I haven’t thought about Emily in a long time but I’ll always have great memories of playing with her in little hole-in-the-wall bars in Brooklyn’s Park Slope.
When you first heard her play, you knew that you were playing with a well-studied, serious musician. She just seemed like one of the guys when it came to playing; definitely never thought of as “she plays pretty good for a girl”.
When I heard about her passing, I was shocked, she just seemed like the girl you would always run into every once in a while and say hello.
Maybe I’ll be able to run into her again just to say hello, Tim
Thank you so much for this site. I spent several hours listening to the interviews, watching the videos and reading articles. Emily was such a cool person! Hearing her interviews made me laugh!
Also gave me some new insights about music. This site means so much in keeping Emily Remler’s music alive. It dose so much to deflect away from the sad details of her passing. I hope people can visit this page and hear what a funny, talented and loving person she was. Also what great compositions and arrangements! Snowfall….Softly as in a Morning Sunrise…will give you chills!
She truely paved the way for female guitarist like me who are in awe of her music. I hope that if there are people out there with videos of Emily’s playing to please post on youtube. Thank you!
Regarding Emily Remler and Larry Coryell album “Together”: I have that album on CD. Contact me if you’d like a copy.
I’ve always thought that Emily brought more warmness to that album than Larry. I’ve discovered Emily through Larry, who I think is a great guitarist. But to my ears, Emily is a much warmer player. Plus, she possesses a more charming flow and creates a much smoother pocket. But that’s just my personal opinion.
one of the great concerts of my (nearly) 60 years was seeing emily and larry coryell at the bimhuis in amsterdam late 80’s ? following which i bought the *together album…2 copies….again easily in my top 5 pieces of music in any category ….. so i’m delighted to see this tribute site appearing … why is this wonderful album not available on cd ? … also i’ve discovered that there are wonderful video clips of emily in various settings on youtube …. again hats off to you for a great site .
Emily Remler’s “Firefly” was one of those extremely intense sensations that lets you know you’re in a new league. I listen to the album now equally for Hank Jones’ piano. That album really showed me how tasteful and powerful backup, in addition to carefully crafted solos, can make the show. Unbefreakinlievable when a friend told me she was gone. Why does one album turn the light on for you, maybe it’s something to do with the timing of hearing it when you’re mind’s finally ready.
Glad to be on this site and I’m really excited that someone took the time to put it up. Wow! Emily was loved by so many who knew her and all of us who never had the opportunity. I been enjoying her music for years, it’s simply timeless and her video (Advanced Jazz and Latin Improvisation) Volume 2 is one of my all time favs. Her personality always came to life in her videos and recordings and she will be missed forever.
Thank you for this wealth of information about Emily. I’m so pleased that there are so many fans who still miss her and can find solace in these pages. The videos are fabulous.
I faithfully followed Emily’s advice in her hotlicks video to play bossa nova like the brazilians do. This led me to discover other guitarists like Garoto, Baden Powell, Raphael Rabello, and Guinga. But Emily will always be my favorite brazilian guitarist.
I have a vinyl record that she appears on as a sideman that is not on your comprehensive list. The album is titled “Deuce” by Jean Fineberg and Ellen Seeling, (Redwood Records, 1986). The track with a solo by Emily is “Watersounds”. It was given to me by a friend who knew I was looking for everything she ever recorded.
HAPPY BIRTHDAY EMILY!
I was part of that family Larry Grinnell refers to in his comments. I watched my beautiful cousin live a hard, challenging, but joyous life on the road over the years. How much I wish I could go back to that night in Fort Lauderdale and undo what would be coming up shortly in her life. Not a week goes by that I don’t think about her and miss her madly. I cannot thank you all enough for continuing to appreciate her music and share in the fascinating woman that she was.
Hi,
Thank you very much!!!!!!!!!!!!!!!!!!!
This site is awesome!
It is a pleasure to find this page.
Emily, Thanks a lot for your music and the inspiration.
God Bless you.
Emily Remler was the woman who got me into playing jazzguitar. I’ve played the guitar for 7 years, since I was 11. It was mostly pop, rock and a bit classical stuff that I did until I saw her Hot Licks videoes approximatly one year ago. She opened my ears for this beautiful, interesting, expressive, complex and fun music on the best instrument in the world! Her music was special, her personality was special and, being a female guitarist myself, she became my special and most beloved idol, rapidly.
I still grieve that she’s gone. I still watch her videoes and listen to her music and think I know her, that’s she’s my best friend; probably one of very few women in this world who understands me, what this instrument and what music means to me. Sometimes I feel I can’t wait to go to her concerts, talk to her and share the same passion with her. But then I realize that she’s left us here. I won’t meet her while I’m here on earth, because she’s jammin’ with God in heaven. It’s the same shock everytime and I usually, heh, cry - sob - watching her videoes. Yes, she’s affected people deeply, and I hope she knows that.
It’s fantastic that this website exists, I think, like many others. A musician as talented, hardworking, passionate and strong as Emily Remler, definitly deserves it, and it means a lot to us who love all the things she gave.
Thank you very much for keeping up the great work!
Emily Remler was a magnificent, luminous human being who lighted the world’s stage for the briefest of moments and then was heard no more. But what a moment it was indeed!!
Although I did not know her personally, her music and the videos that have been posted on this excellent site have touched my heart and soul in a way that little has been able to for a great many years. What transpires through it all is one indescribably beautiful musician, artist and human being, deeply in love with music and her instrument, and therefore, in love with LIFE. In love with it, tragically, to the point of absolute madness, folly and eventual death. For a love THAT profound and immeasurable could never be requited.
She seems to give and give and give to the world and she wanted to give even more of the contents of her self, of her own being. She wanted to give the impossible, something beyond even that most beautiful gift that she had already given us in her fantastic music. But she ran into a wall and we are all so much diminished because of this excessive generosity and poetic desire of hers.
Along with that of Pat Metheny, John Scofield and a few others, Emily’s music evokes a time in my life, at Berklee and in Boston in later years, that will filled with tremendous joy, enthusiasm, discovery and, above all, sublime and exquisite beauty. It was a time before my own “troubles” began, of a slightly different but related nature to those of sweet Emily. It is a time that I have always treasured in my heart and that I can never seem to recapture in my middle ages and moving forward enormous gift that she gave to me, and others.
When I first heard of Emily’s death, I felt angry. I felt that it should have been me and not her. I would have given my own worthless life in exchange if it could have brought back this great and irreplaceable person. That’s how special she was (and is)!!
Thank you, Emily!! Thank you so much for the lovely gift of love, passion and beauty which I can never, ever repay.
I still shake my head in disbelief at times when It hits me that Emily has left the house … Seems like just last Friday (this was circa ‘86-’87) when a Brasilian friend and I went to an afternoon/Evening Festival at Philadelphia’s Penn’s Landing and this was the line-up:
*Ralph Towner & Gary Burton
*Alex De Grassi
*Emily Remler with Eddie Gomez
*Michael Hedges (in his orange leopard suit)
*Djavan
If music flows like oxygen in your blood — How can you forget this? : ) We had an encounter with a shooting star … As always it is fleeting but, if you saw that radiance streaking against that dark Universe — You will always remember it : )
I had the great pleasure to twice see Emily playing in a duo setting with Larry Coryell in Fort Lauderdale at the old Cafe Exchange in the mid-late 80s. She apparently had some family in the area, as she spent a lot of time with a group of people in the front row of this fabulous dive. I enjoyed a few moments with Coryell, sharing stories about my uncle, who taught Larry some Johnny Smith moves many years ago.
Emily and Larry played a wonderful set, each giving the other plenty of room to stretch out. I believe the first time I saw her, she was playing the Ovation, and the second time, she had the Borys. Larry has his huge Gibson Super 400 and switched off to an Ovation for several pieces.
I will always remember her incredible musicianship and continue to wonder where she would be today, musically. Sad we will never know.
Thank you for this wonderful website and tribute to Emily.
Unfortunately, I did not discover Emily until 1992, after she had passed away. I happened upon East to Wes and couldn’t resisting asking the age old question: “Can she really play guitar/jazz?” It took a few listens before I understood what she was talking about. She has never disappointed - her melodic dialogue, creativeness, technique, well, just pure genius, I’m a fan of everything she did.
Favorite tracks: Sweet Georgie Fame (how hip can you get?), Mocha Spice, and the entire “This is Me” (esp. Carenia).
I had the chance to see the performance of Emily Remler and Monthy Alexander at The “Teatro Municipal” in Caracas, Venezuela around 1979 or 80. At that time they were playing with Venezuelan Jazz Artists “El Pavo” Frank on drums and Hector Hernandez “El pecho…” on acustic bass. Incredible music … on song that I liked a lot was “Latin Brother”
THANK YOU!!! THANK YOU for developing such a great website for the great Emily. I rediscovered her while browsing thru Youtube and embarked on a desperate search for all things Emily, and I have found it here. What a great job you have done!!! I find her music to be so brilliant and moving. I love transcribing her work. I am working on “You know what I’m sayin” and just bought the DVD of that song thanks to your site. I saw Emily live with Larry Coryell and I just about fell off my chair. I met her and Larry and looked foward to hearing her through the years. It was not to be. Once again, thank you for your wonderful website and God bless the great Emily Remler.
Thanks so much for this site! I’ve been scouring the net for a while and then found more info here than anywhere else. I am a guitar player-teacher and have know and loved Emily’s work since the 80’s. I never saw her live but her music has affected me deeply. She has been one of my major influences. Being a friend of Larry Coryell’s, I have heard several Emily Stories and it’s like I’ve know her vicariously, through her muscic and legend. Larry one said that “if she would have lived, she could have been the greatest jazz guitar player ever”. Thanks so much for remembering Emily and I will always tell students about her and remember her.
I’ve always dug Emily’s sound and her tunes, and especially her covers (e.g., Tad Dameron’s “Hot House”). When I worked with Bob Moses, he told me some stories about her, some cool, some tragic and sad regarding her substance abuse — I know alot of people struggling and a few that didn’t make it. It’s wonderful to find a web-site dedicated to her gifts and prowess. To me, she’s like a verse from Rumi — poignant, profound, colorful and here all too briefly.
Thanks for this fantastic site and thanks to Emily Remler for the inspiration.
I wish this site had existed years ago as I’ve spent so much time rewinding and pausing her two videos in order to work out every note. I can’t wait to work through the transcriptions of Afro Blue, Insensitive etc. Keep up the good work.
Thank you for producing this wonderful site, it’s a fitting tribute for one of the great lost talents of modern music. Emily was a wonderful player, a musician whose intelligence and wit shines through every moment of her recorded work, and she remains an inspiration to all lovers of jazz.
Around 1986 I was living in Istanbul Turkey. A local jazz programme played the whole of Catwalk, an album of original tunes by guitarist Emily Remler. I recorded the show and played it back over and over again. The compositions (Mocha Spice, Catwalk, Gwendolyn, Antonio, Pedals, Five Years, Mozambique) were original, had a direct line back to the jazz tradition, had a relaxed swing, sensitivity and strong sense of purpose. Back in the UK, I was surprised that people were dismissive (e.g. “a Wes copyist”)because her sound and approach seemed to modern and original. When I hear Emily playing standards, I can sometimes see what people mean. However, she deserves credit for bringing her own unique qualities to the jazz guitar. If she had been given credit for her inimitable style, perhaps she would not have suffered the identity problems that must have caused her so much pain. I’m very happy that this site has provided a focus for all things Emily.
I played most styles of guitar for years, and pretty well too, and only stopped for medical reasons. Also did a fair bit of arranging and so on. I know a great guitarist when I hear one, and Emily was one.
I had been really looking forward to hearing Emily in concert (for the first time) in Australia, in 1990. But it didn’t work out that way for reasons you all know. Very sad and premature end to a truly outstanding talent.
Emily was one of the greatest jazz guitarists in the world and would have gone on to become the greatest it is said. Very rare to have a female jazz player and she was beautiful at that! I have everything she has done and she has inspired me to go all out and become the jazz player I think I can be. I just hope her and Stevie Ray Vaughan are waiting for me when I get to Heaven, now that would make heaven even better! Fly on Emily and thankyou for all the love you passed our way! Rick
I haven’t thought about Emily in a long time but I’ll always have great memories of playing with her in little hole-in-the-wall bars in Brooklyn’s Park Slope.
When you first heard her play, you knew that you were playing with a well-studied, serious musician. She just seemed like one of the guys when it came to playing; definitely never thought of as “she plays pretty good for a girl”.
When I heard about her passing, I was shocked, she just seemed like the girl you would always run into every once in a while and say hello.
Maybe I’ll be able to run into her again just to say hello, Tim
Thank you so much for this site. I spent several hours listening to the interviews, watching the videos and reading articles. Emily was such a cool person! Hearing her interviews made me laugh!
Also gave me some new insights about music. This site means so much in keeping Emily Remler’s music alive. It dose so much to deflect away from the sad details of her passing. I hope people can visit this page and hear what a funny, talented and loving person she was. Also what great compositions and arrangements! Snowfall….Softly as in a Morning Sunrise…will give you chills!
She truely paved the way for female guitarist like me who are in awe of her music. I hope that if there are people out there with videos of Emily’s playing to please post on youtube. Thank you!
Regarding Emily Remler and Larry Coryell album “Together”: I have that album on CD. Contact me if you’d like a copy.
I’ve always thought that Emily brought more warmness to that album than Larry. I’ve discovered Emily through Larry, who I think is a great guitarist. But to my ears, Emily is a much warmer player. Plus, she possesses a more charming flow and creates a much smoother pocket. But that’s just my personal opinion.
Cheers!
Alex
one of the great concerts of my (nearly) 60 years was seeing emily and larry coryell at the bimhuis in amsterdam late 80’s ? following which i bought the *together album…2 copies….again easily in my top 5 pieces of music in any category ….. so i’m delighted to see this tribute site appearing … why is this wonderful album not available on cd ? … also i’ve discovered that there are wonderful video clips of emily in various settings on youtube …. again hats off to you for a great site .
Emily Remler’s “Firefly” was one of those extremely intense sensations that lets you know you’re in a new league. I listen to the album now equally for Hank Jones’ piano. That album really showed me how tasteful and powerful backup, in addition to carefully crafted solos, can make the show. Unbefreakinlievable when a friend told me she was gone. Why does one album turn the light on for you, maybe it’s something to do with the timing of hearing it when you’re mind’s finally ready.
Glad to be on this site and I’m really excited that someone took the time to put it up. Wow! Emily was loved by so many who knew her and all of us who never had the opportunity. I been enjoying her music for years, it’s simply timeless and her video (Advanced Jazz and Latin Improvisation) Volume 2 is one of my all time favs. Her personality always came to life in her videos and recordings and she will be missed forever.
Thank you for this wealth of information about Emily. I’m so pleased that there are so many fans who still miss her and can find solace in these pages. The videos are fabulous.
I faithfully followed Emily’s advice in her hotlicks video to play bossa nova like the brazilians do. This led me to discover other guitarists like Garoto, Baden Powell, Raphael Rabello, and Guinga. But Emily will always be my favorite brazilian guitarist.
I have a vinyl record that she appears on as a sideman that is not on your comprehensive list. The album is titled “Deuce” by Jean Fineberg and Ellen Seeling, (Redwood Records, 1986). The track with a solo by Emily is “Watersounds”. It was given to me by a friend who knew I was looking for everything she ever recorded.
Thank you.
June
HAPPY BIRTHDAY EMILY!
I was part of that family Larry Grinnell refers to in his comments. I watched my beautiful cousin live a hard, challenging, but joyous life on the road over the years. How much I wish I could go back to that night in Fort Lauderdale and undo what would be coming up shortly in her life. Not a week goes by that I don’t think about her and miss her madly. I cannot thank you all enough for continuing to appreciate her music and share in the fascinating woman that she was.
Keep her memory as real as she was!
Hi,
Thank you very much!!!!!!!!!!!!!!!!!!!
This site is awesome!
It is a pleasure to find this page.
Emily, Thanks a lot for your music and the inspiration.
God Bless you.
Emily Remler was the woman who got me into playing jazzguitar. I’ve played the guitar for 7 years, since I was 11. It was mostly pop, rock and a bit classical stuff that I did until I saw her Hot Licks videoes approximatly one year ago. She opened my ears for this beautiful, interesting, expressive, complex and fun music on the best instrument in the world! Her music was special, her personality was special and, being a female guitarist myself, she became my special and most beloved idol, rapidly.
I still grieve that she’s gone. I still watch her videoes and listen to her music and think I know her, that’s she’s my best friend; probably one of very few women in this world who understands me, what this instrument and what music means to me. Sometimes I feel I can’t wait to go to her concerts, talk to her and share the same passion with her. But then I realize that she’s left us here. I won’t meet her while I’m here on earth, because she’s jammin’ with God in heaven. It’s the same shock everytime and I usually, heh, cry - sob - watching her videoes. Yes, she’s affected people deeply, and I hope she knows that.
It’s fantastic that this website exists, I think, like many others. A musician as talented, hardworking, passionate and strong as Emily Remler, definitly deserves it, and it means a lot to us who love all the things she gave.
Thank you very much for keeping up the great work!
Emily Remler was a magnificent, luminous human being who lighted the world’s stage for the briefest of moments and then was heard no more. But what a moment it was indeed!!
Although I did not know her personally, her music and the videos that have been posted on this excellent site have touched my heart and soul in a way that little has been able to for a great many years. What transpires through it all is one indescribably beautiful musician, artist and human being, deeply in love with music and her instrument, and therefore, in love with LIFE. In love with it, tragically, to the point of absolute madness, folly and eventual death. For a love THAT profound and immeasurable could never be requited.
She seems to give and give and give to the world and she wanted to give even more of the contents of her self, of her own being. She wanted to give the impossible, something beyond even that most beautiful gift that she had already given us in her fantastic music. But she ran into a wall and we are all so much diminished because of this excessive generosity and poetic desire of hers.
Along with that of Pat Metheny, John Scofield and a few others, Emily’s music evokes a time in my life, at Berklee and in Boston in later years, that will filled with tremendous joy, enthusiasm, discovery and, above all, sublime and exquisite beauty. It was a time before my own “troubles” began, of a slightly different but related nature to those of sweet Emily. It is a time that I have always treasured in my heart and that I can never seem to recapture in my middle ages and moving forward enormous gift that she gave to me, and others.
When I first heard of Emily’s death, I felt angry. I felt that it should have been me and not her. I would have given my own worthless life in exchange if it could have brought back this great and irreplaceable person. That’s how special she was (and is)!!
Thank you, Emily!! Thank you so much for the lovely gift of love, passion and beauty which I can never, ever repay.
And thank you all for this web site in her honor.
I still shake my head in disbelief at times when It hits me that Emily has left the house … Seems like just last Friday (this was circa ‘86-’87) when a Brasilian friend and I went to an afternoon/Evening Festival at Philadelphia’s Penn’s Landing and this was the line-up:
*Ralph Towner & Gary Burton
*Alex De Grassi
*Emily Remler with Eddie Gomez
*Michael Hedges (in his orange leopard suit)
*Djavan
If music flows like oxygen in your blood — How can you forget this? : ) We had an encounter with a shooting star … As always it is fleeting but, if you saw that radiance streaking against that dark Universe — You will always remember it : )
The Hawk
http://www.JuliansFlight.com
I had the great pleasure to twice see Emily playing in a duo setting with Larry Coryell in Fort Lauderdale at the old Cafe Exchange in the mid-late 80s. She apparently had some family in the area, as she spent a lot of time with a group of people in the front row of this fabulous dive. I enjoyed a few moments with Coryell, sharing stories about my uncle, who taught Larry some Johnny Smith moves many years ago.
Emily and Larry played a wonderful set, each giving the other plenty of room to stretch out. I believe the first time I saw her, she was playing the Ovation, and the second time, she had the Borys. Larry has his huge Gibson Super 400 and switched off to an Ovation for several pieces.
I will always remember her incredible musicianship and continue to wonder where she would be today, musically. Sad we will never know.
Thank you for this wonderful website and tribute to Emily.
Unfortunately, I did not discover Emily until 1992, after she had passed away. I happened upon East to Wes and couldn’t resisting asking the age old question: “Can she really play guitar/jazz?” It took a few listens before I understood what she was talking about. She has never disappointed - her melodic dialogue, creativeness, technique, well, just pure genius, I’m a fan of everything she did.
Favorite tracks: Sweet Georgie Fame (how hip can you get?), Mocha Spice, and the entire “This is Me” (esp. Carenia).
I had the chance to see the performance of Emily Remler and Monthy Alexander at The “Teatro Municipal” in Caracas, Venezuela around 1979 or 80. At that time they were playing with Venezuelan Jazz Artists “El Pavo” Frank on drums and Hector Hernandez “El pecho…” on acustic bass. Incredible music … on song that I liked a lot was “Latin Brother”
THANK YOU!!! THANK YOU for developing such a great website for the great Emily. I rediscovered her while browsing thru Youtube and embarked on a desperate search for all things Emily, and I have found it here. What a great job you have done!!! I find her music to be so brilliant and moving. I love transcribing her work. I am working on “You know what I’m sayin” and just bought the DVD of that song thanks to your site. I saw Emily live with Larry Coryell and I just about fell off my chair. I met her and Larry and looked foward to hearing her through the years. It was not to be. Once again, thank you for your wonderful website and God bless the great Emily Remler.
At last! Thanks so much for this brilliant site…she was such a great guitarist, I’m glad others feel the same. Keep up the excellent work.
Thanks so much for this site! I’ve been scouring the net for a while and then found more info here than anywhere else. I am a guitar player-teacher and have know and loved Emily’s work since the 80’s. I never saw her live but her music has affected me deeply. She has been one of my major influences. Being a friend of Larry Coryell’s, I have heard several Emily Stories and it’s like I’ve know her vicariously, through her muscic and legend. Larry one said that “if she would have lived, she could have been the greatest jazz guitar player ever”. Thanks so much for remembering Emily and I will always tell students about her and remember her.
I’ve always dug Emily’s sound and her tunes, and especially her covers (e.g., Tad Dameron’s “Hot House”). When I worked with Bob Moses, he told me some stories about her, some cool, some tragic and sad regarding her substance abuse — I know alot of people struggling and a few that didn’t make it. It’s wonderful to find a web-site dedicated to her gifts and prowess. To me, she’s like a verse from Rumi — poignant, profound, colorful and here all too briefly.
Thanks for this fantastic site and thanks to Emily Remler for the inspiration.
I wish this site had existed years ago as I’ve spent so much time rewinding and pausing her two videos in order to work out every note. I can’t wait to work through the transcriptions of Afro Blue, Insensitive etc. Keep up the good work.
Thank you for producing this wonderful site, it’s a fitting tribute for one of the great lost talents of modern music. Emily was a wonderful player, a musician whose intelligence and wit shines through every moment of her recorded work, and she remains an inspiration to all lovers of jazz.
Around 1986 I was living in Istanbul Turkey. A local jazz programme played the whole of Catwalk, an album of original tunes by guitarist Emily Remler. I recorded the show and played it back over and over again. The compositions (Mocha Spice, Catwalk, Gwendolyn, Antonio, Pedals, Five Years, Mozambique) were original, had a direct line back to the jazz tradition, had a relaxed swing, sensitivity and strong sense of purpose. Back in the UK, I was surprised that people were dismissive (e.g. “a Wes copyist”)because her sound and approach seemed to modern and original. When I hear Emily playing standards, I can sometimes see what people mean. However, she deserves credit for bringing her own unique qualities to the jazz guitar. If she had been given credit for her inimitable style, perhaps she would not have suffered the identity problems that must have caused her so much pain. I’m very happy that this site has provided a focus for all things Emily.
I played most styles of guitar for years, and pretty well too, and only stopped for medical reasons. Also did a fair bit of arranging and so on. I know a great guitarist when I hear one, and Emily was one.
I had been really looking forward to hearing Emily in concert (for the first time) in Australia, in 1990. But it didn’t work out that way for reasons you all know. Very sad and premature end to a truly outstanding talent.
My favourite track? ‘Mocha Spice’.
And thanks for the site. Emily sure deserves it.
Emily was one of the greatest jazz guitarists in the world and would have gone on to become the greatest it is said. Very rare to have a female jazz player and she was beautiful at that! I have everything she has done and she has inspired me to go all out and become the jazz player I think I can be. I just hope her and Stevie Ray Vaughan are waiting for me when I get to Heaven, now that would make heaven even better! Fly on Emily and thankyou for all the love you passed our way! Rick