Guitars & Gear Gitara & Gear
The favored gear of our lady of jazz guitar. Omiljen gear Gospe jazz gitara.
All the information available related to what she played and preferred in equipment . Sve informacije dostupne odnose na to što je igrao i preferira u opremu.
Emily recorded at a time in the music industry where not as much emphasis was placed on providing the names of gear and instruments that artists preferred, as it so prevalent with today's sponsorship agenda. Emily snimljena u vrijeme u industriji glazbe, gdje je postavljen ne onoliko naglasak na pružanju imena opreme i instrumenata koji preferira umjetnika, kao što je toliko rasprostranjen u današnjem dnevnom redu sponzorstva. All the inserts of her cd's casually list her as just playing on : Guitar. Svi unosi njezin CD usput je njen rub kao pravedan igranje na: Gitara.
But there are mentions of her favorite brands from time to time in articles and interviews and definitely lots of photos of what she constantly had in her hands, and with that we will cover what we know, what we see and hopefully provide a perspective about her gear that you will find nowhere else. No, tu se spominje njezina omiljenih brandova s vremena na vrijeme na članke i intervjue i definitivno puno fotografija onoga što je ona stalno imao u rukama, i da ćemo pokriti ono što znamo, ono što vidimo i nadamo se pružiti perspektivu o njoj gear da ćete naći nigdje drugdje.
Her passion for the Gibson ES-330 is very well documented. Njezina strast za Gibson ES-330 je vrlo dobro dokumentirana. It's not hard to find out that her brother's 330 is the instrument she started playing on. Nije teško otkriti da je njen brat je 330 je instrument počela svirati na. You will notice it in pictures throughout her career, it's a marvelous cherry red model but of note Emily's guitar was modified with humbucking pickups which would have been a very rare modification on this particular vintage instrument. Vi ćete ga primijetiti na slikama u cijeloj karijeri, to je čudo trešnja crvena modela, ali i bilješku Emily's gitara je put s humbucking pickups, što mu je vrlo rijedak modifikacija na ovaj vintage instrument. Those serious in owning one will find them periodically on auction sites. Oni ozbiljno u posjedovanje jedan će periodično ih naći na stranicama aukcija.
The Gibson ES-330 was intended to be a student instrument when first released. Gibson ES-330 je namijenjen za studentske instrument gdje prve otpušten. It was in fact referred to as the “poor man's dot marker” because so many owners were able to buy and customize the 330 to the specs of the top line 335's at the time, for far less the price. To je u stvari naziva "siromah's dot oznaka", jer na taj način mnogi vlasnici su mogli kupiti i prilagoditi 330 do specifikacije od vrha linije 335 je u to vrijeme, za daleko manje cijeni. It was never as ornamented, missing the crown motif on the headstock, used single coil P90 pick ups instead of humbuckers, and had the fretboard join the body at the 16th fret not the normal 19th, which caused a repositioning of the bridge, but being labeled a student guitar didn't effect it's sound quality or expert build. To nikad nije bio kao ukrašena, nedostaje kruna motiv na headstock, koristi jedan coil P90 uzeti prozore umjesto humbuckers, te je fretboard pridružite tijelo na 16. ornament nije normalan 19th, koji je prouzročio repozicije mosta, ali se označenom student gitara nije efekt da je kvaliteta zvuka ili stručnjak graditi. The 330's superb performance proved to be appealing beyond the novice player. 330's vrhunske performanse pokazali su se prizivanje izvan novajlija igrač. And in the end, aren't we all perpetual students when it comes to learning and music anyway? I na kraju, nisu svi mi trajna studente kada je u pitanju učenje i glazbu anyway? The biggest change from the well established ES-335 to the thinline 330 was the absence of the wooden center block that enabled a deep, full sound from the guitar that was more commonly associated with the bigger bodied acoustic/electric models. Najveća promjena iz dobro utvrđenih ES-335 do 330 thinline bio nedostatak drvenih centra blok koji je omogućio duboki, puni zvuk iz gitare koji je više obično povezan s većim zdrav akustične / električnih modela. The tailpieces of the early releases were not exactly elegant, but the rich tone it imparted, the comfortable size, fretboard dimensions and accessibility made it a dream to play. Tailpieces od ranih izdanja nisu baš elegantne, ali bogat ton ga dala, udoban veličine, fretboard dimenzija i dostupnost napravio je san igrati.
She tried the Pokušala Gibson ES-175 Gibson ES-175 
early on but reported that: rano, ali izvijestio je da:
It was too fat and restricted my right arm in such a way that my picking, which is my strongest point, would get tired. Bilo je previše masnoća i ograničena moja desna ruka na takav način da moje branje, koji je moja najjača točka, bi umoriti. The 330 has a nice thin body, so I don't have the problem. 330 je lijep tanka tijela, tako da nemam problema. 
Emily's 330 is showcased on her very first two albums, Firefly and Take Two, and again later you will see it in the promo photos for Transitions and is pictured in the inserts for This Is Me, so she never traded it in, from the beginning to the end, the 330 was clearly one of her favorites. Emily's 330 je pokazala na nju jako prva dva albuma, Firefly i Take Two, a kasnije ćete ga vidjeti u promo fotografija za Prijelazi i slici umetci za ovaj mene, tako da ona nikada ne trguje u, od početka do kraja, 330 je očito jedna od njenih favorita.
The first we see of the Ovation acoustic was around the mid 80's. Prvi smo vidjeli u Ovation akustičnih je oko sredine 80-ih. Emily was gearing up for her recording with Larry Coryell in Charlottesville, Virginia and Ed Deasy took several black and white photo's showing her in trance with a 1984 Collectors Series Ovation (some of my absolute favorite images of her). Emily je bila između tuđeg i za nju snimanje sa Larry Coryell Charlottesville, Virginia, a Ed Deasy uzeo nekoliko crno-bijelih fotografija joj je prikazano u transu sa 1984 Collectors Series Ovation (neke od mojih omiljenih slika apsolutne njezina). Indeed, the credits for the album, Together , lists Larry playing a '67 circa Gibson Super 400 electric and Ovation Adamas acoustic and Emily playing the Ovation Adamas acoustic and Borys B120 electric. Doista, kredite za album, zajedno, liste Larry igranje circa '67 Gibson Super 400 električnih i Ovation ADAMAS akustična i Emily igranje Ovation ADAMAS akustične i električne Borys B120. She also used that Ovation for the 3 standout solo performances captured on The Guitar Show JazzMasters series. Također se koristi da Ovation za 3 stajanje solo nastupe uhvaćeni na Guitar Show JazzMasters serije.
It's a gorgeous, dark walnut finish guitar with a leaf motif around the soundholes. To je sjajan, tamnog oraha završiti gitara s motivom lista oko soundholes. ADAMAS II Models were introduced in 1981 with the standard Ovation neck and bridge, and was available as acoustic electric only. ADAMAS II modeli bili su uvedeni u 1981 sa standardnim Ovation vrata i most, i bio je dostupan samo kao akustična električna. The Collectors Series followed in 1982 with the wood-top Adamas prototypes named Elite, and labels that were marked with N-19-82WTSL ( the WTSL for Wood Top Super Legend). Collectors Series slijedi u 1982 sa drveta-top ADAMAS prototipova pod nazivom Elite, te oznake koje su bile označene sa N-19-82WTSL (WTSL za drva Top Super Legend).
2,637 were made for that year and if you are patient, you can still find them up for sale now and again. 2.637 su za tu godinu, a ako ste strpljivi, još uvijek možete ih naći na prodaju i sada opet. The collectors series was a super shallow body, spruce top with an ebony fretboard, inlaid at the 12th fret with hard maple and the year 1984 contrastingly set into that. Kolektori serija je bila super plitko tijelo, smreka vrhu sa ebony fretboard, umetnut u 12. uzrujavati s hard maple a godine 1984 contrastingly postavljen na to.
It has a beautiful acoustic sound plugged in, with the classic ovation overtones and the super low action coupled with wide frets gives it an electric fretboard feel. Ima prekrasan akustični zvuk čep in, sa klasičnim ovacija prizvukom i super niska akciju zajedno sa širokim frets daje ga električni fretboard osjećam.
She really played it to all it's perfections in the JazzMasters show. Ona je stvarno je igrao na svim svojim savršenosti u JazzMasters show. You can check a few of those solos out on the Em-cast page. Možete provjeriti nekoliko onih solo van na Em-cast stranici.
Korocusci Classical Guitar Korocusci Classical Guitar
If you ever heard Emily playing some of her Brazilian style jazz (and it's very apparent on her version of Afro Blue) and thought hey, that sounds like a nylon string guitar, it was. Ako ste ikada čuli Emily igranje neke svoje brazilski stil jazza (i to je vrlo jasno o njoj verziji Afro Blue) i mislio hej, to zvuči kao gitara najlon vrpca, to je bio. This is the least searchable of all her guitars but she does talk about it in a few articles around '80 – '81 , where she says: To je najmanje pretraživati sve svoje gitare, ali ona ne govorimo o tome u nekoliko članaka oko '80 - '81, gdje se kaže:
” I recently bought a new Japanese classical guitar called a Korocusci. "Nedavno sam kupio novi japanski klasična gitara zove Korocusci. I got it because I do a lot of work with Astrud Gilberto, and she does a lot of bossa nova tunes. Sam ga dobio jer sam obaviti puno posla s Astrud Gilberto, a ona se puno bossa nova melodija. So the classical guitar is a necessity. Dakle klasična gitara je nužnost. I used to borrow one every time I worked with her, but because we were going into the Brecker Brothers' club, Seventh Ave. Koristio sam posuditi jedan svaki put sam radila s njom, nego zato što su išli u Brecker Brothersa klub Sedmi Ave. South, I wanted a new guitar for the job. ” Jug, želio sam novu gitaru za taj posao. "
It appears to be a virtually unknown guitar model name or manufacturer so I have no further info to offer, but if you know this guitar or have pictures, feel free to use the contact page and share your knowledge. Čini se da je gotovo nepoznata gitara naziv modela ili proizvođača tako da imam daljnje informacije na ponudi, ali ako znate to gitara ili su slike, slobodno koristite stranicu za kontakt i podijeliti svoje znanje.
Could this be a picture of the elusive Korocusci ?? Mogao to biti slika nedostižan Korocusci? 
Peroria, Illinois, 1981 Emily, Monty Alexander & Paul Berner Peroria, Illinois, 1981 Emily, Monty Alexander & Paul Berner
Casio PG-380 Synth Guitar Casio PG-380 Synth Guitar
Early on, Emily leaned toward being a traditional player with a straight ahead, hard bebop style and no desire to alter those pure tones. Rano, Emily nagnula se prema tradicionalnom igrač s ravno, tvrdo bebop stila i bez želje da mijenjate onih čistih tonova. She had a great respect for the music she was trying to convey from such Masters as Clifford Brown, Sonny Rollins, Wes Montgomery and Bobby Timmons, and felt it would be wrong to “wash” the delivery of their songs with any guitar or amplifier effects. Ona je imala veliko poštovanje za glazbu je bila pokušava prenijeti od takvih majstora kao Clifford Brown, Sonny Rollins, Wes Montgomery i Bobby Timmons, i osjećao sam da bi bilo pogrešno da "opere" isporuku svojih pjesama uz gitaru ili bilo koje pojačalo efekte . But near the end of her career, as she was establishing her own style and playing with the new technology of the times, she did begin to venture into the electronic side of jazz music and her instrument of choice was the Casio PG-380 Synth Guitar. No, pred kraj svoje karijere, kao što je bila osnivanje njezin vlastiti stil i igranje s novom tehnologijom i vremena, ona počinje izlaziti u elektroničkom strani jazz glazbe i njezin instrument izbor je bio Casio PG-380 Synth Guitar . The only commercial album that featured her Casio was her last, This Is Me , and is so prominently displayed on the song, Simplicidaje, but you will immediately notice that the entire album has a different feel and attitude from her previous releases, due in part from the inclusion of her new found special effects. Samo komercijalni album koji opremljenog joj Casio joj je bio posljednji, ovaj mene, a tako je vidljivo prikazana na pjesmu, Simplicidaje, ali ćete odmah primijetiti da je cijeli album je drugačiji osjećaj i stav od nje prethodnih izdanja, dijelom zbog iz svoje uključivanje novih rezultata specijalne efekte.
It's too bad for us that most of her playing and experimenting with this guitar's limitless sounds was done in her home studio without the benefit of a recorder but some of her friends remember enjoying many jams and soloing out of the Casio that we will unfortunately never know. It's too bad za nas koji većinu svog igranje i eksperimentiranje s ovom gitarom u neograničenim zvukova je učinjeno u svom domu studiju, bez koristi za snimanje, ali neke od svojih prijatelja uživajući pamtiti mnoge džemova i solo dionicama iz Casio da ćemo se nažalost nikad ne zna . 
Casio PG-380 Casio PG-380
Initially released in 1987, this series of synth guitars were based on a “Strat” style Ibanez design and featured an easy transition from normal electric vocals to well over U početku je izdana u 1987, ove serije sint gitara bili su zasnovani na "Start" stil Ibanez dizajn i opremljenog lak prijelaz iz normalne električne vokal na više od
60 preset sounds 60 preset zvukova . .
Casio introduced five MIDI guitar models in '87: The MG-500 and MG-510, and the PG-300, PG-310, and PG-380 that were part of their second generation of professional instruments (which also included the VZ-series synthesizers and the FZ-series samplers). Casio predstavio pet MIDI gitara modela u '87: MG-500 i MG-510, a PG-300, PG-310, PG-380 i koji su bili dio njihove druge generacije profesionalnih instrumenata (koji je uključivao VZ - serija sintisajzerima i FZ-serije samplers).
The guitars themselves were produced under contract for Casio by Fuji Gen Gakki, who also built the Roland and Ibanez MIDI guitars. Gitare sami su proizvedene na temelju ugovora za koje Casio Fuji general Gakki, koji je također izgradio Roland i MIDI Ibanez gitare.
The PG-380 was Casio's top of the line guitar listing for about $1500 and sported an Alder body longer than a Strat's and without the tummy cut and armrest contouring of a Strat, due to the numerous cavities routed in the body to accommodate the electronics. PG-380 Casio bio je vrh ispis linija gitara za oko $ 1500 i sported joha tijelo duže od Strat i bez tummy izrezati i naslon za ruke za ocrtavanje Start, zbog brojnih šupljine preusmjeren u tijelu za smještaj elektronike. The neck and bridge pickups were both a single-coil humbucker splittable by a push-pull switch on the tone control and a Gotoh Floyd Rose-style locking vibrato. Vrata i most pickups su oboje single-coil humbucker splittable by push-pull prebaciti na ton kontrole i Gotoh Floyd Rose locking-style vibrato. The neck was made of maple with a 22-fret ebony fingerboard and locking nut. Vrat je od javora sa 22-fret fingerboard ebanovina i zatvaranje matice.
It gets very good reviews from current owners and is one of those guitars that will pop up from time to time on auction sites for less than half of it's original price. To se jako dobre recenzije od trenutnog vlasnika, te je jedan od onih koji će gitara poskočiti s vremena na vrijeme na aukciju stranice za manje od pola je originalne cijene.
The beloved B120 HollowBody Electric was maybe her favorite choice toward the end of the 80's. Dragi B120 HollowBody Electric je možda njezin omiljeni izbor krajem 80-ih. It appears in many of the pictures you can find of her, and most notably on her two excellent lesson videos, Bebop & Swing Guitar and Advanced Latin & Jazz Improvisation . Ona se pojavljuje u mnogim od slika možete pronaći u njoj, a ponajprije na njoj dva odlična lekcija video, Bebop & Swing Guitar and Advanced Latin & jazz improvizacija. It is also mentioned as her electric choice for the Together album with Coryell and you can see in Ed Deasy's photo's of the Charlottesville sessions, it was already her guitar of choice before recording the duo album. Također je spomenuo kako joj električni izbor za album Zajedno s Coryell i možete vidjeti u Ed Deasy's photo's of Charlottesville sjednicama, što je već joj gitara izbora prije snimanja albuma duo.
Even without seeing the inlaid name in the head stock, you will always know a Čak i bez da vide intarzirane ime u glavu stock, uvijek ćete znati Borys Borys by the unusually thin and angular pick guard (Emily's was made of a dark wood, either walnut or one of the tropicals, but this was probably an extra option). po neuobičajeno tankih i kutno pick guard (Emily je bila izrađena od tamnog drveta, ni orah ili jedan od tropicals, ali to je vjerojatno dodatnu opciju). He began building guitars in 1974 in Burlington, Vermont, eventually evolving to a series of guitars with jazz musicians in mind. On je počeo zgrada gitare 1974 u Burlington, Vermont, s vremenom razvija u nizu gitara s jazz glazbenici na umu. Ken Armstrong developed a special pick up just for them, that induced a rich tone from the trebles while retaining a crisp edge in the bass. Ken Armstrong razvio poseban pokupiti samo za njih, da se inducirane bogat ton iz trostruke zadržavajući reš prednost na bas. They came with ebony pickguards and knobs, mother of pearl markers and one of the finer adjustments was the ability to change string tension by raising or lowering the solid brass tail piece. Oni su došli s ebanovina pickguards i ručice, sedef markera i jedan od sitnije prilagodbe je sposobnost to Chanel niz napetosti podizanjem ili spuštanjem čvrstih komad mesinga rep. It's a beautiful guitar and the tone speaks for itself. To je prekrasan gitaru i ton govori sama za sebe.
Borys apprenticed with Jimmy D'Aquisto and made laminated body plates for Jimmy's jazz electric guitars ( the Jim Hall – D'Aquisto guitar) into the 1990's. Borys apprenticed s Jimmyjem D'Aquisto i napravio tijelo laminiranih ploča za Jimmy jazz električne gitare (Jim Hall - D'Aquisto gitara) u 1990's. The BG series was designed in collaboration with Jimmy D'Aquisto and Barry Galbraith, hence the “BG” in the name. BG serija je dizajnirana u suradnji sa Jimmy D'Aquisto i Barry Galbraith, stoga "BG" u ime.
I understand Roger Borys is still building (with limited production) and repairing guitars but has moved from his operation from northern Vermont to Hoboken, New Jersey. Ja razumijem Roger Borys još zgrada (sa ograničenom proizvodnjom) i popravak gitare, ali se preselila iz svoje operacije iz sjeverne Vermont Hoboken, New Jersey. After all this time they are still made by hand, one at a time. Nakon što je cijelo to vrijeme su još napravio rukom, jedan po jedan. Visit his website - Posjetite njegovu web stranicu -- RogerBorys.com RogerBorys.com for more information. za više informacija. Good luck in finding a used model at vintage guitar sites or ebay and if you do, expect to open your wallet a little wider than normal. Sretno u pronalasku se koristi model u vintage gitara stranicama ili ebay, a ako to učinite, očekivati da će otvoriti novčanik malo šire od normalne.
see the vidi special collections page posebne zbirke stranica for more vintage Borys brochures and literature. za više berba Borys prospektima i književnost.
Of interest, in one interview Emily spoke of owning an Interesa, u jednom intervjuu govorio Emily posjedovanja Ibanez GB-10 Ibanez GB-10 
(early on in her New Orleans experience ) , a signature series George Benson model, which is a little like the Gibson ES-175, Here's what she had to about it. (rano u njoj New Orleans iskustvo), George Benson signature serije modela, koji je nešto poput Gibson ES-175, Evo što je ona morala o tome.
It was good because it was thin enough, but I found that it was good only if you wanted to sound like George Benson. To je dobro jer je dosta tanak, ali otkrio sam da je dobro samo ako biste željeli zvučati kao George Benson. the top strings were very chinky and trebly, the low strings were warm and bassy, but they didn't sustain at all. vrh žice su bili vrlo Chinky i trebly, niske žice su bili topli i niskotonski, ali nisu uopće održati. It got a very percussive sound, like the way George plays. To je dobio vrlo udarni zvuk, kao način George igra. It was perfect for me in some ways, but I wanted a guitar that I could use for rock work, and it was terrible for that. To je bio savršen za mene na neki način, ali ja sam htjela gitaru da bih mogao iskoristiti za rock rad, i to je bio strašan za to.
Other Gear Ostala oprema
Amplifiers Pojačala
On the list of amps Emily is known to have liked are: Roland Chorus, Walter Woods, Music Man, Polytone and Fender . Na popisu pojačala Emily je poznato da su se svidjela su: Roland Chorus, Walter Woods, Music Man, Polytone i Fender. Besides of course the tone, one of her biggest considerations for an amp was related to the weight. Osim naravno ton, jedan od njenih najvećih razmatranja za pretpojačalo je vezan uz težinu. When you schlep your own gear, how much you have to lug is a factor. Kada schlep svoj zupčanik, koliko ste na potezanje je faktor.
” I owned a Polytone, which is kind of like a Fender Twin Reverb, except the Twin is much too heavy for me. "Ja u vlasništvu Polytone, koja je vrsta od poput Fender Twin Reverb, osim Twin je puno previše težak za mene. I can't pick one up, so I use the Polytone. Nisam se mogu pokupiti, tako da sam koristiti Polytone. I'd much rather use a tube amp, though. Ja bih puno radije koristiti cijev amp, ipak. I buy amps that i can pick up, otherwise I have to get strange men from the street to help me take it out of the car.” Kupim pojačala da mogu pokupiti, jer u suprotnom ja morati dobiti čudan ljudi iz ulice da mi pomogne da ga izvaditi iz auta. "
Of note, she was a proud owner of a VW Rabbit, Volkswagen of America headquarters was located on the industrial side of her hometown, Englewood. Of note, ona je ponosni vlasnik VW Rabbit, Volkswagen of America sjedište je smješteno na industrijskom strani rodnom, Englewood. Try stuffing a Twintube into the back of that! Pokušajte nadev Twintube u leđa na to!
Strings Strings
The only strings I've ran across her endorsing were D'Addario Half Rounds of which she said she wasn't fussy about the exact gauge and would use .011 gauge for the top but didn't care what the rest of the strings were. Samo strings sam trčao preko svoje odobravanje su D'Addario Half Rounds kojeg je ona rekla da nije bila nervozna o točno izmjerili, te će iskoristiti ,011 mjerilo za vrh, ali nije briga što je ostalo od žice bile . She also mentions later to leaning toward D'Addario Jazz Lights and loved them because they were free. Ona je također spominje kasnije nagnut prema D'Addario Jazz Svjetla i ljubio ih, jer oni su bili slobodni.
Half round guitar strings are round wound with 430 stainless steel, then precision ground, leaving the outer surface semi-smooth. Polukrug gitaru žice su okrugla rana od nehrđajućeg čelika 430, zatim precizno zemlju, ostavljajući vanjski polu-glatka površina. They retain the flexibility and tonal characteristics of round wound strings, but provide a smoother feel. Oni zadržavaju fleksibilnost i tonalne karakteristike okruglih rana nizova, ali pružaju glatko osjećati.
Right Down To The Pick Right Down To Pick
As her fans know Emily played a majority of her style without a pick, thus the comparison to Wes Montgomery for the use of her thumb. Kao što joj Emily fanovi znaju igrao većinu svog stila bez motika, tako da usporedba Wes Montgomery za korištenje palcu. She was masterful with it. Ona je bila vrlo vješt s njom. But when she wanted to accent a lead she would grab a pick she had been holding between her teeth and casually use it for a few minutes, then store it again. Ali, kad je htjela naglasiti da će dograbiti vodstvo pokupiti je bila drži među zubima i neusiljeno koristiti ga za par minuta, a zatim ga spremiti opet.
Emily was especially annoyed at a prominent critic who had objected (in print) to her habit of intermittently holding the guitar pick in her mouth whenever she switched to bare-finger playing. Emily je bila posebno ljutilo na istaknuti kritičar koji je imao prigovor (u tisku) da joj naviku povremeno drži gitaru pokupiti u ustima svaki put kad je prešao na rodi-prst igranje. The critic confessed that he preferred to look away whenever she was doing this, to which Emily testily replied: Kritičar priznao da je on više volio gledati daleko kad god je ona to radi, na koju Emily testily odgovorio:
Good ! Dobar! I wish he'd look away the whole time and picture me as John Coltrane ! Želim da bih gledati daleko cijelo vrijeme i sliku mene kao i John Coltrane!
The only pick she ever mentioned using was the Fender Extra Heavy 1.21mm and before that she states, ” I used bits of Tupperware and pieces of wood…”. Samo motika je ikada spomenuo koristeći je Fender Extra Heavy 1.21mm, a prije toga je ona kaže, "Ja se komadići od Tupperware i komada drveta ...".
Enough said. Enough said.
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