Library Bibliotek
Places to go and people to read: Books and articles of interest that include Emily. Steder at gå hen og folk til at læse: Bøger og artikler af interesse, der omfatter Emily.
Click book icons for buying options. Klik bog ikonerne for at købe optioner.
Titles we've overlooked ? Titler, vi har overset? click here klik her to share your suggestions. at dele dine forslag.
Masters of Music: Conversations with Berklee Greats: Masters of Music: Samtaler med Berklee Greats:
~ Small & Taylor ~ ~ Små og Taylor ~
Culled from exclusive interviews from Berklee Today, the alumni magazine of Berklee College of Music, this collection of candid interviews with such illustrious alumni as Quincy Jones, Branford Marsalis, Steve Vai, Paula Cole, Mike Stern, Bill Frisell and many others is a gold mine of wisdom, humor and insight. Aflives fra eksklusive interviews fra Berklee dag alumni magasin Berklee College of Music, denne samling af oprigtige interviews med sådanne berømte alumner som Quincy Jones, Branford Marsalis, Steve Vai, Paula Cole, Mike Stern, Bill Frisell og mange andre er en guld guldgrube af visdom, humor og indsigt. Read about the unique, unexpected challenges that success can bring. Læs om det unikke, uventede udfordringer, at succes kan bringe.
Lots of great conversations with some notable names from Berklee, and maybe the last interview ever done with Emily. Masser af store samtaler med nogle bemærkelsesværdige navne fra Berklee, og måske den sidste interview nogensinde færdig med Emily.
Waiting For Dizzy Venter For Dizzy
~ Gene Lees ~ ~ Gene Lees ~
Jazzletter publisher Gene Lees profiles 13 veteran jazz musicians. Jazzletter udgiver Gene Lees profiler 13 veteran jazzmusikere. Warm and often funny elder statespersons reflect on their art and personal lives while he records their influence in the larger context of jazz history. Varm og ofte sjove hyld statespersons reflektere over deres kunst og personlige liv, mens han registrerer deres indflydelse i en større sammenhæng, jazz historie. Drawing from his encyclopedic knowledge and his own experience as a performer, Lees debunks jazz myths and confronts racism. Tegning fra hans encyklopædiske viden og hans egne erfaringer som en performer, Lees punkterer jazz myter og konfronterer racisme. His final essay honors trumpet superstar Dizzy Gillespie, and other equal coverage to musicians like Hank Jones, Herb Ellis, Al Grey, and of particular merit, an essay with the late and wonderful, Emily Remler. Hans sidste essay hædersbevisninger trompet superstjerne Dizzy Gillespie, og andre lig dækning til musikere som Hank Jones, Herb Ellis, Al Grey, og af særlig værdi, en essay med den afdøde og vidunderlige, Emily Remler.
In depth and revealing interview of substance by one of the most talented conversationalists in the business. I dybden og afslørende interview med stof af en af de mest talentfulde conversationalists i branchen. Truly one of the better windows on her world. Virkelig en af de bedre vinduer på hendes verden.
Madame Jazz: Contemporary Women Instrumentalists Madame Jazz: Contemporary Women Instrumentalister
~ Lesile Gourse ~ ~ Lesile Gourse ~
A jazz enthusiast, Gourse brings lots of energy and knowledge to this upbeat survey of contemporary women jazz musicians. En jazz entusiast, Gourse bringer masser af energi og viden til denne optimistiske undersøgelse af nutidige kvinder jazzmusikere. Although male jazz musicians considered women jazz singers “ladylike,” women blowing horns and pounding on drums were just plain unacceptable. Selv om han jazzmusikere betragtes kvinder jazz sangere "dameagtig," kvinder blæser horn og dunkende på trommer var bare uacceptabelt. That prejudice didn't stop women instrumentalists who, finally, in the early 1970s, began to have greater success in “crossing the gender barrier.” Gourse assesses the changes in attitude that made that progress possible, but she focuses most of her attention on the women themselves, describing their drive, confidence, and talent, capturing the essence of each musician's personality while sharing tales of their trials and triumphs. At fordomme ikke stoppe kvinder instrumentalister, der endelig i begyndelsen af 1970'erne, begyndte at få større succes i "krydse køn barriere." Gourse vurderer holdningsændringer, der gjorde, at fremskridtene er muligt, men hun fokuserer de fleste af hendes opmærksomhed på kvinderne selv, der beskriver deres drev, tillid, og talent, der fanger essensen af de enkelte musikers personlighed, mens deling fortællinger om deres forsøg og triumfer.
Will open your eyes to many women in jazz. Vil åbne dine øjne for mange kvinder i jazz. Only a short chapter on Em but it does include some lesser known facts of her life. Kun en kort kapitel om Em, men det omfatter nogle mindre kendte fakta i hendes liv.
Stormy Weather: The Music and Lives of a Century of Jazz Women Stormy Weather: The Music og bor i en Century of Jazz Kvinder
~ Linda Dahl ~ ~ Linda Dahl ~
The jazz scene in New Orleans, the Age of Swing, the Big Band Era of the 1940s and the ever present dark, smoky blues clubs have been the domain of men-but not entirely. På jazzscenen i New Orleans, Age of Swing, Big Band Era af 1940'erne og den allestedsnærværende mørke, har røget blues klubber været domænet af mænd, men ikke helt. Stormy Weather is a tribute to the women who made the scene, profiling the jazz and blues women from the turn of the century until now. Stormy Weather er en hyldest til de kvinder, der gjorde den scene, profilering af jazz og blues kvinder fra århundredskiftet indtil nu. Finishing off this work are interviews with ten women who have been part of the jazz industry and an extensive discography. Afsluttende off dette arbejde er interviews med ti kvinder, der har været en del af jazz branchen og en omfattende diskografi. Highly descriptive and enlightening, this engrossing reading brings alive a subculture that is as much a part of jazz as the music itself. Meget beskrivende og oplysende, dette spændende læsning bringer liv i en subkultur, der er så meget en del af jazz, som selve musikken. Within these pages is the history and lives of women who often walked in its shadows. Inden for disse sider er historien og livet for kvinder, der ofte gik i sin skygger. – Ilene Rosoff - Ilene Rosoff
No new revelations about Emily here but it does have great information about Mary Osborne and Marian Gange. Ingen nye afsløringer om Emily her, men det har store oplysninger om Mary Osborne og Marian twice. A rich resource on the history of all women in jazz. En rig ressource på historien om alle kvinder inden for jazzen.
Thinking In Jazz: The Infinite Art of Improvisation Tænker I Jazz: Den Uendelige Art of Improvisation
~ Paul Berliner ~ ~ Paul Berliner ~
This will certainly be the definitive source on improvisational jazz. Dette vil helt sikkert være den ultimative kilde på improvisatoriske jazz. A leader in the field, Berliner (ethnomusicology, Northwestern) covers all aspects of improvisation as art form, science, and way of life. En leder på området, Berliner (musiketnologi, Northwestern) dækker alle aspekter af improvisation som kunstart, videnskab og levevis. Cutting no corners, he includes a vast range of article topics (from inspiration and arrangements to evaluation and audience interaction), music texts (from the 1920s to the present), artist interviews, and disc-, video-, and bibliographies. Skæring ingen hjørner, inkluderer han en bred vifte af artiklen emner (fra inspiration og ordninger til evaluering og publikum interaktion), musik tekster (fra 1920'erne til i dag), kunstner-interviews, og disk-, video-, og bibliografier. Of the caliber of Grove's Dictionary of Music, this book is no less important to any serious music collection. Af den kaliber af Grove's Dictionary of Music, er denne bog ikke mindre vigtigt at nogen alvorlig musiksamling. Practicing musicians will be satisfied by the text and musical examples, while lay readers will come to understand the significance of jazz in American history and culture. Udøvende musikere vil være tilfredse med teksten og musikalske eksempler, mens lå læserne vil komme til at forstå betydningen af jazz i amerikansk historie og kultur. ~ Cynthia Ann Cordes. ~ Cynthia Ann Cordes.
If you want to immerse yourself deep into jazz and get some insight from legendary players like Emily, this is the book. Hvis du ønsker at fordybe dig dybt ind i jazz og få en vis indsigt fra legendariske spillere som Emily, er dette bogen. Very theoretical and incredibly detailed accounts of how the greatest minds in jazz developed and created a legacy into the diverse free form structure that is improvisation. Meget teoretisk og utroligt detaljeret regnskab for, hvordan de største hjerner i jazz udviklede og skabte en arv i de forskellige fri form struktur, som er improvisation.
The Jazz Guitarists Jazz Guitarister
~ Stan Britt ~ ~ Stan Britt ~
Author Stan Britt presents a selection of modern masters of the guitar giving an in depth profile of twelve leading jazz guitar players and even includes an eight bar phrase of their music, in tablature notation, to give the reader a brief passage in the style of each master, that can be played on their own instrument at home. Forfatteren Stan Britt præsenterer et udvalg af moderne mestre guitaren giver en grundig profil af tolv førende jazz guitarister, og endda en otte bar sætning i deres musik, i tabulatur notation, for at give læseren en kort passage i stil med hver master, der kan afspilles på deres eget instrument derhjemme. This 1984 book might be a little outdated but it mentions some of the best players on the planet and gives a short summary of their impact at the time written. Denne 1984 Bogen kan være en forældet lidt, men det nævner nogle af de bedste spillere i verden og giver et kort resumé af deres indvirkning på den skriftlige tidspunkt.
Has a concise and informative style featuring many of the greats: Emily, Scofield, Metheny, Pass, Ellis, Benson, Burrell, Christian, Green, Hall, Osborne, Johnson and Montgomery. Har en præcis og informativ stil med mange af de helt store: Emily, Scofield, Metheny, Pass, Ellis, Benson, Burrell, Christian, Grøn, Hall, Osborne, Johnson og Montgomery.
Masters of Jazz Guitar Masters of Jazz Guitar
~ Charles Alexander ~ ~ Charles Alexander ~
Skillfully mixes more than 200 color photos of musicians and album-cover art with 25 insightful essays by notable writers. Dygtigt blander mere end 200 farvefotos af musikere og album-cover kunst med 25 indsigtsfulde essays af bemærkelsesværdige forfattere. Beginning with jazz guitar roots, Alexander–publisher of Jazzwise magazine–traces the use of the guitar from swing to bop to bebop, cool, hardbop, and fusion. Fra og med jazz guitar rødder, Alexander-udgiver af Jazzwise magasin-spor brugen af guitaren fra swing til bop til bebop, cool, hardbop, og fusion. It contains such icons as Django Reinhardt, Charlie Christian, Joe Pass, and Wes Montgomery; devotes sections to specialty areas such as Brazilian guitarists; and showcases some of the new talent on both sides of the Atlantic. Det indeholder sådanne ikoner som Django Reinhardt, Charlie Christian, Joe Pass, og Wes Montgomery, vier sektioner til specielle områder som brasilianske guitarister og viser nogle af de nye talenter på begge sider af Atlanten. A visually stunning, informative compendium of the many styles of jazz guitar during the last century. En visuelt imponerende, informative kompendium af de mange stilarter jazz guitar i løbet af det sidste århundrede. Includes photographs of prebop giants such as Duke Ellington and Louis Armstrong as well as lesser-known artists. Omfatter fotografier af prebop giganter som Duke Ellington og Louis Armstrong samt mindre kendte kunstnere.
Meet Your Makers. Meet Your Makers. Excellent information from a time line and historical point of view. Fremragende oplysninger fra en tid linje og historisk synspunkt. Great pictures you never knew existed of your favorite artists. Flotte billeder du ikke vidste eksisterede af dine foretrukne kunstnere.
The Gibson 335: Its History and Its Players Gibson 335: Dens Historie og sine spillere
~ Adrian Ingram ~ ~ Adrian Ingram ~
Gibson's first “semi-acoustic” the ES-335, which was neither totally solid nor fully acoustic, is the guitar of choice used by many famous guitarists such as Andy Summers, Elvin Bishop, Lee Ritenour, Jay Graydon, Robben Ford, Freddie King, John McLaughin, Jimmy Page, Chuck Berry, Tony Mottola, Johnny Rivers, Jack Wilkins, Bono, Grant Green, Eric Clapton, Stevie Ray Vaughan, Alvin Lee, BB King, Emily Remler, Otis Rush, Pete Townshend, John Lee Hooker, and Larry Carlton. Gibson's første "semi-akustisk" ES-335, som hverken var helt fast eller fuldt akustisk, er guitaren valg, der anvendes af mange berømte guitarister såsom Andy Summers, Elvin Bishop, Lee Ritenour, Jay Graydon, Robben Ford, Freddie King , John McLaughin, Jimmy Page, Chuck Berry, Tony Mottola, Johnny Rivers, Jack Wilkins, Bono, Grant Green, Eric Clapton, Stevie Ray Vaughan, Alvin Lee, BB King, Emily Remler, Otis Rush, Pete Townshend, John Lee Hooker, og Larry Carlton.
Every detail, every angle, every aspect of Gibson's history with the 335 and its many variations. Hver detalje, hver vinkel, alle aspekter af Gibson's historie med de 335 og dens mange varianter.
OTHERS ANDRE
Kiss And Tell: Autobiography from Martin Taylor who toured with Emily in the 80′s, shares his views. Kiss Og Sig: Selvbiografi fra Martin Taylor, der turnerede med Emily i de 80's, deler hans synspunkter. From his experience playing with her he says: “Of all the guitarists I've played with in a duo situation, Emily was the player I enjoyed working with the most. Fra hans erfaring i at spille med hende, siger han: "Af alle de guitarister jeg har spillet med i en duo situation, Emily var den spiller, jeg nydt at arbejde mest med. She was a great accompanist as well as soloist and that isn't always the case. Hun var en stor akkompagnatør samt som solist, og det er ikke altid tilfældet. I've played with some great players who tend to let the accompaniment sag a bit, but with Emily we complemented each other perfectly and swapped solos almost seamlessly.” – It's almost too hard to think about all the magic lost to us. Jeg har spillet med nogle fantastiske spillere, der har tendens til at lade akkompagnement SAG en smule, men med Emily vi supplerede hinanden perfekt, og byttet soli næsten problemfrit. "- Det er næsten for svært at tænke på alle de magiske tabte til os. 
The Jazz Scene: An Informal History from New Orleans to 1990: The Jazz Scene: En uformel Historie fra New Orleans til 1990:
With hundreds of interviews along with enlightening commentary, we are presented the origins and adventures of musicians themselves from the place where jazz was born. Med hundredvis af interviews sammen med oplysende kommentarer, vi præsenterede oprindelse og eventyr af musikere sig fra det sted, hvor jazzen blev født.
An interesting look and history from W. Royal Stokes. Et interessant udseende og historie fra W. Royal Stokes.
Improvising: My Life In Music , Larry's Bio mentions Emily on several occasions. Improviserende: My Life in Music, Larry's Bio nævner Emily ved flere lejligheder. See the Se Good Words Gode ord page for one of the nicer passages or click the icon to read more at Amazon. side for en af de pænere passager eller klik på ikonet for at læse mere på Amazon.
EXCERPTS UDDRAG
click on the titles below to be forwarded Klik på titlerne nedenunder for at blive videresendt
Gene Lees Interview from Waiting For Dizzy . Gene Lees Interview fra Venter Dizzy.
Emily article, First Impressions in Berklee Today from the fall of 1989. Emily artiklen, First Impressions i Berklee i dag fra efteråret 1989.
ARTICLES of INTERESTS ARTIKLER af INTERESSER
click on title to view story Klik på titlen for at se historien
POP JAZZ: EMILY REMLER, NEW GUITAR VIRTUOSO, AT BLUE NOTE POP JAZZ: Emily REMLER, ny guitar virtuos, AT BLUE NOTE – -
Decent length article that has some insights. Anstændigt længde artikel, som har en vis indsigt.
BLUE NOTE FESTIVAL Blue Note FESTIVAL - -
Just a blurb but we'll take it. Bare en bagsidetekst, men vi vil tage det.
CONCERT: GUITAR FESTIVAL KONCERT: Guitar Festival - -
Less than a blurb, still taking it. Mindre end en bagsidetekst, idet det stadig.
ASTRUD GILBERTO, SINGER Astrud Gilberto, SINGER - -
Short article about upcoming performance from Astrud that at least gives Emily a mention. Kort artikel om kommende resultater fra Astrud at mindst giver Emily en omtale.
MUSIC: NOTED IN BRIEF: Emily Remler, Guitarist, and 2 Singers Perform MUSIK: NOTERET PÅ KORT: Emily Remler, Guitarist, og 2 sangere – -
Brief yes, flattering, no. Kort ja, smigrende, nej. It wasn't roses all the time. Det var ikke roser hele tiden.
Then Later Senere
An article written in July about her appearance at a downtown club titled, “Electric Guitars Ricochet In Fat Tuesday's Series” , suggests that the idea of four modern guitar masters playing together, (Emily, John Abercrombie, Chuck Loeb & Vic Juris) might have been better in thought than performance. En artikel skrevet i juli om hendes fremtoning på en downtown klub med titlen, "Electric Guitars Ricochet I Fat Tuesday's serie", antyder, at ideen om fire moderne guitar mestre at spille sammen, Emily, John Abercrombie, Chuck Loeb & Vic Juris) kan (have været bedre i tanke end opnåede resultater.
Evidently the piano player backing this group was really amped up and overbearing on the sound. Åbenbart pianist støtter denne gruppe var virkelig Amped op og anmassende på lyden. As John Wilson wrote in his review, Som John Wilson skrev i sin anmeldelse,
with the low ceilings, narrow room and walls lined with mirrors, the highly amplified sound of an electric guitar, much less four of them, set up a powerful ricochet of ringing that was not helped by the over-amplification of Mr. Willi's piano. med de lave lofter, smalle rum og vægge beklædt med spejle, der er den meget forstærkede lyden af en elektrisk guitar, meget mindre fire af dem, en kraftfuld Ricochet af ringetonen, der ikke var hjulpet af de over-forstærkning af Mr. Willi's klaver.
He goes on to say that “Mr. Han fortsætter med at sige, at "Mr. Abercrombie and Mr. Loeb, gave the room the sound of a shooting gallery while much of Miss Remler's mixture of chorded and single string playing was obscured by the piano all together.” Abercrombie og Mr. Loeb, gav rum til lyden af en skydebane, mens en stor del af Miss Remler's blanding af chorded og enkelt streng omgang blev overskygget af klaveret alle sammen. "
I can clearly imagine the backstage bitching session that ensued after this gig, can't you? Jeg kan tydeligt forestille mig backstage brokker session, der fulgte efter denne koncert, kan du ikke?
More Reviews of shows from coast to coast Flere anmeldelser af shows fra kyst til kyst
Click title to view or download PDF. * indicates latest additions. Klik titlen for at se eller downloade PDF. * Angiver seneste tilføjelser.
Sophisticated's Lady Guitarist; an interview by Leonard Feather: Los Angeles Times Feb. 1982 Sofistikeret's Lady Guitarist, et interview med Leonard Feather: Los Angeles Times februar 1982
* Intense Remler Jazzes up Crowd: by Alan Greenblatt: The Cavalier Daily Sept. 29th 1987 * Intens Remler Jazzes op Crowd: Alan Greenblatt: The Cavalier Daily 29 September 1987
Blues Alley Jazz Club review by Mike Joyce : The Washington Post Dec. 1987 Blues Alley Jazz Club gennemgang af Mike Joyce: The Washington Post december 1987
* Jazz Peers Respect Her Talent: by Lonna Baldwin: Spokane Chronicle Jan 15th 1988 * Jazz Peers respekterer hende Talent: ved Lonna Baldwin: Spokane Chronicle 15 januar 1988
Vine St. Bar & Grill review by Leonard Feather: Los Angeles Times Feb. 1989 Vine St. Bar & Grill anmeldelse af Leonard Feather: Los Angeles Times februar 1989
* Double Gutiars Pass Sellout Crowd's Test: by Bob Karlovits: The Pittsburgh Press Feb. 25th 1989 * Dobbelt Gutiars Pass udsalg Crowd's Test: af Bob Karlovits: The Pittsburgh Press 25 februar 1989
Guitarist Learns To Live In A Man's World by Bob Protzman: St. Paul Pioneer Press July 1989 Guitarist Learns To Live In A Man's World af Bob Protzman: St. Paul Pioneer Press juli 1989
Emily Remler and All That's Jazz by Neil Nelson: The Washington Post July 1989 Emily Remler og All That Jazz af Neil Nelson: The Washington Post juli 1989
Dakota Jazz Club review by Bob Protzman: St. Paul Pioneer Press Nov. 1989 Dakota Jazz Club gennemgang af Bob Protzman: St. Paul Pioneer Press november 1989
* Emily Remler Plays One Smokin' Guitar: by Don Adair: Spokane Chronicle Nov. 24th 1989 * Emily Remler spiller en Smokin 'Guitar: Don Adair: Spokane Chronicle 24 november 1989
* Remler Warms Cold Night For Crowd: by Don Adair: Spokane Chronicle Nov. 28th 1989 * Remler Opvarmer Cold Night For Crowd: Don Adair: Spokane Chronicle 28 Nov 1989
Worcester Jazz Festival review by Peter Landsdowne: Worcester Telegram & Gazette Feb. 1990 Worcester Jazz Festival anmeldelse af Peter Landsdowne: Worcester Telegram & Gazette februar 1990
