawid ang kasarian hadlang." Gourse tinatasa ang mga pagbabago sa attitude na ginawa na ang mga posibleng pag-unlad, ngunit siya naka-focus sa karamihan ng kanyang pansin sa ang mga kababaihan sa kanilang sarili, na naglalarawan ng kanilang mga drive, confidence, at talento, pagkuha ng mga kakanyahan ng pagkatao ng bawat musikero's habang Tales sa pagbabahagi ng kanilang mga pagsubok at triumphs.
Will open your eyes to many women in jazz. Ay buksan ang iyong mga mata sa maraming kababaihan sa jazz. Only a short chapter on Em but it does include some lesser known facts of her life. Lamang ng maikling kabanata sa Em ngunit ito ay kabilang ang ilang mga mas maliit na kilala mga katotohanan ng kanyang buhay.
Stormy Weather: The Music and Lives of a Century of Jazz Women Binabagyo Panahon: Ang Musika at ang buhay ng isang Century ng kaibigang Babae Jazz
~ Linda Dahl ~ ~ Linda Dahl ~
The jazz scene in New Orleans, the Age of Swing, the Big Band Era of the 1940s and the ever present dark, smoky blues clubs have been the domain of men-but not entirely. Ang jazz tanawin sa New Orleans, ang Edad ng indayog, ang Big Band Era ng 1940s at ang kailanman kasalukuyan madilim, mausok blues klub ay ang domain ng mga kalalakihan-ngunit hindi lahat. Stormy Weather is a tribute to the women who made the scene, profiling the jazz and blues women from the turn of the century until now. Binabagyo Weather ay isang parangal para sa mga kababaihan na nagawa ang mga tanawin, profiling ang jazz at blues kababaihan mula sa singkamas ng ang siglo hanggang sa ngayon. Finishing off this work are interviews with ten women who have been part of the jazz industry and an extensive discography. Tinatapos off gawaing ito ay interbyu sa sampung kababaihan na na ito ay bahagi ng industriya ng jazz at ng isang malawak na discography. Highly descriptive and enlightening, this engrossing reading brings alive a subculture that is as much a part of jazz as the music itself. Mga mataas na mga malarawan at nakapapaliwanag, ito nakakalulon pagbabasa nagdudulot ng buhay ng isang subculture na bilang magkano ang isang bahagi ng jazz bilang ang music mismo. Within these pages is the history and lives of women who often walked in its shadows. Sa loob ng mga pahina na ito ay ang kasaysayan at buhay ng mga kababaihan na madalas walked sa kanyang Shadow. – Ilene Rosoff - Ilene Rosoff
No new revelations about Emily here but it does have great information about Mary Osborne and Marian Gange. Walang mga bagong revelations tungkol dito Emily ngunit ito ay may dakilang impormasyon tungkol sa Maria Osborne at Marian Gange. A rich resource on the history of all women in jazz. Isang mayamang mapagkukunan sa kasaysayan ng lahat ng mga kababaihan sa jazz.
Thinking In Jazz: The Infinite Art of Improvisation Pag-iisip Sa Jazz: Ang Walang-hanggan Art ng bakis
~ Paul Berliner ~ ~ Paul Berliner ~
This will certainly be the definitive source on improvisational jazz. Ito ay tiyak na magiging depinitibo source sa improvisational jazz. A leader in the field, Berliner (ethnomusicology, Northwestern) covers all aspects of improvisation as art form, science, and way of life. Ang isang lider sa field, Berliner (ethnomusicology, Northwestern) sumasakop sa lahat ng aspeto ng bakis bilang art form, science, at paraan ng pamumuhay. Cutting no corners, he includes a vast range of article topics (from inspiration and arrangements to evaluation and audience interaction), music texts (from the 1920s to the present), artist interviews, and disc-, video-, and bibliographies. Cutting walang sulok, siya kasama ng isang malawak na hanay ng mga paksa na artikulo (mula sa inspirasyon at kaayusan sa pagsusuri at audience interaction), musika teksto (mula sa 1920s hanggang sa kasalukuyan), artist panayam, at disc-,-video, at bibliographies. Of the caliber of Grove's Dictionary of Music, this book is no less important to any serious music collection. Ng kalibre ng's Grove Dictionary of Music, aklat na ito ay hindi gaanong mahalaga sa anumang mabigat na koleksyon ng musika. Practicing musicians will be satisfied by the text and musical examples, while lay readers will come to understand the significance of jazz in American history and culture. Practicing musikero ay nasiyahan na sa pamamagitan ng text at musika halimbawa, habang ang pagbuhatan ng mga mambabasa ay dumating upang maunawaan ang kahalagahan ng jazz sa American history at kultura. ~ Cynthia Ann Cordes. ~ Cynthia Ann Cordes.
If you want to immerse yourself deep into jazz and get some insight from legendary players like Emily, this is the book. Kung nais mong ilubog ang iyong sarili sa malalim na jazz at kumuha ng ilang mga pananaw mula sa maalamat manlalaro tulad ng Emily, ito ay ang libro. Very theoretical and incredibly detailed accounts of how the greatest minds in jazz developed and created a legacy into the diverse free form structure that is improvisation. Very manilay-nilay at incredibly detalyadong mga account kung paano ang pinakadakilang isip sa bandang binuo at ginawa ng isang legacy sa mga magkakaibang mga libreng form ng istraktura na bakis.
The Jazz Guitarists Ang Jazz Guitarists
~ Stan Britt ~ ~ Stan Britt ~
Author Stan Britt presents a selection of modern masters of the guitar giving an in depth profile of twelve leading jazz guitar players and even includes an eight bar phrase of their music, in tablature notation, to give the reader a brief passage in the style of each master, that can be played on their own instrument at home. Author Stan Britt nagtatanghal ng isang pagpili ng mga modernong Masters ng pagbibigay ng gitara sa isang malalim na profile ng alas-dose nangungunang manlalaro jazz guitar at kahit na kinabibilangan ng isang walong phrase bar ng kanilang mga musika, sa tablature notasyon, upang bigyan ang mambabasa ng isang maikling daan sa ang estilo ng bawat isa master, na maaaring nilalaro sa kanilang sariling mga instrumento sa bahay. This 1984 book might be a little outdated but it mentions some of the best players on the planet and gives a short summary of their impact at the time written. Ito 1,984 libro ay maaaring maging isang maliit na lipas na sa panahon ngunit ito mentions ang ilan sa mga pinakamahusay na manlalaro sa planeta at nagbibigay ng isang maikling buod ng ang kanilang mga epekto sa panahon na nakasulat.
Has a concise and informative style featuring many of the greats: Emily, Scofield, Metheny, Pass, Ellis, Benson, Burrell, Christian, Green, Hall, Osborne, Johnson and Montgomery. Ay may isang maikli at puno ng kaalaman at estilo na nagtatampok ng marami sa mga greats: Emily, Scofield, Metheny, Pass, Ellis, Benson, Burrell, Christian, Green, Hall, Osborne, Johnson at Montgomery.
Masters of Jazz Guitar Masters ng Jazz Guitar
~ Charles Alexander ~ ~ Charles Alexander ~
Skillfully mixes more than 200 color photos of musicians and album-cover art with 25 insightful essays by notable writers. Skillfully mixes ng higit sa 200 mga larawan kulay ng mga musikero at album cover-sining na may 25 insightful sanaysay sa pamamagitan ng tanyag manunulat. Beginning with jazz guitar roots, Alexander–publisher of Jazzwise magazine–traces the use of the guitar from swing to bop to bebop, cool, hardbop, and fusion. Na nagsisimula sa mga pinagmulan jazz guitar, Alexander-publisher ng magazine Jazzwise-traces ang paggamit ng gitara mula sa indayog sa bop sa bebop, cool, hardbop, at pagsasanib. It contains such icons as Django Reinhardt, Charlie Christian, Joe Pass, and Wes Montgomery; devotes sections to specialty areas such as Brazilian guitarists; and showcases some of the new talent on both sides of the Atlantic. Ito ay nagtataglay ng mga icon na tulad ng Django Reinhardt, Charlie Christian, Joe Pass, at Wes Montgomery; devotes mga seksyon sa mga lugar na specialty tulad ng guitarists Brazilian; at showcases ilan sa mga bagong talento sa magkabilang panig ng Atlantic. A visually stunning, informative compendium of the many styles of jazz guitar during the last century. Isang visually kaakit-akit, impormasyon kompendyum ng maraming estilo ng jazz guitar sa panahon ng huling siglo. Includes photographs of prebop giants such as Duke Ellington and Louis Armstrong as well as lesser-known artists. Kasama ang litrato ng prebop higante tulad ng Duke Ellington at Louis Armstrong pati na rin mas mababang-kilalang artists.
Meet Your Makers. Meet iyong gumagawa. Excellent information from a time line and historical point of view. Magaling ang impormasyon mula sa isang oras na linya at makasaysayang punto ng view. Great pictures you never knew existed of your favorite artists. Great pictures hindi mo alam umiiral ng iyong mga paboritong artists.
The Gibson 335: Its History and Its Players Ang Gibson 335: Kasaysayan Its at mga manlalaro nito
~ Adrian Ingram ~ ~ Adrian Ingram ~
Gibson's first “semi-acoustic” the ES-335, which was neither totally solid nor fully acoustic, is the guitar of choice used by many famous guitarists such as Andy Summers, Elvin Bishop, Lee Ritenour, Jay Graydon, Robben Ford, Freddie King, John McLaughin, Jimmy Page, Chuck Berry, Tony Mottola, Johnny Rivers, Jack Wilkins, Bono, Grant Green, Eric Clapton, Stevie Ray Vaughan, Alvin Lee, BB King, Emily Remler, Otis Rush, Pete Townshend, John Lee Hooker, and Larry Carlton. Gibson's unang "semi-acoustic" ang ES-335, na kung saan ay hindi ganap na matibay at hindi rin ganap na acoustic, ay ang gitara ng mga pagpipilian na ginagamit ng maraming mga sikat na guitarists tulad ng Andy Summers, Elvin Bishop, Lee Ritenour, Jay Graydon, Robben Ford, Freddie King , John McLaughin, Jimmy Page, Chuck Berry, Tony Mottola, Johnny Rivers, Jack Wilkins, Bono, Grant Green, Eric Clapton, Stevie Ray Vaughan, Alvin Lee, BB King, Emily Remler, Otis Rush, Pete Townshend, John Lee Hooker, at Larry Carlton.
Every detail, every angle, every aspect of Gibson's history with the 335 and its many variations. Ang bawat detalye, ang bawat anggulo, bawat aspeto ng Gibson kasaysayan sa 335 at sa maraming mga pagkakaiba.
OTHERS Iba
Kiss And Tell: Autobiography from Martin Taylor who toured with Emily in the 80's, shares his views. Kiss At Sabihin: Autobiography mula Martin Taylor na toured may Emily sa 80's, namamahagi ang kanyang pagtingin. From his experience playing with her he says: “Of all the guitarists I've played with in a duo situation, Emily was the player I enjoyed working with the most. Mula sa kanyang mga karanasan sa paglalaro sa kanyang siya says: "ng lahat ng guitarists ko na nilalaro gamit sa isang sitwasyon duo, Emily ay ang player Naging gumagawa ng pinaka. She was a great accompanist as well as soloist and that isn't always the case. Siya ay isang dakilang accompanist pati na rin ang soloista at iyon ay hindi palaging ang kaso. I've played with some great players who tend to let the accompaniment sag a bit, but with Emily we complemented each other perfectly and swapped solos almost seamlessly.” – It's almost too hard to think about all the magic lost to us. Ko na nilalaro na may ilang mga dakilang manlalaro na magsilbi upang ipaalam sa saliw ng lumubog ng kaunti, ngunit may Emily complemented namin ang bawat isa na walang kamali-mali at swapped solos halos seamlessly. "- Ito ay halos masyadong matigas mag-isip tungkol sa lahat ng magic ang nawala sa amin. 
The Jazz Scene: An Informal History from New Orleans to 1990: Ang Jazz Scene: isang impormal na History mula sa New Orleans sa 1,990:
With hundreds of interviews along with enlightening commentary, we are presented the origins and adventures of musicians themselves from the place where jazz was born. Sa daan-daang mga interbyu kasama nakapapaliwanag kuro, kami ay iniharap ang pinanggalingan at adventures ng mga musikero ang kanilang sarili mula sa mga lugar na kung saan jazz ay isinilang.
An interesting look and history from W. Royal Stokes. Ang isang kagiliw-giliw na anyo at mula sa kasaysayan ng W. Royal Stokes.
Improvising: My Life In Music , Larry's Bio mentions Emily on several occasions. Bakis: My Life Sa Music, Larry's Bio mentions Emily sa ilang mga okasyon. See the Tingnan ang Good Words Good Words page for one of the nicer passages or click the icon to read more at Amazon. pahina para sa isa sa mga nicer passages o i-click ang icon para read more sa Amazon.
EXCERPTS Mga sipi
click on the titles below to be forwarded i-click ang mga pamagat sa ibaba upang maipasa
Gene Lees Interview from Waiting For Dizzy . Gene Lees Interview mula sa Naghihintay Para sa nahihilo.
Emily article, First Impressions in Berklee Today from the fall of 1989. Emily artikulo, First Impressions sa Berklee Today mula sa pagkahulog ng 1,989.
ARTICLES of INTERESTS ARTICLES ng interes
click on title to view story mag-click sa pamagat upang tingnan ang kuwento
POP JAZZ: EMILY REMLER, NEW GUITAR VIRTUOSO, AT BLUE NOTE POP Jazz: Emily REMLER, NEW GUITAR birtuoso, AT Blue TANDAAN – --
Decent length article that has some insights. Disenteng haba ng article na may ilang mga pananaw.
BLUE NOTE FESTIVAL Blue TANDAAN Festival - --
Just a blurb but we'll take it. Lamang ng isang blurb ngunit kami ay kumuha ng ito.
CONCERT: GUITAR FESTIVAL Concert: GUITAR Festival - --
Less than a blurb, still taking it. Mas mababa sa isang blurb, pa rin ang pagkuha nito.
ASTRUD GILBERTO, SINGER ASTRUD GILBERTO, mang-aawit - --
Short article about upcoming performance from Astrud that at least gives Emily a mention. Maikling artikulo tungkol sa mga darating na pagganap mula sa Astrud na hindi bababa sa Emily ay nagbibigay ng isang banggitin.
MUSIC: NOTED IN BRIEF: Emily Remler, Guitarist, and 2 Singers Perform MUSIC: mapapansin sa maiksing: Emily Remler, Guitarist, at 2 Singers magsagawa – --
Brief yes, flattering, no. Maikling oo, nakakabigay-puri, no. It wasn't roses all the time. Ito ay hindi rosas sa lahat ng oras.
Then Later Pagkatapos Mamaya
An article written in July about her appearance at a downtown club titled, “Electric Guitars Ricochet In Fat Tuesday's Series” , suggests that the idea of four modern guitar masters playing together, (Emily, John Abercrombie, Chuck Loeb & Vic Juris) might have been better in thought than performance. Isang artikulo na isinulat sa Hulyo tungkol sa kanyang anyo sa isang club sa bayan na may pamagat na, "Electric Guitars pagsisikad Sa Taba Martes's Series", ay nagpapahiwatig na ang ideya ng apat na modernong Masters guitar play ng sama-sama, (Emily, John Abercrombie, Chuck Loeb Vic & Juris) ay magkaroon ay mas mahusay sa pag-isip kaysa sa pagganap.
Evidently the piano player backing this group was really amped up and overbearing on the sound. Maliwanag ang pyanista Pag-back sa grupong ito ay tunay Amped up at dominante sa tunog. As John Wilson wrote in his review, Bilang John Wilson wrote sa kanyang pagsusuri,
with the low ceilings, narrow room and walls lined with mirrors, the highly amplified sound of an electric guitar, much less four of them, set up a powerful ricochet of ringing that was not helped by the over-amplification of Mr. Willi's piano. ang mababa ang kisame, makipot na kuwarto at mga pader may linya na may salamin, ang mataas na amplified tunog ng isang electric guitar, magkano ang apat na mas mababa sa kanila, set up ng isang malakas na pagsisikad ng tugtog na hindi nakatulong sa pamamagitan ng over-amplification ng Mr Willi's piano.
He goes on to say that “Mr. Siya ang papunta sa na sabihin na "Mr Abercrombie and Mr. Loeb, gave the room the sound of a shooting gallery while much of Miss Remler's mixture of chorded and single string playing was obscured by the piano all together.” Abercrombie at Mr Loeb, nagbigay sa kuwarto ang tunog ng isang pagbarilan habang karami ng Miss Remler's timpla ng chorded at nag-iisang pisi paglalaro ay obscured sa pamamagitan ng piano ang lahat ng sama-sama. "
I can clearly imagine the backstage bitching session that ensued after this gig, can't you? Maaari kong malinaw na isipin ang Backstage bitching session na ensued matapos ang kalesa, maaaring hindi sa iyo?
More Reviews of shows from coast to coast Higit pang mga review ng mga nagpapakita mula sa baybayin sa baybayin
Click title to view or download PDF I-click ang pamagat upang tingnan o i-download ang PDF
Sophisticated's Lady Guitarist; an interview by Leonard Feather: Los Angeles Times Feb. 1982 Sopistikadong's Ina Guitarist; isang pakikipanayam sa pamamagitan ng Leonard Feather: Los Angeles Times Pebrero 1982
Blues Alley Jazz Club review by Mike Joyce : The Washington Post Dec. 1987 Blues Alley Jazz Club repasuhin ng Mike Joyce: Ang Washington Post Disyembre 1987
Vine St. Bar & Grill review by Leonard Feather: Los Angeles Times Feb. 1989 Puno ng ubas St Bar & grill repasuhin ng Leonard Feather: Los Angeles Times Pebrero 1989
Guitarist Learns To Live In A Man's World by Bob Protzman: St. Paul Pioneer Press July 1989 Guitarist natututo Upang Live Sa mundo A Man's by Bob Protzman: San Pablo Pioneer Press Hulyo 1989
Emily Remler and All That's Jazz by Neil Nelson: The Washington Post July 1989 Emily Remler at lahat ng That's Jazz sa pamamagitan ng Neil Nelson: Ang Washington Post Hulyo 1989
Dakota Jazz Club review by Bob Protzman: St. Paul Pioneer Press Nov. 1989 Dakota Jazz Club repasuhin ng Bob Protzman: San Pablo Pioneer Press Nobyembre 1989
Worcester Jazz Festival review by Peter Landsdowne: Worcester Telegram & Gazette Feb. 1990 Worcester Jazz Festival repasuhin ng Pedro Landsdowne: Worcester telegrama & pahayagan Pebrero 1990
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