Guitars & Gear Guitars & Gear
The favored gear of our lady of jazz guitar. Preferiraju orodja Gospe od jazz kitara.
All the information available related to what she played and preferred in equipment . Vse informacije v zvezi s tem, kar je igrala in raje v opremo.
Emily recorded at a time in the music industry where not as much emphasis was placed on providing the names of gear and instruments that artists preferred, as it so prevalent with today's sponsorship agenda. Emily zabeležena v času, v glasbeni industriji, kjer ni toliko poudarek na zagotavljanju imena orodja in instrumente, da umetniki prednost, saj tako razširjena z današnjimi sponzorstva dnevnega reda. All the inserts of her cd's casually list her as just playing on : Guitar. Vse vstavlja svoje cd je mimogrede svoj seznam, kakor je samo igranje na: Guitar.
But there are mentions of her favorite brands from time to time in articles and interviews and definitely lots of photos of what she constantly had in her hands, and with that we will cover what we know, what we see and hopefully provide a perspective about her gear that you will find nowhere else. Vendar pa obstajajo omenja njenega najljubšega blagovnih znamk, od časa do časa v člankov in intervjujev in definitivno veliko fotografij, kar je ves čas imela v rokah, in s tem bomo zajeli kar vemo, kar smo videli in upajmo, da zagotovi perspektivo o njej orodja, da boste našli nikjer drugje.
Her passion for the Gibson ES-330 is very well documented. Njena strast do Gibson ES-330 je zelo dobro dokumentiran. It's not hard to find out that her brother's 330 is the instrument she started playing on. Ni težko najti, da je njen brat 330 je instrument, je začela igrati na. You will notice it in pictures throughout her career, it's a marvelous cherry red model but of note Emily's guitar was modified with humbucking pickups which would have been a very rare modification on this particular vintage instrument. Opazili boste, da v slikah v vsej karieri, je čudovit češnjevo rdeči model, vendar z opombo kitare Emily je bil spremenjen s humbucking pickups, ki bi bil zelo redka sprememba na tem vintage instrument. Those serious in owning one will find them periodically on auction sites. Te resne v lasti enega bo našel njih redno na dražbi straneh.
The Gibson ES-330 was intended to be a student instrument when first released. Gibson ES-330 naj bi se študent instrument pri prvi sprostitvi. It was in fact referred to as the “poor man's dot marker” because so many owners were able to buy and customize the 330 to the specs of the top line 335's at the time, for far less the price. Dejansko je bilo navedeno kot "slaba človeka dot marker", ker so tako mnogi lastniki lahko kupili in prilagodite 330 do očala za zgornji vrstici 335 jih je ob času, za veliko manj cene. It was never as ornamented, missing the crown motif on the headstock, used single coil P90 pick ups instead of humbuckers, and had the fretboard join the body at the 16th fret not the normal 19th, which caused a repositioning of the bridge, but being labeled a student guitar didn't effect it's sound quality or expert build. To ni bil nikoli tako okrašena, manjka krono motiv na headstock, se uporablja samo eno tuljavo, P90 pick up namesto humbuckers, in je fretboard pridružijo organ na 16. fret ni normalno 19., ki je povzročila ponovna uveljavitev most, vendar pa označeni študent kitare, ni učinka, da je kakovost zvoka ali izvedenec graditi. The 330's superb performance proved to be appealing beyond the novice player. 330 je vrhunsko učinkovitost izkazala za pritožbo po novice igralec. And in the end, aren't we all perpetual students when it comes to learning and music anyway? In na koncu, se nismo vsi večni študenti, ko gre za učenje in glasbo anyway? The biggest change from the well established ES-335 to the thinline 330 was the absence of the wooden center block that enabled a deep, full sound from the guitar that was more commonly associated with the bigger bodied acoustic/electric models. Največja sprememba od dobro uveljavljene ES-335 do 330 thinline bila odsotnost lesenih bloka center, ki omogoča globok, poln zvok kitare, ki je bolj pogosto povezano z večjo nadgradnjo akustično / električno modelov. The tailpieces of the early releases were not exactly elegant, but the rich tone it imparted, the comfortable size, fretboard dimensions and accessibility made it a dream to play. Tailpieces od predčasnega izpusta ni bilo ravno elegantno, vendar jo dale bogate ton, udobno velikost, dimenzije fretboard in dostopnosti, ki jo sanje igrati.
She tried the Poskušala Gibson ES-175 Gibson ES-175 
early on but reported that: na začetku pa je poročala, da:
It was too fat and restricted my right arm in such a way that my picking, which is my strongest point, would get tired. Bilo je preveč maščob in omejena mojo desno roko na tak način, da je moja obiranja, ki je moja najmočnejša točka, da bi dobili utrujen. The 330 has a nice thin body, so I don't have the problem. 330 je lepo tanko telo, tako da nimam problema. 
Emily's 330 is showcased on her very first two albums, Firefly and Take Two, and again later you will see it in the promo photos for Transitions and is pictured in the inserts for This Is Me, so she never traded it in, from the beginning to the end, the 330 was clearly one of her favorites. Emily's 330 je showcased na njo zelo prvih dveh albumov, Firefly in vzemite dve, in spet kasneje boste videli v promo fotografije za Prehodi in se vidimo v vstavlja za This Is Me, zato je nikoli ne trguje v, od začetka do konca, 330 je bilo nedvomno eden njenih priljubljenih.
The first we see of the Ovation acoustic was around the mid 80's. Najprej smo videli od akustičnih Ovation okoli sredine 80-ih. Emily was gearing up for her recording with Larry Coryell in Charlottesville, Virginia and Ed Deasy took several black and white photo's showing her in trance with a 1984 Collectors Series Ovation (some of my absolute favorite images of her). Emily je bila pripravlja za njeno snemanje z Larry Coryell v Charlottesville, Virginija in Ed Deasy vzel nekaj črno-bele fotografije prikazujejo z njo v transu 1984 Collectors Series Ovation (nekaj mojih absolutno najljubših slik her). Indeed, the credits for the album, Together , lists Larry playing a '67 circa Gibson Super 400 electric and Ovation Adamas acoustic and Emily playing the Ovation Adamas acoustic and Borys B120 electric. Dejansko, kredite za album, Together, seznami Larry igranje '67 circa Gibson Super 400 Ovation ADAMAS električnih in akustičnih in Emily igranje Ovation ADAMAS akustičnih in električnih Borys B120. She also used that Ovation for the 3 standout solo performances captured on The Guitar Show JazzMasters series. Prav tako se uporablja, da Ovation za 3 predstave standout solo posnete na Guitar Show JazzMasters serije.
It's a gorgeous, dark walnut finish guitar with a leaf motif around the soundholes. To je krasen, temno orehova konča s kitaro lista motiv okoli soundholes. ADAMAS II Models were introduced in 1981 with the standard Ovation neck and bridge, and was available as acoustic electric only. ADAMAS II modeli so bila uvedena leta 1981 s standardom vratom Ovation in most, in je na voljo kot akustični samo električni. The Collectors Series followed in 1982 with the wood-top Adamas prototypes named Elite, and labels that were marked with N-19-82WTSL ( the WTSL for Wood Top Super Legend). Zbiratelji Series sledila leta 1982 z lesno top ADAMAS prototipov imenom Elite, in oznake, ki so bili označeni z N-19-82WTSL (WTSL za les Top Super Legend).
2,637 were made for that year and if you are patient, you can still find them up for sale now and again. 2637 so bile narejene za to leto, in če ste bolnik, lahko še vedno najdete jih za prodajo in zdaj spet. The collectors series was a super shallow body, spruce top with an ebony fretboard, inlaid at the 12th fret with hard maple and the year 1984 contrastingly set into that. Zbiralci Serija je bila super plitvo telo, smreka top z Ebony fretboard, intarzijami na 12. fret s trdimi javor in leta 1984 contrastingly določeno v to.
It has a beautiful acoustic sound plugged in, with the classic ovation overtones and the super low action coupled with wide frets gives it an electric fretboard feel. To je čudovito akustično kdor dela reklamo v zvok, s klasično spominja ovation in super nizke ukrepe v povezavi s široko frets ji daje občutek električni fretboard.
She really played it to all it's perfections in the JazzMasters show. Res je igral za vse to je v popolnosti JazzMasters show. You can check a few of those solos out on the Em-cast page. Preverite lahko nekaj tistih, ki solo na Em-cast strani.
Korocusci Classical Guitar Korocusci Classical Guitar
If you ever heard Emily playing some of her Brazilian style jazz (and it's very apparent on her version of Afro Blue) and thought hey, that sounds like a nylon string guitar, it was. Če ste že kdaj slišali Emily igra nekatere njene brazilske slog jazz (in to je zelo očitno na svoji različici Afro Blue) in misli, hej, to zveni kot kitara tetiva najlon, je bilo. This is the least searchable of all her guitars but she does talk about it in a few articles around '80 – '81 , where she says: To je najmanj iskanje vseh kitar, vendar ji ona ne govori o tem, v nekaterih izdelkih okoli '80 - '81, kjer pravi:
” I recently bought a new Japanese classical guitar called a Korocusci. "Pred kratkim sem kupil nov japonski klasično kitaro imenovano Korocusci. I got it because I do a lot of work with Astrud Gilberto, and she does a lot of bossa nova tunes. Dobil sem, ker delam veliko dela z Astrud Gilberto, in ona pa veliko bossa nova melodij. So the classical guitar is a necessity. Tako klasično kitaro, je nujnost. I used to borrow one every time I worked with her, but because we were going into the Brecker Brothers' club, Seventh Ave. Včasih sem sposodim enega vsakič, ko sem delal z njo, ampak zato, ker smo bili tekoč v Brecker Brothers "klub, sedmi Ave. South, I wanted a new guitar for the job. ” South, sem hotel novo kitaro za delo. "
It appears to be a virtually unknown guitar model name or manufacturer so I have no further info to offer, but if you know this guitar or have pictures, feel free to use the contact page and share your knowledge. Zdi se, da praktično neznano kitara ime modela ali proizvajalca, da nimam še info za ponudbo, ampak če veste to kitaro ali so slike, vas prosimo, da uporabite kontaktne strani in delite svoje znanje.
Could this be a picture of the elusive Korocusci ?? Bi to lahko slika zmuzljive Korocusci? 
Peroria, Illinois, 1981 Emily, Monty Alexander & Paul Berner Peroria, Illinois, 1981 Emily, Monty Alexander & Paul Berner
Casio PG-380 Synth Guitar Casio PG-380 Guitar Synth
Early on, Emily leaned toward being a traditional player with a straight ahead, hard bebop style and no desire to alter those pure tones. Na začetku, Emily nagnil k se tradicionalno igralec z naravnost, trda Bebop slog in ne želijo spremeniti tiste čiste tone. She had a great respect for the music she was trying to convey from such Masters as Clifford Brown, Sonny Rollins, Wes Montgomery and Bobby Timmons, and felt it would be wrong to “wash” the delivery of their songs with any guitar or amplifier effects. Imela je veliko spoštovanje do glasbe je bila poskušal prenesti iz takšnih mojstrov, kot Clifford Brown, Sonny Rollins, Wes Montgomery in Bobby Timmons, in menil, da bi bilo narobe, da "oprati" dostave svoje pesmi z vsemi kitaro ali ojačevalnik učinki . But near the end of her career, as she was establishing her own style and playing with the new technology of the times, she did begin to venture into the electronic side of jazz music and her instrument of choice was the Casio PG-380 Synth Guitar. Toda ob koncu svoje kariere, ko je bila o ustanovitvi svoj lasten stil in igranje z novo tehnologijo za čas, ona je začel stopiti v elektronsko strani jazz glasbe in njene listine o izbiri je bil Casio PG-380 Guitar Synth . The only commercial album that featured her Casio was her last, This Is Me , and is so prominently displayed on the song, Simplicidaje, but you will immediately notice that the entire album has a different feel and attitude from her previous releases, due in part from the inclusion of her new found special effects. Edine poslovne album, ki pokaže svoje Casio je bil njen zadnji, This Is Me, in je tako vidno prikazana na pesem, Simplicidaje, ampak boste takoj opazili, da je celoten album drugačen občutek in odnos iz njene prejšnje izdaje, deloma od njene vključitve novih izdelkov posebne učinke.
It's too bad for us that most of her playing and experimenting with this guitar's limitless sounds was done in her home studio without the benefit of a recorder but some of her friends remember enjoying many jams and soloing out of the Casio that we will unfortunately never know. To je slabo za nas, da je večina njenih igranje in eksperimentirati s to kitaro je brezmejna zvoke je bilo storjeno v njenem domačem studiu brez koristi snemalnik, vendar nekateri njeni prijatelji se spomnite, ki uživajo veliko marmelade in soloing iz Casio, ki žal nikoli ne bomo vedeli . 
Casio PG-380 Casio PG-380
Initially released in 1987, this series of synth guitars were based on a “Strat” style Ibanez design and featured an easy transition from normal electric vocals to well over Sprva izdan leta 1987, je bilo to serijo kitar sintetični temelji na "Start" slog oblikovanja Ibanez in pokaže enostaven prehod od običajnih električnih vokal za precej več kot
60 preset sounds 60 prednastavljenih zvokov . .
Casio introduced five MIDI guitar models in '87: The MG-500 and MG-510, and the PG-300, PG-310, and PG-380 that were part of their second generation of professional instruments (which also included the VZ-series synthesizers and the FZ-series samplers). Casio je predstavil pet MIDI kitara modelov v '87: MG-500 in MG-510, in PG-300, PG-310, in PG-380, ki so bile del njihove druge generacije poklicnih instrumentov (ki je vključeval tudi VZ - serija sintetizatorji in FZ-serije vzorčevalnikov).
The guitars themselves were produced under contract for Casio by Fuji Gen Gakki, who also built the Roland and Ibanez MIDI guitars. Kitare sami so bili proizvedeni po naročilu, ki ga Casio Fuji Gakki Gen, ki je prav tako zgradili Roland in MIDI Ibanez kitare.
The PG-380 was Casio's top of the line guitar listing for about $1500 and sported an Alder body longer than a Strat's and without the tummy cut and armrest contouring of a Strat, due to the numerous cavities routed in the body to accommodate the electronics. PG-380 je bil Casio vrhu seznama kitara vrstico za približno $ 1500 in sported telo Alder več kot strategijo, in ne da bi zmanjšal trebuh in z naslonjali za roke obdelovalnih Start, zaradi številnih votlin preusmerjen v telo za prilagoditev elektronike. The neck and bridge pickups were both a single-coil humbucker splittable by a push-pull switch on the tone control and a Gotoh Floyd Rose-style locking vibrato. Vratu in pickups most sta bila oba single-coil humbucker splittable s push-pull stikalo na ton nadzor in Gotoh Floyd Rose-style zaklepanje vibrato. The neck was made of maple with a 22-fret ebony fingerboard and locking nut. Vratu je izdelana iz javorjevega s 22-fret ebony fingerboard in blokiranje matica.
It gets very good reviews from current owners and is one of those guitars that will pop up from time to time on auction sites for less than half of it's original price. To postane zelo dobre ocene iz sedanjih lastnikov, in je ena od teh kitar, da se bo pop up od časa do časa na dražbi območij za manj kot polovico je prvotne cene.
The beloved B120 HollowBody Electric was maybe her favorite choice toward the end of the 80's. Ljubljeni B120 HollowBody Electric je morda njena najljubša izbira proti koncu 80-ih. It appears in many of the pictures you can find of her, and most notably on her two excellent lesson videos, Bebop & Swing Guitar and Advanced Latin & Jazz Improvisation . Zdi se v mnogih slik, ki jih lahko najdete v njej, in predvsem o njeni dve odlični videi lekcijo, Bebop & Swing kitara in Advanced Latin & Jazz improvizacija. It is also mentioned as her electric choice for the Together album with Coryell and you can see in Ed Deasy's photo's of the Charlottesville sessions, it was already her guitar of choice before recording the duo album. Omenjen je tudi kot njen električni izbira za album Skupaj z Coryell in si lahko ogledate v Ed Deasy's photo o sej Charlottesville, je bilo že njeno kitaro izbire pred snemanjem duo album.
Even without seeing the inlaid name in the head stock, you will always know a Tudi brez videnje intarziran ime v glavi zalogi, boste vedno vedeli Borys Borys by the unusually thin and angular pick guard (Emily's was made of a dark wood, either walnut or one of the tropicals, but this was probably an extra option). z nenavadno tanka in kotni varovalom kramp (Emily je bila narejena iz temno lesa, bodisi orehove ali enega od tropicals, vendar je bilo to verjetno dodatno možnost). He began building guitars in 1974 in Burlington, Vermont, eventually evolving to a series of guitars with jazz musicians in mind. On je začel graditi leta 1974 v kitare Burlington, Vermont, sčasoma razvilo vrsto kitar z jazz glasbeniki v mislih. Ken Armstrong developed a special pick up just for them, that induced a rich tone from the trebles while retaining a crisp edge in the bass. Ken Armstrong razvil poseben pobrati samo za njih, da je povzročil bogat ton trebles pri čemer pa ohranja čvrst rob v bas. They came with ebony pickguards and knobs, mother of pearl markers and one of the finer adjustments was the ability to change string tension by raising or lowering the solid brass tail piece. Prišli so s ebony pickguards in gumbi, Sedef označevalcev in eden podrobnejša prilagoditve sposobnost spremeniti niz napetosti z zvišanjem ali znižanjem trdnih rep medenina kos. It's a beautiful guitar and the tone speaks for itself. To je lepo kitaro in melodijo govori sama zase.
Borys apprenticed with Jimmy D'Aquisto and made laminated body plates for Jimmy's jazz electric guitars ( the Jim Hall – D'Aquisto guitar) into the 1990's. Borys vajenec s Jimmy D'Aquisto in so lepljene plošče za telo jazz Jimmy's električne kitare (Jim Hall - D'Aquisto kitara) v 1990. The BG series was designed in collaboration with Jimmy D'Aquisto and Barry Galbraith, hence the “BG” in the name. Serija BG je bil zasnovan v sodelovanju z Jimmy D'Aquisto in Barry Galbraith, torej "BG" v imenu.
I understand Roger Borys is still building (with limited production) and repairing guitars but has moved from his operation from northern Vermont to Hoboken, New Jersey. Razumem, Roger Boris še vedno zbira (z omejeno proizvodnjo) in popravila kitare, vendar se je preselil iz svojega delovanja iz severne Vermont do Hoboken, New Jersey. After all this time they are still made by hand, one at a time. Po vsem tem času, ko še vedno poteka ročno, v enem trenutku. Visit his website - Obiščite njegovi spletni strani -- RogerBorys.com RogerBorys.com for more information. za več informacij. Good luck in finding a used model at vintage guitar sites or ebay and if you do, expect to open your wallet a little wider than normal. Vso srečo pri iskanju uporablja model v vintage strani kitaro ali ebay in če vam, pričakujejo, da odprete denarnico malo širše kot običajno.
see the see special collections page posebnih zbirk page for more vintage Borys brochures and literature. Za več vintage Borys brošur in literature.
Of interest, in one interview Emily spoke of owning an Od obresti, v enem intervjuju govoril o Emily lastnica Ibanez GB-10 Ibanez GB-10 
(early on in her New Orleans experience ) , a signature series George Benson model, which is a little like the Gibson ES-175, Here's what she had to about it. (v začetku svoje izkušnje, New Orleans), podpis serija George Benson model, ki je malo podobno Gibson ES-175, Evo, kaj se je morala o tem.
It was good because it was thin enough, but I found that it was good only if you wanted to sound like George Benson. Bilo je dobro, ker je bil dovolj tanke, vendar sem ugotovila, da je dobro samo, če si hotel zveneti kot George Benson. the top strings were very chinky and trebly, the low strings were warm and bassy, but they didn't sustain at all. top strune so bili zelo chinky in trebly, so bile nizke strune toplo in Niskotonski, vendar niso ohranitev sploh. It got a very percussive sound, like the way George plays. To sem zelo udarnega zvoka, kot pot George igra. It was perfect for me in some ways, but I wanted a guitar that I could use for rock work, and it was terrible for that. Bilo je kot nalašč za mene v nekaterih pogledih, vendar sem želel kitaro, da sem lahko uporabite za rock delo, in bilo je grozno za to.
Other Gear Druga prestava
Amplifiers Amplifiers
On the list of amps Emily is known to have liked are: Roland Chorus, Walter Woods, Music Man, Polytone and Fender . Na seznam A Emily je znano, da ima rad, so: Roland Chorus, Walter Woods, Music Man, Polytone in Fender. Besides of course the tone, one of her biggest considerations for an amp was related to the weight. Poleg seveda ton, je bil eden njenih največjih premisleki za amp, povezane s težo. When you schlep your own gear, how much you have to lug is a factor. Ko schlep svojo opremo, koliko boste morali Lug je faktor.
” I owned a Polytone, which is kind of like a Fender Twin Reverb, except the Twin is much too heavy for me. "I v lasti Polytone, ki je nekako kot Fender Twin Reverb, razen Twin je preveč težko za mene. I can't pick one up, so I use the Polytone. Ne morem izbrati eno gor, tako da sem uporabite Polytone. I'd much rather use a tube amp, though. Sem veliko raje uporabite cev amp, četudi. I buy amps that i can pick up, otherwise I have to get strange men from the street to help me take it out of the car.” Kupim amps, da lahko jaz poberem, drugače moram čudne ljudi iz ulice, da mi pomaga vzeti iz avta. "
Of note, she was a proud owner of a VW Rabbit, Volkswagen of America headquarters was located on the industrial side of her hometown, Englewood. Of note, je bil ponosni lastnik VW Rabbit, Volkswagen of America je bil sedež, ki se nahajajo na industrijski strani njenega rojstnega mesta, Englewood. Try stuffing a Twintube into the back of that! Poskusite polnjenje Twintube v zadnji del tega!
Strings Strings
The only strings I've ran across her endorsing were D'Addario Half Rounds of which she said she wasn't fussy about the exact gauge and would use .011 gauge for the top but didn't care what the rest of the strings were. Samo strune sem tekel čez njo strinja so D'Addario Polovica Rounds, ki je rekla, da ni bila sitna o natančnem profila in bi uporaba ,011 profil za vrh, vendar ni vseeno, kaj ostalo je bilo strun . She also mentions later to leaning toward D'Addario Jazz Lights and loved them because they were free. Prav tako omenja kasneje nagibala proti D'Addario Jazz Luči in ljubil jih, ker so bile proste.
Half round guitar strings are round wound with 430 stainless steel, then precision ground, leaving the outer surface semi-smooth. Polovica nizi kitara krog se zaključi krog s 430 iz nerjavečega jekla, nato pa natančno tleh, pri čemer zunanje površine semi-gladka. They retain the flexibility and tonal characteristics of round wound strings, but provide a smoother feel. Ti ohranijo fleksibilnost in tonski lastnosti nizov krogu rane, vendar zagotavlja gladko občutek.
Right Down To The Pick Right Down To The Pick
As her fans know Emily played a majority of her style without a pick, thus the comparison to Wes Montgomery for the use of her thumb. Ker ji oboževalci vedo Emily imela večino svojega sloga brez kramp, s čimer primerjavi z Wes Montgomery za uporabo svojega palca. She was masterful with it. Bila je mojstrsko z njim. But when she wanted to accent a lead she would grab a pick she had been holding between her teeth and casually use it for a few minutes, then store it again. Toda ko je želela voditi naglas ona bi zagrabiti pick, čeprav je bila gospodarstvu med zobe in Uzročno ga uporabljajo za nekaj minut, nato shranite še enkrat.
Emily was especially annoyed at a prominent critic who had objected (in print) to her habit of intermittently holding the guitar pick in her mouth whenever she switched to bare-finger playing. Emily je bila še posebej moti na vidnem kritik, ki je nasprotovala (v tisku), da jo občasno navado gospodarstva Drsalico v usta, kadar je vklopljena, da gole prsti igranje. The critic confessed that he preferred to look away whenever she was doing this, to which Emily testily replied: Kritik priznal, da je raje pogledati stran, ko je bila ta način, na katerega Emily testily odgovoril:
Good ! Dober! I wish he'd look away the whole time and picture me as John Coltrane ! Želim si, da bi si stran ves čas in slika me je John Coltrane!
The only pick she ever mentioned using was the Fender Extra Heavy 1.21mm and before that she states, ” I used bits of Tupperware and pieces of wood…”. Samo pick je kdaj bilo omenjeno uporabo Fender Extra Heavy 1.21mm in je pred tem navaja, da "sem uporabil Tupperware bitov in kosov lesa ...".
Enough said. Dovolj je dejal.
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