L eni was playing that night with a blazing guitarist named Wayne Krantz and as always her solos were silky smooth. L埃尼打得那麼晚一個名為韋恩將軍熾烈的吉他手和往常一樣她的獨奏了如絲般柔滑。 I'll tell more about Leni another time, but what I saw that night made me realize that every talented individual has something to glean from another.我會告訴更多關於雷妮另一個時間，但我所看到的那個夜晚讓我意識到，每個人都有一些才華，以收集從另一個。
B eautiful music is always an interchange. 乙 eautiful音樂始終是一個交換。

Emily and I started playing together as a duo. Emily和我開始玩在一起作為一個組合。 We toured the United States and Europe off and on for about a year and were briefly involved romantically, until I realized that we had very little in common.我們參觀了美國和歐洲和關閉了大約一年，並簡要地戀愛，直到我意識到，我們只有很少的共同點。 We made a duet record for Concord Records, Together , which still stands up today, I think, especially as a testament to Emily's genius.我們做了一個二重唱記錄協和記錄，攜手並肩，今天仍然站起來，我認為，特別是作為一個證明了Emily的天才。 When the record was released there was lot of reaction from the jazz guitar community.當記錄被釋放有很多反應，從爵士樂吉他社區。 One publication, The Texas Monthly , had a long article analyzing the different soloing approaches we had.一個出版，德州月刊 ，有很長的文章中加以分析方法的不同獨奏我們了。 They surmised that Neal Tesser, who wrote the liner notes, had confused my playing with Emily's and Emily's playing with mine!他們推測，尼爾 Tesser，誰寫的內頁，打了我的困惑與 Emily的和埃米莉的玩我的！ I thought that was kinda funny because ever since I started doing two-guitar things, even musicians who knew both of us sometimes couldn't tell us apart.我認為這是挺有意思的，因為自從我開始做雙吉他的事，甚至音樂家誰知道我們倆有時不能告訴我們分開。 The first example of this I recall came from Jack Bruce, who also said he couldn't tell me from John McLaughlin when he first heard “Spaces”.第一個例子，我記得這個來自傑克布魯斯，誰也說，他不能告訴我從麥克勞林當他第一次聽到“空間”。 But where McLaughlin came off sounding like a high-flying rocket, Emily was like a poet when she played.但是，在麥克勞克林脫落聽起來就像一個高空飛行的火箭，埃米莉是像一個詩人，當她玩。 I recall one bizarre incident on tour in Germany when we were in a doctor's office.我記得一個離奇事件在德國巡迴演出時，我們是在醫生的辦公室。 The doctor had a guitar there, an entry-level solid-body, with a small amp.醫生那裡有一個吉他，一個入門級固體體，用小功放。 Emily picked it up and plugged in and started playing just with her fingers – no pick.艾米莉把它撿了起來，接通電源，然後開始打，這正好與她的手指 - 沒有選擇。 We were all mesmerized by what she was doing: chords, timing, feel, counterpoint, and spontaneity.我們都被迷住了她在做什麼：和弦，定時，感受，對位，和自發性。

Emily died an untimely and all-too-early death in 1990 at the age of 32.劉慧卿過早死亡和全過早死亡的年齡在1990年的32。 Monty Alexander, her ex-husband, said it best; “She's out of town.蒙蒂亞歷山大，她的前夫，說得好，“她的出城。 She'll be back” – I believe that – the music was just too good.她會回來的“ - 我相信 - 音樂是太好。